The Many Genres of "Jane the Virgin"

Please welcome new contributor Jorge Molina to the team. Here's his take on "Jane the Virgin," returning to TV tonight, two seasons in...

Jane the Virgin returns tonight on the CW for season 3Jane the Virgin has always been a hard show to describe. Even its one-line, high concept premise takes a couple of reads to fully grasp: “A young Catholic Latina virgin gets accidentally artificially inseminated. Hilarity ensues.” 

Two seasons in and the show hasn’t gotten any less complex. Each episode adds more layers on plot, character, and style: someone will get pregnant or thrown down the stairs; there will be flashbacks, and murders, and small meaningful moments; and it will be as bombastic as it will be intimate. Sometimes in a matter of scenes.

Jane the Virgin is the rare case of a show that’s created entirely on pastiche, and yet has an unmistakable originality and essence that’s fully its own.

It embodies many genres, and weaves them all together in one single, coherent, Latin-loving storyline.  Five genres as example after the jump...

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RuPaul's Drag Race All Stars E8 - Finale

by Chris Feil

Can you believe that this season of RuPaul's Drag Race All Stars was only eight episodes? It feels like we have been gagging over the seemingly endless stream of drama and twists for much longer, but now the season must come to a close. After last week, the internet was vocal about Alaska's tantrum and even I took some flak for considering her run otherwise unsatisfying - but Alaska did play it smart with the fallout.

For the queens final challenge, they put on a supersized showgirl musical number with original raps written around their personas. Before the performance, the girls also visited Ru and Michelle Visage for a mini segment of their podcast "What's The Tee?", narrowly avoiding the podcast's shucking for SquareSpace ("you know it really is so easy") and Casper mattresses in a tweaked version of the old Tic Tac lunches...

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Thoughts and Questions about "American Horror Story: My Roanoke Nightmare"

by Eric Blume

Despite five years of shifting locals and time frames and characters, American Horror Story remained essentially the same beast. Season 6 is shaking the formula up but I couldn't be more bewildered.  Here are three general questions. Perhaps we could work out the answers together?

01. What the hell is happening? 
We are meant to be watching a “true crime TV show” but what show like that looks like this?  When re-enactments are made in a show of this nature, they’re never dramatized at length like the extended scenes in My Roanoke Nightmare. Even if we grant them structural leeway...

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Six notes on the first season of "Luke Cage"

Y'all remember that I wasn't too excited about Netflix's new Marvel show Luke Cage. As previously noted, I had the same trouble getting into it that I have always had getting into Superman movies -- invulnerability is antithetical to conflict and therefore dull in action franchises. But, that obstacle aside, I gradually finished the season -- the arrival of Claire Temple helped. Rosario Dawson was wonderful as always... and with Sonia Braga in tow this time, though the show didn't give the latter much to do. The increasingly complicated and cross-purpose agendas of the characters and plot helped, too. Well, that and the the fact that the show sparked interesting online discourse. That's always a plus.

After the jump five favorite things about Season 1 (spoilers obviously) and a response to the articles on "racial empathy gaps"...

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Judy by the Numbers: "Lena Horne Medley"

Anne Marie has been chronicling Judy Garland's career chronologically through musical numbers...

If you watch the full Judy Garland Show from start to finish in the order in which it was filmed rather than the order in which it was broadcast - which is what we're doing in miniature - a few patterns emerge early on. First, there is the legendary talent that crowds the first episodes: besides Judy herself, we've seen Garland reunited with Mickey Rooney, swinging with Count Basie, introducing her daughter Liza, and now she's belting Lena Horne numbers to Lena Horne herself. For any midcentury music geek, this show is the gift that keeps on giving. However, if you push past the fabulous talent to watch the format itself, you'll notice something else: for a variety programme, The Judy Garland Show doesn't have much variety.

The Show: The Judy Garland Show Episode 4
The Songwriters: Various, arranged by Mel Torme
The Cast: Judy Garland, Lena Horne, Terry-Thomas, directed by Bill Hobin

The Story: Only four episodes in, The Judy Garland Show had already fallen into something of a rut. The basic format never wavered - Judy sang first and introduced the guest(s), the guest(s) performed, star and guest(s) chatted, star and guest(s) performed, then Judy wrapped everything up with "Born in a Trunk." CBS execs had noticed - as had Judy Garland. By episode 4 her bad behavior had resurfaced, causing Lena Horne to reportedly lose her cool after Judy missed every rehearsal day.

Despite that conflict - or maybe because of it - Lena performs sparklingly on the show. In variety and expression, she even outperforms Judy. (Lena's references to Louis Armstrong during "Meet Me In St Louis" especially charm.) Nonetheless, missed rehearsals or no Judy Garland can carry a number, and the overall musical montage works well, even when a beat or two is missed. Unfortunately, the next week's show would not be so kind.

previously on Judy by the Numbers