50th Anniversary: The strange case of Gig Young's Oscar

As a sequel to our recent look-back at the 42nd Oscars , please welcome guest contributor Orrin Konheim...

Fifty years ago, the Academy Awards marked an odd milestone when they awarded a Best Supporting Actor Oscar to Gig Young for They Shoot Horses Don’t They (1969) although they didn’t know history was being made at the time. Eight years later, Gig Young would shoot his wife of three weeks (and then himself) in the only known instance of an Oscar-winning actor committing murder.

His tale is a disturbing one with few answers...

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Emmy Watch: Who are the Supporting Actor Drama Contenders?

Giancarlo Esposito in "Better Call Saul"by Abe Fried-Tanzer

Our Emmy punditry continues with Best Supporting Actor in a Drama Series. This category has plenty of contenders, but unlike the corresponding female fields, there are more past nominees that aren’t eligible than ones that are. The end of Game of Thrones means three opens slots, and Michael Kelly is also out of the running since House of Cards is (mercifully) over.

What’s especially interesting about this category is that, because of season-skipping, character departures, and category switches, there’s actually only one nominee from the past four years who didn’t earn a repeat bid the next time he was eligible. That happens to be Jon Voight (Ray Donovan), who is indeed a very unlikely possibility this year for the final season of his series after three years of missing out. He’s way behind a number of other actors…

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"Rob Roy" at 25

by Eric Blume

It’s been a quarter century since the release of Rob Roy, a film directed by Michael Caton-Jones and featuring the pairing of Liam Neeson and Jessica Lange. The period drama is about the eponymous 18th Century Scotland clan chief Robert Roy MacGregor.

Evidently there was a box-office hunger for this type of film around 1995, since one month later Mel Gibson’s Braveheart opened. The latter tragically went on to win Best Picture some nine months later.  Both films feature tales of broad-stroke heroism, where the main figure is portrayed as a rebel fighting the system, full of masculine bravado and BDE (the un-fun kind)...  

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Almost There: Ben Affleck in "Hollywoodland"

by Cláudio Alves

Ben Affleck may be one of Hollywood's A-listers, but he's not quite respected as an artist. More precisely, he's not often celebrated for being a performer, having otherwise received plenty of acclaim for his work as a director and producer. Just look at his awards history. He's gotten very little love for his acting skills but won two Academy Awards, for writing Good Will Hunting and for producing Argo. Had he been nominated for directing the latter, as it was widely expected, he'd probably have added another little golden man to his collection. It's difficult to feel bad for the fellow, but, at the same time, Affleck's reputation as a subpar actor isn't completely warranted. 

While it's true his range is narrow, when cast in the right role, Ben Affleck can be quite impressive. You'll find no better example of that than 2006's Hollywoodland…

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Oscar Category Fraud, By the Numbers

by Eric Blume

A few days ago, my fellow TFE writer Claudio flagged a website www.screentimecentral.com, which tracks the screen time and percentage of all Oscar nominees and winners.  Because Oscar category fraud has long been a heated debate here at the site, I thought it might be fun to play with the numbers on the site from the last 20 Oscars, to see what we might discover if, say, AMPAS instituted a time/percentage rule on who could be eligible for lead and supporting performances.

Now for those about to go crazy in the comments, settle down.  This is just a fun game.  We’re not suggesting there should be an implemented rule, but for the sake of stirring up a healthy, positive conversation, I’ve broken down some of the numbers, and it reveals a lot of interesting things...

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