Team Experience: Sight & Sound Poll

There's a lot to parse within the BFI's Sight & Sound poll, a once a decade event in which the [air quotes] greatest films of all time [/end air quotes] are named. Given that the results are a product of accumulation of individual opinions, I enlisted Team Film Experience for a variety of voices to respond to it and you can see their quotes below. The list is a critic friendly and far more international affair than other famous mainstream rankings like AFI's Top 100. How did they determine the rank? According to Nick James 1000 critics, academics, writers, cinephiles, and directors were polled as to what ten films they considered The Greatest Ever, whether great meant "historical significance", "artistry" or something more personal to them. 846 top-ten lists were received which means we would like to volunteer to replace any of the 164 invitees who couldn't be bothered next time!

Every entry on a top ten list received one vote so rank didn't matter, nor should it, given that once you're in the upper echelons of achievement it's like splitting hairs. Or, since we're talking about Vertigo, judging who has the best bunhead.

As you've already heard, Alfred Hitchcock's discomfiting chilly double-identity thriller VERTIGO (1958) tossed the discomfitting chilly and ever triumphant CITIZEN KANE (1941) from its bell tower. Is it lonely at the top? Sure thing. [The list and what Team Experience had to say after the jump]

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The ½ Way Mark Finale. Best Supporting Actress

Previously: Actress, Actor , Supporting Actor and Picture.

As per usual even with only six months of film releases, not even of the prestige variety, there's more than enough to choose from for a solid Supporting Actress list. Though I'll always be most tied to Best Actress on account of movie star fascination, it's easy to understand why this is year in, year out, many readers favorite category.  

SUPPORTING ACTRESS  January through June Releases
For Your Consideration... my ballot as of July 7th. 

• Eva Green, Dark Shadows (discussed in the review)
• Frances McDormand, Moonrise Kingdom
  Magic. Don't you feel like you know exactly what it's like to be her child, her husband, or her middle aged lover while you're , to be her husband and her lover while watching this? 
• Olivia Munn, Magic Mike
  A textbook example of seizing an opportunity and making the most of a character. Her slumming grad student with an open body, adventurous spirit, but compartmentalized heart is a key foil to reveal Magic Mike's own self-awakening.
• Michelle Pfeiffer, People Like Us (previously discussed)
• Maggie Smith, The Best Exotic Marigold Hotel
  Could she do this in her sleep? Probably. But that shouldn't negate the joy of watching her work or the affecting reveal of a kind heart buried under a nasty exterior and a lot of ignorance.

With apologies to Charlize Theron who made good on that Young Adult comeback twice over by ruling over Snow White and the Hunstman like a Queen, the royal kind, in Snow White and the Huntsman (maybe she went too big ... maybe... but someone had to keep that film from flatlining!) and an intriguingly robotic ice queen, the figurative kind, in Prometheus. 

Team Experience Votes?

Alexandra says: since I am at a loss, I have to give it to Anne Hathaway for Les Misérables, purely on the strength of the trailer ;)

Michael says: The Five-Year Engagement may have been a minor entry in the Apatow pantheon, but his technique of loading the supporting cast with comedy ringers continues to pay dividends. This time its Alison Brie, sporting an impressive English accent as Emily Blunt's sister, who ends up supplying the film with its most consistent source of laughs. It makes one wish the movie was changed to Five Week Engagement and rewritten to follow her and Chris Pratt's couple. 

Beau says: Eva Green in Dark Shadows. For (finally!) delivering on that promise she showed nearly a decade ago in Bertolucci's The Dreamers. For circumventing the limitations of the script and strutting off with the film in tow. For stealing a picture away from incredible name actors, looking quizzically at you when you mention that and denying it; you can't steal something when it was always yours.

Nicely said, Beau. Green would be my winner if I was forced to vote right now, too. On to the second half of the year! (After we get your ballots in the comments that is.)

And if you haven't seen them... my Current Supporting Actress Predictions

Oscar Horrors: "The Tell Tale Heart"

BOO! In this 17 episode miniseries, suggested by Robert Gannon, Team Film Experience will be exploring Oscar nominated or Oscar winning contributions from or related to the Horror Film genre. Happy Halloween Season! 

HERE LIES... The Tell Tale Heart. Its insistent beating was drowned to death by the cacophony of musical noise coming from the instruments of Walt Disney's Toot Whistle Plunk and Bloom which won the Best Animated Short Film Oscar for 1953.

What is more horrifying than a madman who thinks himself sane, like the narrator of Edgar Allan Poe's legendary horror story The Tell Tale Heart? I can actually name four.

1. That an Oscar nomination by no means makes your film easy to find for future generations. This is especially true of any nominations outside of Picture, and Acting. Have you ever tried to find all the nominated short films to watch from any given calender year? SHUDDER. (YouTube has reanimated some of their corpses but otherwise, they're tough to dig up!)

2. That animation is still synonomous with children's entertainment despite all the disparate moods the medium is capable of. This short proves that animation is just as suitable for the macabre as it is the goofy slapstick. Note how the animator's makes creepy visual associations between a harmless old man's blind eye and mundane objects... and that director Ted Parmalee and his animators know as much about shadows as good noir filmmakers.

3. That the great James Mason never won an Oscar. CHILLING!, right? Not even for The Verdict or A Star is Born! He can do more with a few line readings than some actors can do in whole films. 

See how calmy and precisely I can tell this story to you? Listen.

The eye was always closed. For seven days I waited -- You think me mad? What madman could wait so patiently, so long -- in the old house, with the Old Man, and the eye that... 

4. That this short was rated X (X!) by the British censors in 1953... ...and now you can see things 100,000 times as grotesque and violent every night on television without parental guidance and with 100,000 times less humanizing guilt. 

Had you ever seen this short before?
What do you make of the new fictional Edgar Allen Poe themed thriller "The Raven" starring John Cusack?

The Lord of the Apes: The Fellowship of the Ape

Blu Ray CollectionI missed the final critics screening of Rise of the Planet of the Apes due to my Michigan trip, but some critics and pundits have gone quite wild for it. And once again Andy Serkis, aka Gollum aka King Kong aka Pioneer King of Motion Capture Performing, is getting "give him gold" attention.

Meanwhile, in an effort to make me feel even worse about missing the new flick before it hits theaters tomorrow, guess what arrived while I was in Michigan? The Planet of the Apes 40th Anniversary Blu-Ray Box Set. Maybe apes aren't very good at math because the first movie was from 1968 which is 43 years ago but whatever.

It looks SENSATIONAL. I love the packaging and it's even got a gatefold timeline detailing the whole sci-fi tale. I have no idea when I'll find time to watch them all (I've only ever seen the first one which I love but mostly for camp reasons... actual NSFW *LOL* shot ) but I'll try.

So with apes on the brain, I asked Team Film Experience the following question and I want to know your answers too.

WHAT'S THE FIRST THING YOU THINK OF WHEN YOU HEAR "PLANET OF THE APES"?

KURT: Sadly, Mark Wahlberg.

CRAIG: Since The Simpsons' parody, I always think of Stop the Planet of the Apes, I want to Get Off!

MICHAEL C: In college I engaged in an ill-advised marathon of Apes VHS tapes, memories of which are blurry, but one scene from the surprisingly un-terrible, Escape from the Planet of the Apes stands out. After Cornelius and Zira have time traveled back to present-day Earth and become celebrities (of course) they bizarrely engage in one of those out-on-the-town, trying on lots of different outfits montages. I have never rewatched the movie so this is one of those movie memories I am never 100% sure I didn't hallucinate. Maybe somebody can help me out with this?

ROBERT: Usually I think Charlton Heston shouting "You damn dirty apes!" However currently I can't help but think of the commercials for the new film which make me laugh every time. Those apes just look so angry.

JOSE: Charlton Heston in a loincloth *drools*, wait, eww.

NICK: A Bachmann/Pawlenty 2012 ticket.

Your Turn. Go! What do you think of the second you hear "Planet of the Apes"?

Team Experience: Harry Potter Goodbyes

Hey all. I asked the team here at The Film Experience to say their goodbyes to Hogwarts and the Potter franchise now that Harry Potter and the Deathly Hallows Part Two has been viewed by everyone and their werewolf uncle. Y'all know how I feel about it but a huge scale of opinions and emotions swirling about out there. Each wand is unique and chooses its wizard or some such; we're all beautiful unique snowflakes!

1. WHO WAS YOUR FAVORITE CHARACTER?

JA: I always gravitate towards the nerdy girls so my first thought was Hermione, but then she was swallowed whole by a tidal wave of Luna Lovegood affection. The casting people worked magic pretty much across the board but Evanna Lynch was an amazing find.

Andreas: Bellatrix, at least as portrayed by HBC. Cackling, sadistic, sexy -- I'd take her delightfully evil turn any day over her Oscar-nominated cheerleading in The King's Speech.

Kurt: Minerva McGonagall, and she gets two of the best lines in the new movie! Maggie Smith, ready to bring the thunder. Great.

Michael: Neville, Neville, Neville. The same weight of tragedy and depth of character as Harry without the cushy celebrity status or the unfortunate bouts of "woe is me" whining.  All I care about in the last movie is his big moment with the Sword of Gryffindor. It should be the cinematic "Hell, yes!" equivalent of Viggo Mortenson jumping off that ship with the army of the dead at his back.

Jose: Snape of course!

2. WHICH PROFESSOR OF MAGIC WOULD YOU LOVE TO BE SCHOOLED BY?

oh baby, talk dirty Rickman to me!

Jose:  Snape of course! The Dark Arts sound like fun!

Michael: Snape, no contest. I don't care if he does nothing but heap abuse on me. I could still listen to Alan Rickman all day.

JA: Love Maggie Smith but Professor McGonagall would've made me cry with all those withering glances. Professor Flitwick would've been fun! I could've quotedWillow to him. "Some day, Burglekutt! Some day!!!"

Kurt: My first impulse is to say Dumbledore (he seems so cuddly), but he's technically not a teacher, so I'll go with McGonagall. To quote Larry Crowne (and I swear it's the one and ONLY time I'll quote Larry Crowne), she's tough but fair.

Andreas: I've always liked Remus Lupin. He's so mild-mannered and knowledgeable about all kinds of magic. He marries one of the other coolest people in the series, Tonks. And he's a conflicted werewolf, which is pretty badass. Definitely my prof of choice if I went to Hogwarts; I'm just disappointed that he got so little screen time before his sad off-screen death!

3. IF YOU COULD CHANGE ONE THING ABOUT THE SERIES, WHAT WOULD IT BE?

Andreas: I know it's crazy, but why not make it all animated? I feel like Studio Ghibli could do wonders with a complex magical fantasy like this. At the very least, they would've made the characters in the epilogue look convincingly older. 

Kurt: That it could better balance its romances with its driving action. The juxtaposition of raging teen hormones and grave danger has usually been very effective, but the couplings have always felt like inauthentic footnotes. I really liked the final film, but I'd have been more invested had I given a hoot about Ron & Hermione, Harry & Ginny, and Luna & Neville "Never Met a Comic Relief Moment He Couldn't Fumble" Longbottom.

Jose: Have actual auteurs doing the directing work, other than Cuarón's film, none had any sense of real artistry and intention. They embodied the dullness that is adapting something just for the sake of it.

JA: Eight more movies!

Michael: Harry Potter and the Missed Opportunity

4. IN WHAT SORT OF OBJECTS WOULD WE BE LIKELY TO FIND YOUR HORCRUXES?

via

JA: My soul and all its pieces belongs to Victor Krum's underwear drawer.

Kurt: GREAT question. Mine would be: My "Lord of the Rings" Extended Edition boxed set, my grandfather's military pendant, my latest peanut butter jar (I, very unfortunately, LOVE peanut butter), a framed photo of Brandon from when we first started dating, my journal from 2003-2007, my first writing award, and my father's father's pocket watch.

Jose: My Blu-ray and DVD library, my Kindle, white CK briefs and bad dates.

Michael: Ticket stubs. I doubt I would present much of a challenge to Harry and friends. They would have me finished off by page 50 and spend the other 750 pages playing quidditch and making out in the room of requirement. 

5. WILL YOU BE HAPPY TO SEE RALPH FIENNES'S NOSE AGAIN?

JA: Are we sure he hasn't carved it off for method thespian purposes? Has anyone seen it lately? Maybe in real life he's actually wearing a prosthetic nose now and the Voldemort nose look is him without make-up. Nobody will ever know unless somebody jumps him on a red carpet and yanks at his ears! I think I speak for us all when I say that you have the permission of the Film Experience establishment to do this now, everyone.

Kurt: Yes. I like my Fiennes brothers au naturale ...and take from that what you will.

Michael: Kudos to Ralph Fiennes to playing the most iconic villain of modern pop culture. I refer of course to "Harry" from In Bruges. I found his Voldemort to be kind of a one note sinister ghoul to be honest.

Whenever I see Brendan Gleeson show up as Mad Eye Moody I am overcome with the desire  to see him confront Voldemort  at the Hog’s Head  In Bruges-style over some butter beers.

Moody: Voldemort, let’s face it. And I’m not being funny. I mean no disrespect, but you’re a cunt. You’re a cunt now. You’ve always been a cunt. And you’ll always be a cunt. Maybe make some more cunt horcruxes.

Voldemort: Leave my horcruxes fucking out of it! What have they ever done?  You retract that bit about my cunt fucking horcruxes!

Moody: I retract that bit about your cunt fucking horcruxes.

Voldemort: insult my fucking horcruxes? That’s going overboard, mate!

Want more?
Reviews of Harry Potter and the Deathly Hallows Part Two from Jose and Nathaniel,  a teary goodbye from JA who loved the series the most of any TFE contributor, a series lament from Michael in which he posits that the films shouldn't have started production until very recently. (Interesting!)

Your turn! 
Talking about its box office is boring which seems to be the convo du jour. (The franchise continues to fill JK Rowling's endless vault at Gringotts. The end.)  You know you want to answer those five questions in the comments! Or just a couple of them. Your choice.