Review: The Dead Don't Die

by Chris Feil

A few years back, Jim Jarmusch brought fresh life to the oft-revisited vampire genre with the sexy Only Lovers Left Alive. This summer, he attempts to do the same with the tropes of the zombie film in The Dead Don’t Die, drolly taking on our mindnumbed obsessions in the modern dissociative era. Should he take on another monster genre soon - who better to find the poetic ennui of a werewolf, truth be told - then he should hope it results in something more akin to his look at bloodsuckers than that of his flesheaters. The Dead Don’t Die is a smug stinker.

The film is set in Centerville, “A very nice place to live!”, a town small enough to house a single diner for restaurant options and with its gas station pulling double duty as its comic shop. News reports that the Earth has spun off its axis due to polar fracking is met by the townspeople with the mildest sense of alarm, at least as much as they can muster for a world outside that they just cain’t understand. But that small town malaise is devoured once the local cemetery starts sprouting the reanimated dead.

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Review Catch-Up: Superheroes, spies, gangsters, and street rats

by Nathaniel R

As ever we've fallen behind. Here are four pictures currently in theaters that didn't get a proper review or a podcast discussion on the site. File under better late than never because we didn't mean to ignore them. Would love to hear your thoughts, too... 

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Review: Dark and Tired Phoenix

This review was previously published in Nathaniel's column at Towleroad...

Don't they have any healing and creative rejuvenation among the super-powered mutations at Charles Xavier's School for Gifted Children? If so they needed them to lay their hands on this franchise for a few years before making another bungled attempt at the beloved Dark Phoenix storyline (from the 1980 comic books) within this movie franchise's 19 movie years. But that's a rhetorical question. If Dark Phoenix (2019) is indication, mutations cannot save this franchise.

When we return to our characters, much has changed since our last visit. Which is fine since who wants to be reminded of X-Men Apocalypse? The X-Men are now no longer shunned by society but held up as heroes. Professor Xavier (James McAvoy, phoning this one in... but then who isn't?) has a direct phone to the White House, like a Batman / Commissioner Gordon sitch on steroids. Their first mission, which serves as kind of a second prologue to the over and underwritten film, is making Raven (Jessica Lawrence) nervous for some underwritten/performed reason...

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Review: The Secret Life of Pets 2

by Ben Miller (who has small children)

What do we want from a film when it is obviously not for us? If I'm watching an indie about a life experience that's in no way relatable to my own, I can still admire the artistry and the humanity. If I’m watching a film about talking pets specifically aimed at children, I can enjoy it... but what am I supposed to get out of it? Films like The Incredibles, WALL-E or Wreck-It Ralph are “for” kids, but non-children can enjoy them on a number of levels beyond the bright colors, fart jokes or action sequences.  Those films dug deep into issues about family, loneliness and friendship and had an overarching theme to bring everything together in a coherent way.

The Secret Life of Pets 2 is not one of those films and doesn't try to be...

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Now Playing: "Late Night" and "Last Black Man in San Francisco"

Lots of new movies this weekend. Dark Phoenix and The Secret Life of Pets 2 are nationwide. The two highest profile limited releases were both reviewed by Murtada at Sundance earlier this year. They've finally arrived for the rest of us, so go see 'em!

Last Black Man in San Francisco (A24, platform release)
While watching The Last Black Man in San Francisco - a gorgeous, specific, and fantastical fable of a film with a decidedly assured tone - I kept thinking of Oprah Winfrey’s introduction of Precious  star Gabourey Sidibe at the Oscars. “Where did that come from?”, “Where did you learn how to do that?” I was asking these questions of writer/director Joe Talbot and writer/actor Jimmie Fails. They had collaborated on a short film before, but this is their feature debut... READ THE FULL REVIEW

Late Night (Amazon Studios, select cities this weekend... nationwide next week)
Emma Thompson plays legendary talk show host Katherine Newbery (think Letterman, 2 decades younger, English and a woman but just as famous and revered) in the new comedy Late Night. Early in the film Newbery meets a male employee from the writers room who is asking for a raise because he recently had a baby. In two minutes Thompson eviscerates him, and all of the decades of sexism and inequality in the workplace. She likens having babies to having a drug problem that one can’t shake. The latter is an unexpected and illogical simile until, that is, you hear it coming out of Thompson’s mouth. The writing’s funny and sharp, and Thompson is on full-throttle hilarious commitment... READ THE FULL REVIEW