"The Big Short" takes PGA

Adam McKay's The Big Short got a big boost in the Oscar race last night by winning big at the PGA. This is an important win for the film considering that this Best Picture race is more slippery than we've seen in the past few years. You have to go back almost a decade to Little Miss Sunshine to find a PGA winner that didn't align with Oscar (though Oscar winner 12 Years a Slave shared a tie with Gravity).

This win also poses another setback for Spotlight, which is really going to need to win that SAG Ensemble prize this coming Saturday to stay in the game. The Revenant, while it may still be rocking the box office, also missed an opportunity here to claim its post as frontrunner after its hefty nomination tally and Globes success. Any chances Mad Maxy: Fury Road had are probably now cooked, but George Miller is still viable as a Best Director winner, especially if he takes the DGA prize.

Inside Out and Amy gained more distance from their respective competition. Both won PGA's Animated and Documentary prizes and are unlikely to be deafeated on Oscar night. The big television winners were Transparent, Game of Thrones, and Fargo.

Steven Spielberg's Les Misérables?

Do you think he ever fantasized about directing it? With lil' Christian Bale as Gavroche perhaps? 

Links: Dolls, Dancers, Disney, and Agent Scully

Some links as we hole watching movies and writing future articles during the blizzard...

• John August on torrenting the Oscars
• MNPP remembers 5 great experiences at New York City's historic Ziegfeld Theater (about to close). Oh the memories
• Boy Culture a documentary about the dancers from Madonna's classic Truth or Dare film / Blonde Ambition tour to premiere at Berlinale
• Deadline new projects for JC Chandor (A Most Violent Year) including a remake of that extremely tense Austrian film The Robber - good luck topping the adrenaline of the original

• Awards Daily Lady Gaga will perform "Til It Happens to You" at the Producers Guild gala
• Pajiba Charlie Cox has not yet been invited to Marvel's Infinity Wars. He is waiting impatiently
• Fandor breaks down the Best Actor race
• Salon talks up Tori Amos's "Boys for Pele" (my favorite of her records) on its 20th anniversary
• Interview Magazine talks to the "unusually busy" Gillian Anderson about her recent roles
• Vanity Fair on Gillian Anderson fighting for wage equality on X-Files reunion
• Deadline a list of hot actors everyone wants for pilot season. Whenever I read about pilot season I realize how little I understand about the strange flickering alien world of television. Where people can even have whole careers without anyone seeing their work (with the amount of pilots that don't make it to series) How can the same actors be wanted for every drama? No actor is right for every role.

Disney & Girls
• Bloomberg Business how Hasbro snatched Disney's all powerful Princess line of dolls away from Mattel. They also got facial adjustments. Terrifyingly Hasbro promises to make the Disney Princesses even more ubiquitous than they already are. This article even has the story reenacted by dolls (with Avengers cameos naturally) in a video
• Sweatpants and Coffee Ooh i knew Disney was throwing up smokescreensto distract us. Turns out toymakers were 'specifically directed' to exclude Rey from toylines due to her gender! It wasn't from "secrecy" as they tried to peddle earlier. #WheresRey
• Comics Alliance ...but Black Widow will be part of the toyline from Captain America: Civil War (with a new costume)
• i09 has an interesting piece on the story work behind Zootopia and how the secondary female character, a bunny named Judy Hopps, took over the leading role from the male fox who was originally its protagonist.

Retro Sundance: 1988's "Brave Little Toaster"

Team Experience is looking back on past Sundance winners since we aren't attending this year. Here's Tim on an animated indie honored early on...

The Sundance Film Festival isn't necessarily what you think of as a hotbed of animation: even a simple animated feature takes a large budget and hundreds of hours to produce, and these are resources that indie movies are particularly noted for lacking. So when The Brave Little Toaster screened at Sundance in 1988, it was quite the aberration. Such an aberration, in fact, that it would be 13 years before another animated feature would show up at the festival. It was well-received, however: the film received a special citation from the jury at the festival's awards ceremony, and director Jerry Rees has maintained in later years that he was told that it was only a concern that awarding a cartoon would dilute the festival's prestige kept it from serious consideration for the grand prize.

The film is a curious beast in every way possible. The project was initiated by Walt Disney Feature Animation – future Pixar guru John Lasseter had it in mind as a project while he was with Disney – and much of its financing came from Disney's coffers, and its talent Disney's staff, which would seem to be enough to disqualify it from "independent" status. [more...]

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Ranking All 80 Winners of Best Original Song (Plus Where This Year's Contenders Would Place)

Glenn here with a look at everybody’s favourite category – best original song! Okay, so, sure, even if this year’s roster for best original song doesn’t look like a vintage one for the category, there’s actually some fun to be had when you consider who will win.

• Will Diane Warren finally win an Oscar on her eighth nomination? And how strange will it be to see her win for a song from a documentary about sexual abuse alongside Lady Gaga rather than one of the chart-busting hit-singles that her first six nominations were for (lest we forget, Beyond the Lights’ “Grateful” didn’t chart because, well, Rita Ora).

• Will an opera tune win for the first time? No work of opera has ever been nominated if my research is correct, which is kinda neat even though I think the song is dirge (albeit appropriately so for the film).

• Will all the talk of diversity in cinema this year give us a winner that is either black (The Weeknd), transgender (Antony Hegarty), or gay (Sam Smith)?

• It’s been 18 years since the last occurrence of a movie winning both a Razzie and an Oscar. Plenty of films have been nominated for both of the awards, but neither has won an award from each since Wall Street in 1988. Could Fifty Shades of Grey break a very unique drought?

Now, naturally because we all love lists so I thought it would be fun to rank every winner of Oscar’s best original song category and see where this year’s contenders would fit in when they take home that golden statue. What could possible go wrong with a completely subjective ranking of over 80 songs?!? Oh dear. You’ve been warned, I guess. Two things to note: I have not included "The Last Time I Saw Paris" from Lady Be Good since even the writer of that 1941 song was angry it was given an award when it wasn't written for the movie (it was subsequently the impetus for the category's rule change). Secondly, I have tried to rank as close to original film versions as possible so some songs that were improved upon in later recordings (like Nat King Cole’s “Mona Lisa”) may not rank as high. And, yes, before you ask, I am the person that hates Mary Poppins and who has never seen much of the appeal of the overtly twee “Raindrops Keep Falling On My Head”.

Go over the rainbow after the jump...

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