All That Link

It's been so long since we had a link roundup! You were all partying over the long weekend anyway. But we're back to normal. Please to enjoy these fine, discussable or just fun posts around the web...

Antagony & Ecstasy looks back at Thelma & Louise now that Susan Sarandon is on the road in Tammy's crime spree
VF Jennifer Lawrence meets Emma Watson
Leigh Alexander on internet sexism - the dos and don'ts 
BuzzFeed Matt McGorry and Samira Wiley from Orange is the New Black recreate Matthew McConaughey movie posters. Love.
WSJ Taylor Swift fancies herself a journalist suddenly and writes about the future of fandom, music careers and record sales 
AV Club on that potato salad kickstarter 
Deadline on new controversial strict rules for documentary eligibility at the Oscars. I understand the arguments against the new ruling but I would also like to caution documentarians to think about what they're asking for. The Oscars are larger than your particular craft and they really are supposed to be about CINEMA (i.e. things that play in theaters) so shush. These kinds of rulings may hurt at first but there should be a difference between television and movies. Television has its own awards for you to win if your film is great. Don't be greedy. I do agree with one complaint though: what's fair for docs should also be fair for features so Oscar needs to tighten up its eligibility rules across the board.

Hey, Look

It's the first image of Don Cheadle as Miles Davis in a forthcoming biopic. Filming has just begun. I guess Cheadle hasn't moved to TV for good (i *really* hate House of Lies) but at this point he seems far more likely to win an Emmy than an Oscar. The movie is apparently more about his marriage than his music. The best news about the project by far is that it gives Emayatzy Corinealdi a follow up leading role to her great work in Middle of Nowhere. She plays Miles first wife Francis Taylor.

Bob Fosse and Roy Scheider at Cannes for "All That Jazz"Fosse Fosse Fosse
Sound on Sight has an excellent retrospective of Bob Fosse's astounding but weirdly forgotten cinematic career from Mynt Marsellus. I wish Marsellus hadn't hedged on his ending - Fosse absolutely is equal to the other far more famous auteurs cited (Coppola, Scorsese, Spielberg, etcetera). They are only better remembered / respected I'd argue because they:

a) have comparatively gigantic filmographies
b) are still alive and working twenty-seven years after Fosse's death (Fosse was older than all the other crucial 70s breakout auteurs save Robert Altman and Fosse also died relatively young at only 60)
c) made their best films in genres that are more typically male than the film musical and thus escaped the pervasive destructive sexism that tends to devalue all rich work in more traditionally "feminine" fields like musicals, romances, and melodramas. We see this all the time in film criticism. Still.

Review: Melissa McCarthy > Tammy

An slightly abridged version of this review was originally published in Nathaniel's column at Towleroad

One of the best developments of movie advertising this past decade is the use of single scenes as teasers. Remember when The Devil Wears Prada used the opening sequence, fashion magazine peons freaking out about the arrival of Miranda Priestley as a perfect hook? Do you want to see more? Yes Ma’am! 

Tammy employed a similar tactic at first giving you a peak at the actual movie instead of a greatest hits montage. The first tease was a single scene of Melissa McCarthy clumsily robbing a fast-food restaurant in a dumb paper bag mask: too large to clear the counter, too blind to lock a storage room door, too sweet to be threatening. “You want some pies? You want pies” It’s a very funny sequence promising a slapstick filled comedy about a bumbling amateur criminal. Melissa McCarthy is currently on top of Hollywood’s food chain after three consecutive smash hits (Bridesmaid, Identity Thief and The Heat) the first and last of which are top-notch comedies, continually funny, bracingly rude and totally rewatchable. 

Unfortunately, the robbery proves to be Tammy’s single best bit and, oops, we’ve already seen the whole thing. [More...]

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Podcast: Mother's Day Special

For this very special and ultimately quite spontaneous edition of the podcast, Nathaniel calls a few of his team members to grill them about their moms & the movies. Sadly the entire team was not available -- some of them were being good kids en route to visiting their mothers so they have a good excuse -- but you get to hear from a few of us and how our moms factor into our cinephila. Expect name-droppings of Margo Martindale, Susan Sarandon, I Remember Mama, The Lord of the Rings, A Separation and much more... 

You can listen to the podcast here at the bottom of the post or download the conversation on iTunes.

00:01 Intro
01:00 Amir
09:00 Abstew
14:00 Anne Marie
20:30 Tim Brayton
27:00 Funny Girl Interlude & Surprise Guest
32:00 The Guest of Honor, Nathaniel's Mom!
40:00 Exit Music "Baby Mine" with Bette Midler 

Nathaniel's mom & dad in 1960I can't interview each and every one of you out there listening about how your moms shaped your moviegoing but if you have any key stories, please share them in the comments. I actually teared up making this one. Keep the love a-going. And call your mama or take her to a movie today!

Further Reading To Enhance This Podcast
Anne Marie's "A Year With Kate"
Tim's Home Schooling Essay on "Mean Girls"
Amir's "Hello Cinema"
How Many Barbra Streisand's Have You Seen?
Loretta Young, Nathaniel's Mom's Favorite

 

Mothers Day with TFE

We Can't Wait Addendum: "The Last of Robin Hood"

In January we did a countdown of 2014 movies we were most looking forward to. With the distribution news that The Last of Robin Hood, an Errol Flynn bio of sorts with Kevin Kline will be released I feel the need to give it a shout out.

Errol Flynn keeps entering my consciousness when I least expect him lately. I was talking to Diana (currently in LA with Anne Marie to report on the TCM Film Festival for y'all right her) the other day over dinner and she brought him up. She loves the swashbuckling movie star and enjoyed the film at TIFF. I was also at a very chic event celebrating the photography of George Hurrell and there was a huge absolutely stunning portrait of Errol Flynn mixed with several perfect Joan Crawfords.

So when I read the news today, I became properly stoked at last. I love the poster's clever arrowhead riff (pictured left top) on that most boring of poster tropes, one visual stripe per star. I was once friendly with the film's directors (though we've lost touch). And, out of curiousity, I looked up a picture of Errol with his inappropriately young girlfriend at the end of his life and my jaw dropped...

Kevin Kline and Dakota Fanning couldn't be better casting, could they? 

The Complete List of "We Can't Wait" Titles in case you missed them.
We'll be following all these titles closely this year! 
01 Carol (TBA)
02 The Grand Budapest Hotel (March)
03 Foxcatcher (TBA)
04 Under the Skin (April)
05 Inherent Vice (TBA)
06 Into the Woods (Christmas)
07 Snowpiercer (TBA)
08 Nymphomaniac (March)
09 Boyhood (July)
10 Big Eyes  (TBA)
11 The Last 5 Years (TBA)
12 Gone Girl (Oct)
13 Begin Again (TBA)
14 Veronica Mars (March)

Runner Up Films

Hollywood Is Mean To Older Women. Let's Help Them With A Chart!

The news about Laura Dern playing Reese Witherspoon's mother made me giggle at first this weekend since she's the right age to play her big sister. But the more I thought of it the more it bugged me. Especially since it came hot on the heels of realizing that Tilda Swinton, who turns 53 in a week or two, had the role originally designed for the legendary Angela Lansbury (who is 88) in Grand Budapest Hotel. To add insult to injury, Alex reminded me on Twitter that Susan Sarandon will be playing Melissa McCarthy's grandmother in the upcoming comedy Tammy. Sarandon is just 24 years older than McCarthy which would make her a fairly young mother of the star but a grandmother? That means she and her fictional daughter were knocked up as pre-teens. Gross!

None of this should be miscontrued as me not enjoying myself some Dern, Sarandon and Swinton! But all of this reminds me that Sally Field, ten years senior to Tom Hanks, played his mother in Forrest Gump just six years after rejecting him romantically in Punchline. That's misogynist Hollywood's version of karmic punishment, right?! [more]

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