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Entries in Best Actor (434)

Saturday
Jan212012

Naked Gold Man: Final Oscar Predictions !

I've never been good at math so predicting this year's Oscar race feels especially challenging. You can tell me that a picture requires 5% of #1 votes or that it's 10% or 406 votes or that you need #2 or #3 placements on 69.3% of ballots with odd #1 choices that weren't already tossed aside... None of it will really sink in. For the first time in well over a decade, I had a flashback to my high school algebra class and how my friends (who were in calculus) kept teasing me about my "polynomials?" confusion.  I hate math!*

But in the end what does it matter? Buzz, also an abstraction, is more fun to play with and closer to the truth for non-mathematicians. Best Picture nominations have long required #1 votes, maybe not in the same configurations but they've always required them. And as Joe recently pointed out on the podcast, we're tricked into thinking too deeply about this each and every year. Who thought Frost/Nixon was the best movie of 2008? Who would ever have voted for Chocolat as the best film of 2000? And yet it happens year in and year out. Focusing too much on #1 votes can cloud this certainty: Any film still being discussed as a possibility this late in the game has a fanbase. The question is just 'is that base big / loyal enough within the Academy to secure it a best picture nomination?'

Mo'Nique reading the Best Picture nominees last year!

What Happens With The Screens Behind the Presenters?
For the first time in modern history we'll have no idea until the names are read whether there will be five, six, seven, eight, nine or ten nominees. In past years when they announced the nominees you'd see the blank boxes where the nominees would be revealed while they read out the names. You knew, for instance, if there would be 3 or 5 animated nominees by how many boxes were there even if you hadn't been paying attention to the number of eligible pictures released.

My current hourly obsession is wondering whether we'll be tipped off to how many pictures there are seconds before we hear the titles...

When we knew there would be ten they simply appeared as they were read but there weren't actually boxes behind the announcers to be filled in as there were in years with five. You follow? So this year if there are, say, 6 nominees will we first see the empty boxes and KNOW there will be six before the names are read? 

PICTURE
If we only had five nominees, this race would be easy to call. Our nominees would be: The Artist, The Descendants, The Help, Hugo, and Midnight in Paris. And in that order of likelihood. (My preference order, just as reminder from my year in review, would be The Artist, Midnight in Paris, The Help, Hugo and The Descendants.) I believe the nomination tally hierarchy is going to be HugoThe Artist, and The Help way out in front of other films. Moneyball would, I think, be the spoiler in a traditional shortlist year. No matter how you feel about those films on an individual basis, as a group that's a pretty beautiful spread of the film year: message movies, family dramas, cinematic novelties, smart comedies and releases stretching from summer to Christmas, from critical triumphs to sleeper hits. It's representative and we like the Oscars that way.

More after the jump...

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Sunday
Jan082012

25th Anniversary: George Clooney's Big Screen Debut

Twenty five years ago one of the world's few bonafide movie stars and one of this year's Best Actor frontrunners made his silver screen debut. Internet sources disagree on the exact date -- probably due to the film being a no-budget indie with an erratic release schedule -- but the earliest is January 9th. The point is this: We've now reached a quarter century of Clooney on the big screen!

If you investigate a trail of blood in a horror movie, you deserve to die.

Like many stars before and after him, George Clooney's first movie role was in a cheapo horror flick. His was named Return to Horror High (1987). Though Clooney is dispatched in the first fifteen minutes (first victim is an honor in horror casts, yes?) he was a big enough "name" in a field of (mostly) nobodies to get second billing.

He'd already had two short-lived series regular gigs on television, most famously a recurring role on The Facts of Life. In 1984 he starred in a sitcom called E/R which is hilarious in retrospect (the gig not the show) since it was about emergency room doctors in Chicago. Ten years later with ER, a very different show about the exact same thing, he'd become a major star. It'd be nice to state something triumphant like 'Return to Horror High was the first and last time he'd ever have to accept second billing!' but it wouldn't be true. In between there was lots of flailing around... in roles and screens big and small.

A prophetic moment after the jump.

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Thursday
Jan052012

The Link Menagerie

Stale Popcorn defines "Xanadusiasm" and we're all about it. Make it official, Websters.
Towleroad in which I make New Year's Resolutions for Hollywood since they keep having dumb ideas like remaking Carrie (1976) of all things. Just... NO.
Observer Rex Reed laments the many cultural departures of 2011 from La Liz to another Oz Munchkin.
Best Week Ever who knew that Michael Shannon had this much adorable cuteness in him?

THR Jessica Chastain coming to Broadway in 2012. I guess she wants the EGOT by 2017 or something. Over Achiever!
Some Came Running Glenn Kenny has a J. Hoberman top ten to mark the Village Voice's strange decision to dump their famous critic. 
Cinephilia & Sass has a letter to the fading James McAvoy... who does need his "Here I Am!" role surely. 
Acidemic If I were a TCM programmer... 

Your Movie Buddy shares his Oscar ballot. Kurt is also busy over at...
The House Next Door ...offering up Oscar prospects for The Tree of Life
Super Punch why your clothes don't look as good as in magazines (illustrated by Antonio Banderas)
Tom Shone wonders why Best Picture so rarely lands a Leading Acting Oscar to go with it anymore. Oddly, he seems to be complaining about it. Me, I love the spreading of wealth at the Oscars since the best film of any given year rarely has the best everything. 

Finally...
This week's most actressy event -- other than my interview with Charlize ;) -- is Nicks Flick Picks announcement of a Best Actress Birthday Party project. Here's the calendar and the first birthday party favor: Jane Wyman in The Glass Menagerie. Nick's been busy! In related news it's also Annie Hall's birthday today. Ms Diane Keaton turns 66. I'm itching for her to be in a good movie again so here's hoping one of her recently completed pictures works. It's not that she doesn't work.

Monday
Jan022012

Online Film Critics Need To Talk About Terrence

You may have heard that the Online Film Critics Society unleashed their press release on the world today. It rained Manna Malick from Heaven as The Tree of Life won 5 of their 13 gongs. Their winners...

Picture The Tree of Life
Director Terrence Malick, The Tree of Life
Actress Tilda Swinton, We Need To Talk About Kevin
Actor Michael Fassbender, Shame 


They go against the grain frequently with Best Actress. Aside from obvious sweepers like Natalie Portman or Helen Mirren in their years, winners have included Melanie Laurent from Basterds, Michelle Williams from Wendy & Lucy, Reese Witherspoon in Election and more. Like the Los Angeles Film Critics Association, who are even more adventurous in Best Actress citations, the OFCS is much more traditional / conservative when it comes to Best Actor almost always going with a major future Oscar nominee or frontrunner. The only exception in their entire history is Billy Bob Thornton who won for the Coen Bros picture The Man Who Wasn't There (2001). Funny how critics groups, even large ones, have such obvious personalities.

Actor Michael Fassbender, Shame
Supporting Actress Jessica Chastain, The Tree of Life
Supporting Actor Christopher Plummer, Beginners
Adapted Screenplay Bridget O'Connor, Peter Straughan for Tinker Tailor Soldier Spy
Original Screenplay Woody Allen, Midnight in Paris
Editing Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa for The Tree of Life
Cinematography Emmanuel Lubezki for The Tree of Life
Animated Feature Gore Verbinksi's Rango
Film Not in the English Language Asgar Farhadi's A Separation
Documentary Werner Herzog's Cave of Forgotten Dreams

As previously noted the OFCS will also be handing special prizes to Jessica Chastain and Martin Scorsese in addition to these prizes. Jessica Chastain, very recently interviewed right here, was so busy this year they must have figured that one prize wasn't enough.

Monday
Nov212011

Scene Work: Demián Bichir & Chris Weitz on "A Better Life"

In this new miniseries, we'll be discussing some of the most memorable individual scenes of the movies of 2011. So let's start with the penultimate scene from the immigration drama A Better Life. Have any of you seen it? 

At a recent luncheon honoring Demián Bichir (Weeds, Che), currently on the Best Actor campaign trail, I had a brief chat with the star and his director Chris Weitz. Our conversations kept drifting to two scenes in the movie, the aforementioned emotional peak when Carlos (Bichir) explains to his son, as best he can, the reason why he moved to America and had a child, and an earlier intense sequence that sets much of the plot in motion as Carlos (Bichir) makes a fateful mistake while shimmying up a palm tree in his day job as a gardener.

I told Bichir that I've always wondered how scary it is for actors to work on those slow build performances. Many performances have several peaks but A Better Life is quite a linear drama and Bichir keeps the performance very low key for a long time. It's all building to his intensely emotional monologue as he sits in a deportation center with his son. I wondered how nerve wracking that scene must have been for him. He plays the scene beautifully, with so much pent up painful intimacy. But as character arcs go it's very backloaded; his entire performance and indeed the film, rests on it.

That's why I had you. For me. For me. For a reason to live."

"Interesting," Bichir says, considering the question. "I try not to think about that. I never think ahead." he confesses, explaining that he tries to take the journey in sequence with the character, though he readily admits that you know the scenes in every script your first time reading through.

"So I don't think about it," he elaborates. "It's like in life. You know, when you're in love you don't think 'what if we break up?' You don't think about the fears or the negativity." The emotional place you have to get to you just work towards day by day, he explains. They were lucky to shoot almost chronologically which really helped him.

Oscar Campaigning and a unexpected Twilight diversion after the jump.

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