Oscar Volley: the still bonkers-crowded Supporting Actress race

Here are Baby Clyde and Mark Brinkerhoff to discuss TFE's favorite category, Best Supporting Actress:

Jessie Buckley in WOMEN TALKING

MARK:  Happiest season, to all who celebrate! I love a supporting actress smackdown, in real time, don’t you?This is a blood bath, to be sure, although one thing I’m fairly certain of: There will be someone from  Women Talking and  Everything Everywhere All at Once. At this point, I’d say Claire Foy and/or Jessie Buckley and Jamie Lee Curtis and/or Stephanie Hsu could even form the bulk of the lineup.  Curtis definitely is gunning for it—will she be the third veteran, overdue actress in as many years (after Amanda Seyfried and Kirsten Dunst) to find herself finally nominated in supporting?. If Everything Everywhere All At Once overperforms, that could augur well for Hsu. (Wouldn’t it be something if we got four actors in a single film nominated again this year after The Power of the Dog did it just last year?)

My hunch is we’re likely to see a majority of first-timers in this category, which is always exciting...

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Interview: Sadie Sink on Her Powerhouse Performance in ‘The Whale’

By Abe Friedtanzer

Despite early buzz from fall festivals, The Whale has not turned out to be a slam-dunk awards season player. After being shut out by the Independent Spirit Awards, star Brendan Fraser has earned nominations from most other awards bodies, with supporting actress Hong Chau and playwright/screenwriter Samuel D. Hunter also picking up bids along the way. There are those who say that the film and Fraser’s performance are manipulative and highly overrated, but I’m firmly in the opposite camp;  I think The Whale is the best film of 2022.

Fraser and Chau aren’t the only ones who turn in tremendous performances. As Ellie, the daughter of Fraser’s Charlie, Sadie Sink bursts in with anger to confront a father who has never been there for her but, at this moment, seems deeply interested in her happiness. Sink was already the best thing about season four of Stranger Things, and it’s wonderful to see her deliver so well in a role like this...

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Almost There: Claire Foy in "First Man"

by Cláudio Alves

For a film to get two nominations in the Best Supporting Actress category isn't especially rare. Several titles vie for that double spot this year, though Women Talking appears to be most likely to succeed. Jessie Buckley was nominated for The Lost Daughter last season and feels poised to nab a second consecutive honor, while Claire Foy has the other juiciest role. Moreover, this isn't the first time the British actress made famous by The Crown has been a significant player in the Oscar race. Early in the 2018 awards season, she appeared to be a near-lock for her work in Damien Chazelle's First Man, wherein the actress played a variation on AMPAS' favorite stock character – the stalwart wife to "a great man" of history. 

As Women Talking is gracing theaters with a new buzzy Foy performance and Chazelle's First Man follow-up Babylon is almost upon us, let's look at her work in the Neil Armstrong biopic…

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Team Experience Predix - Round 1: Post-Thanksgiving Snapshot

We'll be polling Team Experience biweekly to get their (collective) take on the Oscar race. This week, the 'Big Six' categories and Screenplay prizes.

THE FABELMANS

BEST PICTURE

Click to get expanded view.It’s a dangerous business to be an early frontrunner. However, if anyone can handle that title, it’s Steven Spielberg...

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Almost There: Lesley Manville in "Another Year"

by Cláudio Alves

With The Crown's fifth season comes a new opportunity for the world to bask in the glory of Lesley Manville. As Princess Margaret, she's a charismatic scene-stealer, indulging in all the melodrama thrown at her whilst brandishing a cigarette holder like a conductor's baton. Though a fair share of high-class glamour characterizes both her new Netflix gig and the role that earned her an Oscar nomination, that's not always the register within which Manville moves. You could even argue that she built her career on playing the opposite sort of people, working-class characters like the titular Mrs. Harris in this year's Mrs. Harris Goes to Paris – another outstanding performance.

Another example is Mary in Mike Leigh's Another Year. Prior to Phantom Thread, that 2010 drama surely marked the closest the actress had ever come to Oscar gold…

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