Linkers Assemble!

The Guardian Loki himself Tom Hiddleston wrote a piece defending the superhero movie genre which he thinks ought to be taken more seriously. Well written and impassioned but let's play devil's advocate for a moment. Isn't the money enough? Wouldn't it be nice if people could respond to dramas about the human condition without the comforting distance of genre?
Slant 15 famous movie monkeys in honor of the just released Chimpanzee
Ultra Culture makes a funny re: "exclusive image" of Katy Perry. Honestly I rarely open emails with the word "exclusive" in the header. They'll have to drop it from Websters soon since it lost its meaning somewhere at the tail end of the 20th century.

Pajiba screw context. Just appreciate the Jennifer Lawrenceness of it all
IndieWire somehow in the midst of my manic schedule, I missed the news that Eytan Fox had made a sequel to the wonderful Yossi & Jagger (2003) called simply Yossi with Ohad Knoller reprising his role as the closeted gay soldier (this time back in civilian life) 
Insanely Gaming popular websites as dresses. This is quite awesome. I vote Facebook 'best dressed'
IndieWire the controversies surrounding HBO's Girls. I liked the debut episode but it really did feel like Tiny Furniture Redux (without the fun visuals that came with the title territory) 
Low Resolution did you ever read Joe's awards for the film year? Yes, I know I still have to finish mine. Ugh.
Monkey See terrific piece on Zac Efron's transition (possibly) to full grown adult movie actor  

Finally... Odin's Boys Loki (Tom Hiddleson) & Thor (Chris Hemsworth) are having some serious giggles at one of many premieres for The Avengers. 

poll by twiigs.com

 

Or maybe they're laughing about Joss Whedon's evil robot from the future sketch for Equality Now?

A Link is a Blog's Best Friend

Stale Popcorn Popcorn Glenn is a Scream (1996) fanatic and he almost got to correct that little problem of "never seen it on the big screen".Sympathies!
Film Doctor has a spoileriffic analysis of a crucial late scene in Cabin in the Woods
Basket of Kisses has an insightful guest post on misogyny, goal-post moving and blistering reactions to Megan on Mad Men who is "too" everything.
La Daily Musto today's arguments about Judy Garland's legacy. Are young gays still 'Friends of Dorothy'? 

Pulitzer Prizes congratulations to this years winners, particularly to the Boston Globe's Wesley Morris (pictured above) who is easily one of the best film critics working. If you aren't reading him, you're missing out.
Tom Shone, another of my favorites, on box office and spiritual pain. Don't let the "pre-sold" suck your soul.
Go Fug Yourself Lindsay Lohan three times... and behind a transparent umbrella!

 The ULTIMATE in wanting to be seen not wanting to be seen.

i09 I can haz nostalgia? "Even in the 1870s humans were obsessed with ridiculous photos of cats"
The Awl interesting interview on gothic horror with Hemlock Grove author and screenwrither Brian McGreevy
Boy Culture "i want you to hold me like you hold your money" ('Love Spent' is totally Madonna's best new song) 

Finally... perhaps it's time for another Cute Hierarchy.
I'll take your suggestions for recent Cute Achievements in the comments but until then, this pressing question inspired by Too Fab's story about Josh Hutcherson adopting a special needs puppy "Driver" who is missing some toes and just had surgery on his femur.

poll by twiigs.com

Hit Me With Your Best Shot: "Ladyhawke"

Time for Season 3 of Hit Me With Your Best Shot. Wednesday evenings.

from left to right: Goliath, Navarre (Rutger Hauer) and Isabeau (Michelle Pfeiffer's stunt double)

I thought we'd kick off this season with a personal favorite from the 80s. I use the word favorite emphatically because in many ways, Ladyhawke (1985) is a movie with a confusing relationship to objective quality. It's both great and bad, the score arguing that it's a feature that absolutely should not exist outside of 1985 while the mythic story fights for timelessness. The sound (Oscar-nominated) has wonderful details, maximizing the earthly details of fluttering wings, wolf howls and horse hooves while also embracing the transcendently romantic voices (Rutger Hauer and Michelle Pfeiffer) but it's marred by jarring score cues that take you out of the action and weird post-production "comedy" vocal work from extras. It feels, at least for its first half, like it's a movie with several authors and endless studio interference from people who didn't believe in a romantic fantasy epic in a time long before fairy tales were hot commodities and sword and sorcery epics were the furthest thing from bankable. So, would you laugh at me if I claimed I thought it was thisclose to being a classic? People are always reediting the Star Wars prequels to try to make them into the movies they should have been but the fantasy with the easiest fix to nudge it from punchline to greatness is Ladyhawke.

The one area where Ladyhawke can lay legitimate claim to greatness without lengthy conditional explanations is in the cinematography of three-time Oscar winner Vittorio Storaro (most famous for Apocalypse Now and various Warren Beatty epics). Many films throughout history have used sunsets and sunrises for their sheer beauty but Ladyhawke's reliance on light is more than vanity; it's storytelling.

Pfeiffer's beauty and Hauer's pain after the jump

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Interview: The Man Behind "Puss in Boots" Is A Dog Person!

Monty and PussMonty meows and leaps up on the chair beside me. Cats always know when something is up. In this case, what's up is a phone call to Chris Miller the director of Puss in Boots, who is still reeling from his first Oscar nomination last month when Puss in Boots won itself a slot in the Best Animated Feature race. "Oh my god, it's insanity," Miller admits. "That day is a blur. I've never been through this before so I was pretty overwhelmed at the scope of it."

Monty does a little spin and settles in. If my cat understood any words beyond "treat", "Monty" and "no"*, he might be incensed by Miller's next confession when I ask him about his own pet situation. "Technically I'm more of a dog person. I can't lie about that."

* There is still some debate about whether or not Monty understand this word.

Miller is sadly pet free himself at the moment, still in mourning for the loss of a beloved pug. But this past year in cinema has been a dog person's dream and Miller is enjoying it. Martin Scorsese's plea for a write-in vote for "Blackie" at the inaugural Golden Collar Awards made him laugh and, like the rest of the world, Miller is crazy about "Uggie" from The Artist. He sheepishly admits that the main reason he attended a recent screening and Q&A of Oscar's frontrunning film was Uggie-related. "I thought 'I wonder if Uggie will be there. Oh I hope the dog shows up' I'm being totally honest!"

He was surprised and thrilled about Antonio Banderas open letter which added to the Golden Collar fuss by speaking out about Puss's snub. Puss in Boots, the character, has been in Miller's life for nearly ten years and it's the one cat he loves as much as dogs. "That cat was my favorite from the onset," he says recalling his years with the Shrek franchise. He loved Puss' intrigue. "He came with some history already. Or at least you knew he had some incredibly history. "

"Fear me. If you dare!

NATHANIEL: I'm curious about the career track for animation directors. You've done a lot of voicework and story art? How did you graduate to directing?

CHRIS MILLER: I was involved in story early on in my career and the writing end of it. With Antz and the Shrek movies we were given a lot of latitude to come up with material, characters and dialogue.
A lot of times we'd be sort of given an idea and sent off to come up with something. You share it with the producers and the directors and you sell it a bit. In doing that you get a little taste of everything in cinema. You're writing, you're composing shots, you're blocking out scenes, coming up with character interaction. You're really getting a first crack at visualizing a sequence. Looking back it was a great training ground for direction.

[Improvisation, Oscar madness, and moviemaking from your bedroom after the jump]

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Monologue: Megan & the Dolphin

Have you missed Monologue Mondays? I know I have. So let's start again and try to do this weekly.

Though Bridesmaids' Melissa McCarthy probably won her Oscar nomination for a variety of reasons, you almost always need one Oscar "clip" to make the lineup. You know the kind. It's an instant fix of the performance, which works in the way soundbites do for politicians or catchphrases do for sitcom stars. It's something they can play at the Oscars or at awards shows that will a) remind people why they loved the performance b) remind them why they liked the movie and c) pack a mini dramatic punch that justifies the nomination for the millions who might not have seen it yet. This can be true even if the person is nominated for a broadly comic role, as rare as those nominations are.

 

I think you're ready to hear a little story about a girl named Megan, a girl named Megan that didn't have a very good time in high school. I'm referring to myself when I say 'Megan'. It's me Megan.

Now the Oscars don't always select clips this way. Continued after the jump...

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