'Attack of the 50 Foot Vanessa!' San Francisco Winners

I've long been saying that if Oscar voters actually see Ralph Fiennes Shakespearean adaptation Coriolanus -- it's an "if" because 80% of the contenders, even the teensy tiny ones, chose December as their best Oscar strategy -- it'll be tough to stop Vanessa Redgrave from crushing her Best Supporting Actress competition. Though Fiennes is the actor/director it's the legendary Oscar winner who walks away with the movie as his proud, fierce, monster mom, so proud of her son's battle scars she comes across as yet more bloodthirsty than he.

So today she picks up her second precursor after the British Independent Film Awards. San Francisco apparently likes their moms all sticky with a violent son's blood. See also their best actress winner: Tilda Swinton

San Francisco Film Critics Circle Winners
PICTURE The Tree of Life
DIRECTOR Terrence Malick, the Tree of Life 
ACTRESS Tilda Swinton, We Need To Talk About Kevin
ACTOR... Gary Oldman, Tinker Tailor Soldier Spy
SUPPORTING ACTRESS Vanessa Redgrave, Coriolanus
SUPPORTING ACTOR Albert Brooks, Drive

ORIGINAL SCREENPLAY JC Chandor, Margin Call
ADAPTED SCREENPLAY Bridget O'Connor & Peter Straughan for Tinker Tailor Soldier Spy
ANIMATED FEATURE Rango
FOREIGN LANGUAGE FILM Certified Copy
DOCUMENTARY Tabloid
CINEMATOGRAPHY The Tree of Life
SPECIAL CITATION "The Mill and the Cross"
MARLON RIGGS AWARD (Courage and Vision in Bay Area film community)
National Film Preservation Foundation 

All in all a very good showing for The Tree of Life, Tinker Tailor and bloody mamas everywhere. Now excuse me while I do a happy dance for Certified Copy. YES.

Sally's Short Suspense

Sally sings a lullaby she wrote in "African Chelsea"A confession: I've never been this caught up in the drama of the short film categories before. But this year I await Oscar's finalist list on pins and needles. At least four former Oscar players are involved in shorts from the long 70ish wide semi-finals list (the actual list has been hard to come by with no AMPAS press release detailing it). One of them is 80s nominee Sally Kirkland who I've always felt a certain kooky fondness for. She campaigned tirelessly for the actressy drama Anna back when campaigning wasn't so loudly expected of people. She was rewarded with a spot in the 1987 Best Actress list which turned out to be one of the greatest in Oscar's entire history. There's not a dud or even a "just good" performance in that shortlist; they're all freaking great. Sometimes you've got to work for the nomination when your film is small.

There's a new somewhat provocative piece up at the LA Times Envelope about her current director Brent Roske's campaigning for "African Chelsea" the short she's currently co-starring in. Campaigning for short films is not, you see, the norm... though people do do it. I've recently been in contact with the short's director Brent Roske and I reached out for a comment today on working with Sally. Turns out he plans to do it again and quick-like no matter what happens with the short film race.

I've just finished writing an inspiring dramatic feature that Sally will be starring in called 'Alice Stands Up'. I'm hoping I can get her in the Best Actress discussion next year."

Ah, directors and their muses. We love it when they stand by their divas. It's probably too much to hope that a miracle like Anna could reoccur again but we wish him luck in trying. Shine that spotlight on Sally! 

Sally Kirkland sure was vivid in "Anna". Have you seen it? It's available on Netflix Instant Watch

Related
Shorts, Animation, Documentary Charts
Melissa Leo talks "The Sea Is All I Know", another shorts prospect
La Luna interview (Pixar Short)

Naked Gold Man: Extremely Loud & Incredibly Competitive Season

I wish there were festive holiday songs for Oscar junkies. "It's Beginning to Look a Lot Like Steamroll", "All I Want for Oscars is You", "Let it Snub, Let it Snub, Let it Snub", "God Rest Ye Merry Shortlisters", "Do You Vote How I Vote" etcetera.... The mood is definitely upon us!

This weekend while LA, NY online, and Boston were handing out their prizes and BFCA voters were mailing in their ballots a certain movie that few had yet seen was screening for Oscar voters and it's likely to be a big deal (though whether it will make the BFCA due to the voting deadline today, remains to be seen). Let's just say that I heard sniffling and whispered "wows" during the credits at the guild screening here in NYC.

The AFI's TOP TEN LIST was also released this weekend. It went like so...

• Bridesmaids
• The Descendants
• The Girl With the Dragon Tattoo
• The Help
• Hugo
• J. Edgar
• Midnight in Paris
• Moneyball
• The Tree of Life
• War Horse

It reads like an odd experiment in Oscar predicting from two months back before people had seen all the films (plus Bridesmaids. The AFI always includes at least one populist hit to represent the film year).

But bringing us back to the now, it's time for a chart update to reflect all of this madness.

These past couple of weeks have definitely proven to us that The Tree of Life has not been forgotten, that The Help is in a good place (The actors branch is large and we suspect they like it) that Thanksgiving is a very smart holiday to start your heavy Oscar campaigning (See: Hugo, The Descendants, My Week With Marilyn and The Artist). We're not aloud to talk about the three last films to arrive (War Horse, Dragon Tattoo, Extremely Loud) but let's just say when it comes to Oscar, I'm bearish on the first two and bullish on the last having now seen all three. I'm also pleased to note that Moneyball is well liked. At an Oscar dinner I attended for Rango recently, it was the consensus favorite of my table. 

Strangely the film that hasn't been coming up in conversation that much is Midnight in Paris but I blame this on the emergence of so many new films all at once. Moneyball doesn't always come up organically in conversation but when it does it's, in my experience, usually "oh, I love that." It's the job of the new films arriving to wow voters and erase memories of early favorites. It's the job of the early arrivals to remind voters how much they loved them in the first place; that's the push forward and the pull back.

PREDICTION INDEX | PICTURE | DIRECTOR | ACTRESS | ACTOR | SUPPORTING ACTRESS | SUPPORTING ACTOR | SCREENPLAYS | VISUAL CATEGORIES | AURAL CATEGORIES | FOREIGN FILM | ANIMATION, DOCS AND SHORT FILMS

20:11 Just Go With The Eagle. Never Say Never!

Year in Review Fun... Much more to come! Herewith the 20th minute and 11th second of the movies of 2011 in chronological order of US release date. It's like flipping channels for snapshots of the film year! For those who like a mnemonic challenge, I've written the film titles in invisible ink below each screencap (you can highlight to see them). Would any of these tiny glimpses make you want to stop channel surfing and watch?

january | february | march | april

Part 2: February

- I even stole some once.
- I know. "

THE ROBBER Very intense movie. They're supposedly going to remake it with Andrew Garfield rumored for the title character.

-We passed that on the way up.
-I know."

Hotels make people naughty. They do! This is a still from ...THE OTHER WOMAN ... which I did not like at all.

He's a blue?! Not a blue!!!"

GNOMEO & JULIET   ...... which is hoping for animation and original song nominations.

Seven more snapshots after the jump. How many have you seen?

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LAFCA & NYFCO Part Ways Over The Artist

Could Fassbender be eyeing Oscar?Andreas here. Want to see end-of-year craziness in action? Look at today: first, the Boston Society of Film Critics announces their awards, then before they've finished, the Los Angeles Film Critics Association and the New York Film Critics Online start tag-teaming it! It all starts to blend together sometimes -- Emmanuel Plummer won for something called Drivemaids? -- but no worries, we've got it straightened out:

First, the LAFCA winners...

PICTURE The Descendants (runner-up: The Tree of Life)

DIRECTOR Terence Malick for The Tree of Life

 (Runner-up: Martin Scorsese for Hugo)

SCREENPLAY Asghar Farhadi for A Separation (For Your Consideration!)

ACTRESS Yun Jung-hee for Poetry

 (Runner-up: Kirsten Dunst for Melancholia)

ACTOR Michael Fassbender for A Dangerous Method, Jane Eyre, Shame, and X-Men: First Class

 (Runner-up: Michael Shannon for Take Shelter)

SUPPORTING ACTRESS Jessica Chastain for everything

(Runner-up: Janet McTeer for Albert Nobbs)

SUPPORTING ACTOR Christopher Plummer for Beginners

 (Runner-up: Patton Oswalt for Young Adult)

CINEMATOGRAPHY Emmanuel Lubezki for The Tree of Life

 (Runner-up: Cao Yu for City of Life and Death)

PRODUCTION DESIGN Dante Ferretti for Hugo

 (Runner-up: Maria Djurkovic for Tinker Tailor)

DOCUMENTARY/NONFICTION Cave of Forgotten Dreams

 (Runner-up: The Arbor)

ANIMATION Rango

 (Runner-up: The Adventures of Tintin)

FOREIGN LANGUAGE FILM City of Life and Death

 (Runner-up: A Separation)

NEW GENERATION The creative team behind Martha Marcy May Marlene

INDEPENDENT/EXPERIMENTAL Spark of Being

BEST MUSIC/SCORE The Chemical Brothers for Hanna

 (Runner-up: Cliff Martinez for Drive)

Commentary and NYFCO awards after the jump.

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