Middleburg Day 1: Two Adam Drivers, Three for Cate Blanchett, and a Tenth Anniversary

by Nathaniel R

"Is this starting to looking familiar?," the driver asked as we neared our destination, surrounded by lush greens on every side. Yes, yes, it's all very familiar. Horse and wine country. We've been coming to the Middleburg Film Festival, for so many years now that it now has the kind of nostalgic pull that only comes from the combo of staying power and lovely memories. The festival launched back in 2012. On Thursday October 13th, opening day in 2022, sandwiched between the first screening (TÁR) and the opening night film (White Noise), the festival's founder Sheila Johnson, welcomed corporate sponsors, select press, and Virginia power players like Middleburg's Mayor at a special reception to toast the 10th Anniversary edition of the festival...

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Review: South Korea's Oscar Hopeful "Decision to Leave"

by Cláudio Alves

© MUBI

A woman stands in a room, alone. Wallpapered motifs encircle her in a swirl of blue-green something. Are they waves or mountaintops, those shapes repeated into infinity? Maybe they're both, maybe neither. Maybe they're everything. 

According to a Confucian proverb, the wise man admires water, the kind man admires mountains. Or maybe it's benevolence and virtue, some other translation across languages. Two complementing sides of the same person, perhaps a binary of human natures, these words reveal more than their scholarly meaning – at least, they do in Park Chan-wook's Decision to Leave. Ideas of duality percolate throughout the work, as does the attempt to understand the unfathomable reality of another person. We try to find order in chaos, logic in that which has none, pursuing an understanding that will always be out of grasp. Every single one of us is a mystery to others, and to try to transcend the impossibility of knowing someone else is a fool's errand, the most beautiful thing in the world, ecstasy holding hands with despair. It's love…

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What's on your cinematic mind + 'Ask Nathaniel'

Thank you dear readers for your patience during this past month's quiet period. Your host here is off to catch a flight to Middleburg in an hour but I'll aim for daily reports from there where I'll be moderating Q & As with Supporting Actress contender Stephanie Hsu (Everything Everywhere All at Once) and Best Documentary Feature hopeful Goodnight Oppy as well as doing another "Coffee & Contenders" panel with Clayton & Jazz as is our annual habit! We'll also catch up with some other Oscar contenders there like The Whale.

In the meantime what's on your cinematic mind? Besides Cate Blanchett in TÁR, Triangle of Sadness, and Angela Lansbury (RIP) that is since there are other posts to discuss those! Also have you taken our recommendation to watch Catherine Called Birdy yet? 

And let's take another round of questions from you to get us talking again.

Almost There: Angela Lansbury in "Death on the Nile"

by Cláudio Alves

From Gaslight to Glass Onion, Angela Lansbury had one extraordinary career whose sheer grandeur is hard to overstate. For almost 80 years, she entertained people worldwide, be it on the stages of Broadway or on TV as Jessica Fletcher, from roles of unspeakable villainy to cherished nurturers in children's media. So to read news of her death was shocking, even though Lansbury was almost 97 – she passed less than a week before her birthday. It just seemed like she would live forever, a primordial force eternally present in our lives. Lansbury worked to the end, maintaining a last vestige of Old Hollywood alive with her. How can one come close to articulating what a loss this is for show business? There was simply no one else quite like Angela Lansbury.

To honor the star, let's recall one of her most colorful film creations, a foray into Agatha Christie's world of murder mysteries that almost nabbed Lansbury a fourth Oscar nomination – the 1978 Death on the Nile…

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Streaming Roulette (Oct 11th-16th): Tuneful agents, teenage ladies, and werewolves (by night)

by Nathaniel R

In the Streaming Roulette series we spotlight a few new-ish watches and freeze them randomly on the scroll bar. Whatever scene that comes up is the image we use.  Usually we mix it up in terms of services but this week Amazon Prime is hogging our conversation. Your streaming assignments for the week, should you choose to accept them... 

- Does he look like the Archangel Michael?
- No. No dead saint could be as beautiful as he.

CATHERINE CALLED BIRDY (2022) on Amazon Prime

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