Review: A Star is (re) Born

This piece was originally published in Nathaniel's column at Towleroad. The movie was first screened at TIFF but he hopes to see it many times. 

Overnight success is a myth. Great artistic success in show business generally comes from working hard and learning the craft, often for years, so that you're ready should a big break ever come. 'Overnight'  is only just that moment when the world suddenly notices your long-standing gifts. A Star is Born as a franchise always synthesizes this myth and this truth for something like a fairy/cautionary tale; just as quickly as a star rises, a star can fall. Talent is never the question, but the starting point; whether the world notices and for how long, is out of your hands. The screenplay for the latest telling of A Star is Born, emphasizes this last point, as Jackson Maine (Bradley Cooper) urges Ally (Lady Gaga) to give it her all because the world might not always be listening. 

For those who've been living under a cultural rock the story of A Star is Born is ancient and simple: One already established successful showbiz man 'discovers' an absurdly gifted but basically unknown female performer and takes her under his wing. They fall in love but as her fame rises, his falls, plagued as he is by personal demons in liquid form. The story never has a happy ending so if you need a good cry, queue up...

Click to read more ...

Soundtracking: "A Star is Born (1954)"

Chris Feil's weekly look at music in the movies will be revisiting all of the musical remakes of A Star is Born in coming weeks. Here is 1954 and Judy Garland...

Musicals are known for their required suspension of disbelief, the fact that we must buy into a reality where people simply burst into song. But the legacy of A Star is Born has its own kind of suspension of disbelief: the notion that whatever legendary songstress that leads each version is some undiscovered talent. George Cukor’s 1954 version (the first to properly musicalize the story birthed in William A. Wellman’s 1937 original) requires the greatest leap. But there are few cinematic superstars in history as immediately convincing in their gifts as Judy Garland.

Casting such a powerhouse as a woefully undiscovered talent is absurd on paper, as if the film exists in some fantasy land where maybe she’s never opened her mouth or humans have ceased to have ears. Our buy-in to the conceit of the plot has to be as momentous as her implacable voice...

Click to read more ...

TIFF 2018 Finale. Jury of One: Nathaniel

OKAY WRAPPING UP TIFF NOW. Unless you are on an actual jury at a festival, you see a different set of films than everyone else attending (with a handful of crossovers) so I couldn't corral votes with my festival roomies (Nick, Joe, and Chris -- instead we did a podcast). So I thought it might be fun to share my favorites from the festival in 'nominee' Oscar style. These are not, of course, Oscar predictions or even Film Bitch ballots because not all of the films are guaranteed eligibility this year and we've had 8 months of good movies before these and we'll have 3 months of hopefully good movies afterwards that they'll have to compete with. But here's the achievements within traditional awards categories that thrilled me most at TIFF during that 29 film screening marathon.

They're listed in alpha order (by film) except the actors (by name) and links go to our festival reviews if we managed one -- a few more reviews are half written but we need to wrap up TIFF so expect more on A Star is Born, Beautiful Boy, Border, and more soon as they'll be in theaters within the next few weeks.

TEN BEST FILMS I SAW AT TIFF

"Roma" is rich with endless details and emotional punch

• Border (Sweden)
• First Man (US)
• Museo (Mexico)
• The River (Kazakshtan)
• Roma (Mexico)
• A Star is Born (US)
• Transit (Germany)
• Widows (US)
• Wildlife (US)
• Woman at War (Iceland)

Runners up: Cold War (Poland)

Lots more after the jump including best performances, best visuals, best dogs (yes, really), best original songs and more...

Click to read more ...

Netflix in September: Black Panther, Breakfast Club, Mr Sunshine

Time to play Streaming Roulette. Each month, to survey new streaming titles we freeze frame the films at random places with the scroll bar and whatever comes up first, that's what we share!

Ready? Let's get right to it...

-God I loved this house.
-Me too.

The Keeping Hours (2017)
Hmmm. Carrie Coon (♥︎) and Lee Pace (♥︎) in a supernatural haunted house movie -- how have we not heard of this one? *does quick google search* ah, no theatrical release, that's how. Should we watch?

Click to read more ...

Roma, A Star is Born, The Favourite... Will anything flop this festival season?

by Nathaniel R

So far so good for all the expected Oscar favorites. The First Man won (mostly) raves and the next three big premieres also did. Alfonso Cuaron's Spanish language black-and-white family epic Roma, Bradley Cooper's remake of A Star is Born with Lady Gaga, Yorgos Lanthimos' comedy The Favourite with three great actresses... everyone seems to love everything! Are they all suffering from "first!" blurb whore fever or will the next wave of critics (coming soon at Telluride, TIFF, and NYFF) also fall so hard for these same pictures?

I don't personally read reviews before I see a picture (though sometimes I skim them) but if you do, here's what people are saying about these Best Picture hopefuls...

Click to read more ...