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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Wednesday
Jan182023

"Pinocchio" and "Living" among USC Scripter Nominations

by Nathaniel R

The annual USC Scripter awards honor film and television adapted from other literary sources. The cool thing about them is they award both the current screenwriter and the original author being adapted.

It should be one of the nomination announcements that excite us the most each year in terms of assessment of screenwriting -- the jury is generally made up of writers and critics -- but they often fail to live up to their potential. Usually that's a result of them hewing very close to the Oscar conversation rather than suggesting that the full jury has actually been watching plentiful movies year round and thinking about the craft of writing. Whch is not to say that some of their choices aren't strong but there's usually at least one title that suggests they've been reading Oscar tea leaves rather than books and screenplays. I'll leave it to you to glean what that title is this year. They get a little more creative with the TV side, perhaps because there's no current awards buzz (Emmys were over a few months ago) to piggyback on...

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Wednesday
Jan182023

Review: Adam Sandler's SAG-nominated ‘Hustle’  

By Abe Friedtanzer

Twenty long years ago, popular comedian Adam Sandler was in serious awards conversation for the first time for his dramatic collaboration with Paul Thomas Anderson in Punch-Drunk Love. Three years ago, a handful of prominent citations and an Independent Spirit Award for Uncut Gems looked like it might finally help him breakthrough to a first Oscar nomination (it did not). Now, Sandler is somewhat unexpectedly making an awards play (sports reference?) again thanks to a surprise SAG nomination for his basketball drama Hustle, which is streaming on Netflix.

Sandler stars as Stanley Sugerman, a scout for the Philadelphia 76ers who becomes tired of missing his daughter’s birthdays each year while he’s traveling throughout Europe or somewhere else in search of the next great talent...

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Wednesday
Jan182023

BAFTA has a funny definition of "Rising Star"

by Cláudio Alves

"Roald Dahl's Matilda the Musical" | © Netflix

The EE Rising Star Award is the only BAFTA category where the final vote doesn't belong to the British Academy but to the public. Over the years, many performers won the award on their way to the top, getting this honor before they were considered household names. Last year's victor, Lashana Lynch, quickly proved a worthy winner, showcasing her range in two shockingly different roles. First, she was a charisma bomb in The Woman King, electrifying the screen with good humor and action star chops. Next, Lynch gave life to Miss Honey in the Matilda musical, singing her way through a gentle, motherly figure who slowly learns how to make herself heard.

Most of this year's nominees don't have anything left to prove, nor do they need help getting recognition. This puts into question the award's purpose. Should previous BAFTA winners be eligible for this honor? Shouldn't the category be reserved for up-and-coming names who could benefit from a career boost at the start of their artistic journey? It seems not, judging by the nominees. They are…

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Tuesday
Jan172023

Interview: Dolly De Leon (Triangle of Sadness). She's the captain, now!

by Nathaniel R

Dolly De Leon

Dolly de Leon didn't know what was coming when she auditioned for an international feature from Swedish auteur Ruben Östlund, pre-pandemic. Two plus years later, thirty-one years after her film debut, she was an international hit, winning best in show reviews for his latest feature Triangle of Sadness. No small feat given that the film won the Palme d'Or at Cannes. Even after the film's splashy premiere the kudos kept coming for Dolly's work. In recent months she's been up for the Golden Globe, the Dorians, the London Critics Circle Film Awards, and other prizes. She also shared the Supporting Performance win at the prestigious Los Angeles Film Critics Awards in a tie with Oscar's Best Supporting Actor frontrunner Ke Huy Quan.

We had the pleasure of spending time with her at the Middleburg Film Festival earlier in the season. We enlisted the help of our own TFE contributor Juan Carlos Ojano to prepare for our interview, since he's well acquainted with the film industry in the Philippines. In our conversation we talked about her experience doing her first intimate scene, whether or not she expected Triangle of Sadness to blow up, and her dream role for the future. But we started our conversation by showing her a picture from her very first movie that Juan Carlos sent us as an ice breaker; Ice successfully broken!

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Tuesday
Jan172023

Weekend Box Office: Status Quo

By Ben Miller

With an extra day at the weekend box office, Avatar: The Way of Water and M3GAN both repeated at the top two spots, while continuing to show impressive legs.  The Way of Water droped less than 30% in its fifth week, adding another $30+ million to its domestic total.  It's already up to $1.9 billion worldwide, and it should become the sixth film in history to surpass $2 billion next week.  It's also currently 13th all-time in domestic gross and will probably end up in the top ten.  As for M3GAN, the film only dropped 40% in its second week, which is great for a horror film.  Budgeted at only $12 million, horror continues to be the best bang for your buck in films these days.

Weekend Box Office (actuals)
Jan 13th-15th
🔺 = new or expanding /  ★ = Recommended
WIDE (OVER 800 SCREENS) LIMITED / PLATFORM 
M3GAN SKINAMARINK
1  AVATAR: THE WAY OF WATER $32.8 (cum. $564.6) 4,045 screens

1 🔺   WALTAIR VEERAYYA $1.1 *NEW* 350 screens

2M3GAN $18.3 (cum. $56.8) 3,605 screens

2 🔺  SKINAMARINK $819k *NEW* 692 screens

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