Things we forgot to talk about but it's never too late.
Do You Love She Loves Me?
Did any of you manage to catch the Broadway livestream of She Loves Me June 30th? It was the first ever of its kind though I've heard no details on how well it performed (i.e. if we'll see more of them). They've extended the availability to rent it until July 10th on Broadway HD.
The Hours 2: The Return of Virginia Woof
Okay not really. Basically everybody committed suicide or got old in The Hours. But recently we got word that Virginia Woolf is coming back to the big screen in the adaptation of the play Vita & Virginia which is about Woolf's friendship and affair with another female writer. The most delightful part of this news may be that the play and its screenplay adaptation were both written by the actress Dame Eileen Atkins who was in The Hours (she worked in the flower shop in the Streep section). No word on casting but allow me to have a brief fantasy about Nicole Kidman reprising her Oscar-winning role before we hear who got the plum gig.
Winona is Back
Time Magazine recently published a solid interview with Winona Ryder on the eve of yet another comeback. This time via Stranger Things on Netflix. Of interest is a lengthy response when she's asked about the recent allegations against Johnny Depp. It's definitely the most levelheaded response we've read on any celebrity weighing in on the matter. But then we tend to like levelheaded responses and people who realize that they don't know what happened whatever their assumptions. That kind of response is almost impossible to find online from normal folks and it's also increasingly rare with celebrities.
But the best part of the interview was a question about the current nostalgia rage.
I get asked a lot, ‘What does it feel like to be a ’90s icon?’ And I’m like, ‘You think I sit around and think of myself like that?’ You can’t think about yourself in those ways, because who does that?
...I think because I started so young, I secretly wanted to be older all the time.
The interview is good but even better is that Stranger Things is getting really strong advanced buzz... especially for Winona herself who hasn't had anything work out that well for her showbiz-wise in aeons with the exception of that brief dark flash of Noni fever via her bit part in Oscar favorite Black Swan (2010).
Finally in confusing rumor alerts...
I don't normally share rumors (the internet is way too hung up on speculation when dialogue about things that actually exist is way more healthy/substantial) but I can't let this go without a mention. Remember the news that Jennifer Lawrence's Darren Aronofsky picture (working title Day 6) would co-star Javier Bardem, Domhnall Gleeson, and Michelle Pfeiffer? The story's logline is:
A couple whose relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.
Most of the speculation on the internet was that Michelle Pfeiffer was playing Jennifer Lawrence's mother which seemed like a leap in logic -- why would they be related given that logline? A new rumor recently sprung up that the film would be titled Mother. Pass the fainting salts could this mean Pfeiffer was the actual lead -- but no, then that rumor was debunked by Paramount. It's all very confusing and typical internet (shut up everyone!) but any news of a Pfeiffer movie actually making it into production without her bolting is thrilling. And we are apparently getting three of them in relatively short succession, which all sound way more promising than that misfire The Family (2013) which was her last time before cameras. Two are already filmed - HBO's Wizard of Lies, and the indie drama Beat-Up Little Seagull (both due later this year though specific dates aren't announced) and Day 6 the following year unless she bolts from the set mid-production.
Monday, August 8, 2016 at 5:00PM 
Feeling fatigued by summer movie season's emphasis on loud and flashy but ultimately empty spectacles? You're in luck. Little Men, now playing in limited release, is the perfect antidote: quiet but insightful, memorable and substantive. It's not a spectacle by any means but you should still see it inside the movie theater because it's the kind of careful storytelling that benefits from being fully inside of it. Getting lost in a story is much easier to accomplish in the pages of a great novel or the dark of a movie theater than if you wait around to Netflix and chill. The movie comes to us from one of our best LGBT directors, Ira Sachs. The New York based writer/director made his feature debut 20 years ago with The Delta (1996) but recently he's been on quite a roll.
