Was 1993 the Best "Best Supporting Actor" Lineup Ever?

To celebrate the 25th anniversary of a rather amazing Oscar lineup, here's Ben Miller...

There have been several iconic Oscar nominee lineups throughout the years.  Best Actor 1967, Best Actress 1939, Best Director 1975... a wholly fearsome lineup comes around but once every couple of decades or so.  One of them is celebrating its 25-year anniversary this season: the 1993 lineup for Best Supporting Actor.

Before we get to the nominees, look at who just missed the lineup...  

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FYC: Richard E. Grant in "Can You Ever Forgive Me?"

by Seán McGovern

There is a particular kind joy that we film lovers get to experience once a year or so, and that is seeing an actor who we have enjoyed and admired for years finally receiving the widespread praise and admiration we have always felt for them. Here at the Film Experience that's usually actresses: Isabelle Huppert in Elle, Laurie Metcalf in Lady Bird as recent examples. But every once in a while there is a man and a performance that makes you excited to pay attention to Best Supporting Actor.

Richard E. Grant in Can You Ever Forgive Me? is a performance so involving and entertaining that to know he is on the cusp of an Oscar nomination fills me with almost the same excitement he is currently experiencing; In a recent interview with Terry Gross on Fresh Air, he found out during the recording that he had been SAG-nominated, exclaiming that he was "levitating" at the news...

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Lunch with Amandla and Russell

by Murtada Elfadl

At a lunch to celebrate The Hate U Give at The Whitby Hotel in midtown New York, I got the chance to chat with the film’s stars Amandla Stenberg and Russell Hornsby about the film and their performances.

During the Q&A portion of the luncheon Amandla told the audience about how she read the book early on and pursued the project because it really spoke to her. So when I had a moment to speak to her later, I asked her what other ideas would she like to push forward with her upcoming projects. She informed me that she’s taking her time with a project she’s working on as a writer and director. However she also wanted to share the truth on screen:

I would love to be in a narrative that was not heteronormative where I don’t have to play straight where I could express myself  with authenticity.

As we discussed on a recent podcast, Russell Hornsby has the very difficult task of having to spell out the themes of The Hate U Give in a few speeches he gives to his onscreen children. In particular I asked him about the speech in which he tells his kids about how to behave if ever stopped by the police. Hornsby talked about doing research but then discarding it to be in the moment and finding the truth in the scene:

I looked at Amandla, I looked at those kids and in every turn I was talking to my kids. It wasn’t Maverick, it was Russell talking to his children. This is a passionate honest moment for me as a father, trying to hold my emotions at bay because it hurts so much that I have to do this.

The Hate U Give is still playing in a few screens nationwide so there’s still time to catch these two amazing performances! 

A Prayer For Alessandro

by Jason Adams

There's a scene set at the three-quarter mark of Sebastián Lelio's film Disobedience (which I reviewed right here) that shatters me into a million jagged little pieces every single time I watch it. Alessandro Nivola's Orthodox character Dovid has just had a heated argument with his wife Esti (a fabulously good Rachel McAdams) in which she's admitted she loves Ronit (the also fabulously good Rachel Weisz), the daughter of the just deceased Rabbi who's returned home after running away to New York. Dovid is a spiritual leader himself, on track to replace the Rabbi, and he has endless duties to attend to this week of Shiva, or mourning. 

And so Dovid goes to meet with some mourners who've just come in to town for the eulogy service (the Hesped) who it turns out are the choir who will perform at the ceremony. And they sing. The film cuts to a wide-shot - Dovid standing with his back turned to us in the center of the room, surrounded by mourners in black, all facing him. As Nivola turns towards the camera, slowly it moves forward in on him and trains in on his face as the singers crescendo - Nivola keeps everything in this moment internalized; his face hardly moves. 

And its devastating. It's the sort of acting moment that doesn't tear it up in Oscar clips, but it's all the more powerful for its restraint - typical of Nivola's gorgeously low-key approach whenever he goes to bat; think back on his singing scene in Junebug as well. And it's why I'm going to spend this whole awards season shouting his name in the middle of any Best Supporting Actor conversations I come across. 

I keep reading that the Supporting Actor contest seems thin at the moment, before the Awards Contenders all roll down upon us from Toronto and the like - so who are you rooting for Supporting-Actor-wise out of the films we've already seen in 2018?

FYC: Michael Stuhlbarg for "Call Me By Your Name"

by Chris Feil

It’s the final day of Oscar voting before the nominations are announced before the nominations are announced on Tuesday January 23! Who knows if most Oscar voters have their nomination ballots in or not, but that doesn’t stop the rest of us from screaming last moment FYC hosannas for the procrastinators that mights be listening. My last minute plea would be for one performance that I find shocking to have received so little traction over the season: Michael Stuhlbarg in Call Me By Your Name...

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