Jessica's Long Journey to that Triple Crown

With only three performances remaining in Broadway's Long Day's Journey Into Night which closes this Sunday, here's Eric to talk Jessica Lange's long and awards-full career.

Jessica Lange recently became the 22nd actor to complete the official Triple Crown of Acting (performers who have won competitive Oscar, Tony, and Emmy Awards - full list prior to Jessica).  It’s an exciting moment in time, as winning the big three isn’t easy. 

Ten of her Triple Crown peers are still alive and all working to one degree or another:  Rita Moreno, Jeremy Irons, Vanessa Redgrave, Maggie Smith, Al Pacino, Geoffrey Rush, Ellen Burstyn, Christopher Plummer, Helen Mirren, and Frances McDormand.  All of these actors have had decades-long success and still get enough offers for splashy roles that it’s not inconceivable that almost any of them could win another late-career major award.

As it stands, of all the 22 current Triple Crown winners, nobody has amassed more than six total competitive awards across the three fields of film, television, and theater.  The folks with six are Ingrid Bergman (3 Oscars, 2 Emmys; 1 Tony); Shirley Booth (1 Oscar, 2 Emmys, 3 Tonys); Maggie Smith (2 Oscars, 3 Emmys, 1 Tony); Helen Mirren (1 Oscar, 4 Emmys, 1 Tony), and now Jessica Lange (2 Oscars, 3 Emmys, 1 Tony like Dame Maggie).  At this point, Mirren and Lange, only three years apart (they’re 70 and 67, respectively) would break this (granted silly) awards record if they were to win one more of the Big Three prizes.   

Now, on to Jessica's own 'Long Journey' to this triumph...

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Emmy FYC: Amy Landecker in "Transparent"

Eric here, with a plea for Emmy consideration for a dark horse candidate for Best Supporting Actress in a Comedy:  Amy Landecker for Amazon’s Transparent.

Transparent is generous to all of its actors because it gives them dramatically complicated landscapes to play in with dialogue that doesn't always fill in those gaps for emotional transitions and arcs. It's the kind of hard work actors love to do.  This is, of course, how we all make realizations in “real life” so the actors in Transparent are key to the delicate naturalism of the show, and the creative team behind them have the grace and intelligence to capture the work without exploiting their vulnerability.

Amy Landecker, who plays the eldest sibling Sarah, does wonders with an extraordinarily difficult character.  In season one, Sarah leaves her husband Len for another woman (Tammy) in a sex-obsessed haze and a rebellion against her controlled, “perfect” existence.  But in the first episode of season two, under Emmy consideration this year, Sarah realizes that not only can she not go through with the wedding to Tammy, not only does she not love Tammy, in fact she HATES Tammy, and that all of her decisions have been wrong.  

The idea of realizing on your wedding day that you’ve made the wrong decision is a decades-old entertainment cliché, usually reserved for romantic comedies.  But Landecker has to carry the naturalistic weight of what that epiphany REALLY means.  This sense of loss, and of being lost, is her arc throughout season two, and the actress finds layers of anger, humor, and fear that are quite astonishing. Sarah may be a control freak, but she is constantly on the verge of falling apart.  After spending her lifetime building the ideal family, season two finds her completely alone.  Landecker’s natural appeal clues you into the fact that Sarah has always been popular and successful, and for the first time in her life she has driven full-force into a wall. She has no resources for being lonely.  Landecker calibrates Sarah’s unraveling in the way we see it in people we know:  bursts of anger, momentarily losses of control, casual cruelties to others she sees as weaker and less witty than herself.  

It’s also unerring to see such a sexually frank portrayal of a middle-aged mother in any medium.  Sarah not only talks about sex, she makes life decisions based on sex (as, of course, most people do).  She’s extra proud of her boobs (the character is costumed with subtle attention to them) and leads with sexual confidence.  Landecker is also smart enough to show us Sarah's spoiled streak - she comes from a family with money, and she’s accustomed to attention and accommodation, and she’s lost without those things,  too.  This is a fully fleshed-out character, etched by an actress in masterful control.  She makes many actresses getting nominated for sitcom work seem juvenile in comparison. 

Previous Emmy Pieces
Emmy Drama Ballots |  Emmy Comedy Ballots | Donna Lynn Champlin "Crazy Ex-Girlfriend" | Girls |  The People vs OJ Simpson | Gillian Jacobs "Love" | Riley Keough "The Girlfriend Experience" | Jeremy Allen White "Shameless" | Constance Zimmer "UnREAL" | Noah Galvin "The Real O'Neals" | "Mr Robot" leads TCA Nominations | Ten Nominees? 

Thoughts I Had... The 'Suicide Squad' Character Posters

After Finding Dory's big opening this past weekend, our last remaining potential mega hit of the summer is Suicide Squad. The twist on the superhero super-antihero blockbuster is our only comic book film of the season left (shocking, right?) and is pushing hard to turn favor for the DC Universe after this spring's unmentionable. While it has a cast packed with stars and recognizable faces, some of its characters are still unknown to the masses.

And wouldn't you know, here's a new set of character posters to get you acquainted! We've covered the film's building teases, but this is too poppy and fun to pass up. 

Here are some thoughts...

Viola Davis: Superhero sounds like the summer blockbuster we actually need and deserve. Special powers include being flawless, cutting victims down to size with a single withering glance, and making the masses cry on cue. "Worst. Heroes. Ever."?? Not on your life, darling...

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Happy Birthday, Frances McDormand

Kieran, here. There are certain actors whose absence would create a huge void in cinema. It’s not always the movie stars, despite their merits. It’s often the character actors. The beautiful, interesting, wholly human faces that populate our films, only semi-regularly leaping forward to truly headline a vehicle, but still remaining a vital part of the movies we love. Few actors working today embody this more fully than the wondrously versatile, endlessly watchable Frances McDormand whose entry into the world we celebrate today.

What’s your favorite Frances McDormand performance? Okay...that’s a rhetorical question. We all know what it is. But her filmography is diverse and fascinating to explore, who what's your #2?

Frances McDormand’s 5 Best Movie Performances

 5. Burn After Reading (2008)
Broad, but undeniably funny and completely understanding the tone of the vehicle. Mileage varies in terms of McDormand’s many outings with the Coen Brothers, but it’s almost never uninteresting... 

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Who's Afraid of Virginia Woolf? Pt. 3: "Get the Guests"

For the 50th Anniversary of Who's Afraid of Virginia Woolf? (1966) Team Experience is celebrating with a four part miniseries. Begin with Part 1 "What. A.Dump!" or Part 2 "Firing Squads & Flop Sweat" if you missed them.

Pt 3 by Kyle Stevens 
[Kyle's book "Mike Nichols: Sex, Language, and The Reinvention of Psychological Realism" is available for purchase.] 

01:04:30 We pick up with Nick and George, left alone. Nick ceases peacocking for a moment since the ladies have gone, and, for George, this is the moment to assert dominance. For Albee, their tête-à-tête is an allegorical showdown between biology and history, nature and nurture: what they are, what people are, and who gets to say. Albee is on George’s side:

To take the trouble to construct a civilization, to build a society based on principles of, uh, principle. You make government and art and realize that they are, must be, both the same. You bring things to the saddest of all points, to the point where there is something to lose. Then all at once, through all the music, through all the sensible sounds of men building, attempting, comes the Dies Irae. And what is it? What does the trumpet sound? Up yours.” 

Thank you. Thank you!

1:05:52 Honey and Martha return from “the euphemism,” where Honey has been throwing up. Honey, who always seems to be out-of-step with the group, assumes that Nick’s sarcastic applause is for her. Her readiness to see everything as a performance, though, is also spot-on, hinting that she’s perhaps the most insightful one of the bunch...

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