The Link World

Gilt City contest to see IF/THEN the wickedly talented one and only Idina Menzel's new Broadway show
The Wire is documenting the Kevin Spacey / Rob Ford feud
Instagram Madonna dresses up as Daenerys Targaryen, Mother of Dragons
Coming Soon 3D retrofitting continues for animated films and The Incredibles and Ratatouille are in process
i09 another "Let it Go" cover (they never end) this time using famous Disney cartoon voices 

Cinema Blend rumors circulating that Halle Berry has been cut from X-Men Days of Future Past. Less bad wigs in a movie is always a plus
In Contention Guy Lodge on the winners of the Miami Film Festival includeing the Brazilian thriller A Wolf at the Door. Could it be their Oscar submission this year?
Variety talks to Scarlett Johansson about Woody Allen and like Cate Blanchett she's level-headed about it

Ongoing Controversy
Felicia Day is upset, like we are, about the casting of a white actress as Tiger Lily though I'm linking up to this because even in the pro-ethnic casting majority people keep perpetuating the notion that it would be a risk and no such famous actors exist because they don't get the opportunities and in all of this so few people ever mention the fact that there IS a Native American actress who is beautiful, not completely obscure, and the right age for it who has already carried a movie. How can people have forgotten Q'Orianka Kilcher from The New World this quickly? She is 24 and talented and beautiful and this is ridiculous.  Obviously I missed my calling to be a casting director and slap sense into everyone.

I had already posted this on Twitter but just to remind everyone this is the movie she starred in and this is what she looks like now.

Q'Orianka in The New World (2005) and last year at an Oscar Party

In Development
Variety because there hasn't been enough film and television related to Silence of the Lambs, a new possible biopic of a psychiatrist who treated the man who inspired Buffalo Bill 
Variety casting on Greta Gerwig's sitcom continues. Adorable Nicholas D'Agosto from Masters of Sex on board
Coming Soon it's tough to keep track of Clint Eastwood's projects but after Jersey Boys he's doing American Sniper and it looks like Bradley Cooper and Sienna Miller will star as man and wife in the true story about a legendary Navy SEAL.
Empire Paul Feig (Bridesmaids, The Heat) is working on an original film musical !
Cinema Blend Jon Hamm and Zach Galifanakis will headline the comedy Keeping up with the Joneses about a suburban couple whose neighbors are undercover agents. No word yet on the casting of the wives

And FYI... our own Amir Soltani is launching a new podcast called "Hello Cinema" with a focus on Iranian Cinema. Here's the teaser...

Animated Feature Contender: Rio 2096

Tim Brayton will be looking at several of the contenders for Oscar's Animated Feature race. He previously reviewedThe Wind Rises, Ernest & Celestine, Frozen, and Letter to Momo. This week: Rio 2096: A Story of Love and Fury.

At times, one is reminded to despair for the English language. We have before us a certain Rio 2096: A Story of Love and Fury, named in the original Portuguese Uma História de Amor e Fúria, a superior title on two levels. One is that the “Rio 2096” business is an inelegant distraction. The other and more important thing is that in almost every Romantic language, the words for “story” and “history” are the same, and plenty of writers have gotten mileage out of that fact through the years. At any rate, describing Rio 2096 as something that’s both story and history at the same time is merely accurate. Whereas describing it as something that takes place in Rio de Janeiro in 2096 is accurate-ish, though it reeks of marketing to an audience that remembers when “adult animation” and “used-up future” were basically synonymous, back in the 1990s.

Click to read more ...

Foreign Oscar Updates: 15 Official Submissions & Much More

Another week, another 10+ submissions for Best Foreign Language Film Oscar race. We're up to 15 official titles now (which means there are about 50 to go). We previously covered Germany's finalist list but they didn't go with the youthful hit comedy Oh Boy after all but with the drama Two Lives, which we highlighted as a strong possibility given its war themes and the presence of Liv Ullman in the cast list.

But the German news is just scratching the surface of what's going on in the Best Foreign Language Film Oscar race.

FINALISTS AND SPECULATION

"Thy Womb"'s Nora Aunor won several Best Actress prizes at festivals

THE PHILIPPINES
They've recently announced a list of 8 finalists although, to make things confusing, they are still willing to look at more films that aren't on the list in case of late arrivals to the cinema. But chances are the film will come from this list: Supremo, Boses, El Presidente, Thy Womb (from the acclaimed Brillante Mendoza), Dance of the Steel Bars (inspired by a true story of prison inmate dancing videos going viral), Pinoy superstar Eugene Domingo (Ploning, The Woman in the Septic Tank) might be representing her country again in Tuhog, and finally director Erik Matti has two opportunities for submission since he has two films on the list On the Job and Tiktik: The Aswang Chronicles. You may recall I was bummed that The Phillipines missed last year since I loved their entry Bwakaw. They've yet to be nominated for an Oscar. 

"I Am Yours" might be the submission from Norway

NORWAY 
I was just visiting earlier this summer! Norway has announced their three finalists for Oscar submission. The Norwegian Oscar committee will be choosing between Arild Østin Ommundsen’s It’s Only Make Believe (Eventyrland) about a woman convicted for shooting two people who is released from prison, Erik Skjoldbjærg’s Pioneer about a deep sea diver, and Iram Haq’s I Am Yours (Jeg er din) about a Norwegian Pakistani woman falling in love. The latter starsOla Rapace (the ex Mr. Noomi who was recently in Skyfall) and Amrita Acharia and I'm hoping to see it at TIFF. None of these directors have been submitted in previous years. Norway won't be announcing their official candidate until September 20th. The land of the midnight sun has been nominated for the Oscar fem ganger (most recently last season with Kon-Tiki) but has yet to win the gold.

Fernanda Montenegro in "Time and the Wind"BRAZIL 
Brazil has not released a finalist list or an official submission but longtime fans of this category (and of The Film Experience which has always had a loyal following in Brazil!) should note that it's very possible that Fernanda Montenegro, Best Actress nominated for Central Station (1998), could be back on Academy screens. The 83 year old acting icon co-stars in the lush period drama Time and the Wind. It’s from director Jayme Monjardim, whose film Olga was submitted in its year, and it’s based on a beloved series of historical novels set in the colonial era. 

MEXICO & PORTUGAL
They've both released very long finalists lists of 15 and 16 films respectively. Here is Mexico's list and Portugal's (which is harder to read). Any guesses?

15 ½ OFFICIAL SUBMISSIONS THUS FAR

AUSTRIA The Wall
BULGARIA Colour of the Chameleon
DOMINICAN REPUBLIC Who's the Boss?
FINLAND The Disciple
GERMANY Two Lives
GREECE Boy Eating the Bird's Food
HUNGARY The Notebook
LUXEMBOURG Blind Spot
MONTENEGRO Debut Submission! Bad Destiny
NEPAL Soongava: Dance of the Orchids
THE NETHERLANDS Borgman  --Though it's been referred to in some articles here and there as the Dutch Oscar entry, this is not official (yet). Just widely assumed
ROMANIA Child's Pose
SINGAPORE Ilo Ilo
SOUTH KOREA Juvenile Offender
TURKEY The Butterfly's Dream
VENEZUELA Breach in the Silence

Nepal is sending the lesbian romantic drama "SOONGAVA: DANCE OF THE ORCHIDS

MORE (INFO, TRAILERS, POSTERS) @ OUR OSCAR CHARTS
Foreign Film Submissions Pt 1. Albania through Italy
Foreign Film Submissions Pt 2. Kenya through Vietnam

May the best films be nominated, no matter what country they're from! Pass it on to your friends who love subtitles!

"Fill The Void", "The Clown" and "After Lucia" Join the Very Crowded Foreign Race

Brazil, Israel, and Mexico -- three countries that have yet to produce an Oscar Foreign Film champ despite a small handful or two of previous nominees -- have now joined the fast-growing list of Oscar's subtitled contenders.

The tally now stands at 35...42 films 44 films and 4 finalist lists!

 Which means we've only got about 20 films left to hear about officially before the list is complete. October 1st is the deadline for submissions and in mid October Oscar will provide us with the official list which will usually contain a few surprises -- either a last minute film switcheroo, a disqualification, or a country that hadn't publicly announced suddenly surfacing on the list. Let's look at our new contenders and their countries nominee history after the jump.

Israel's New Contender: FILL THE VOID by Rama Burshtein which gives us an intimate look at the Hasidic community in Tel Aviv.

Israel's Nominee History - 10 noms / 0 wins
with links to Netflix pages -- all but one available for rental!
1964 Sallah
1971 The Policeman
1972 I Love You Rosa
1973 The House on Chelouche Street (instant watch!)
1977 Operation Thunderbolt
1986 Beyond The Walls
2007 Beaufort (instant watch!)
2008 Waltz With Bashir
2009 Ajami (instant watch!)
2011 Footnote 

Brazil's New Contender: THE CLOWN is about a father (Paulo José) and son (Selton Mello, also the director) who work together as clowns in the circus. The son no longer thinks himself funny and wants to settle down. 

Brazil's Nominee History - 4 noms / 0 wins
with links to Netflix pages if available
1962 Keeper of Promises
1995 O Quatrilho
1997 Four Days in September
1998 Central Station is by far the most universally beloved of Brazilian Oscar contenders even netting a well deserved Best Actress nomination for Fernanda Montenegro. In any other year it would surely have been a winning entry but it had the timing misfortune of going up against Life is Beautiful which was that year's even bigger foreign crossover hit, winning 3 Oscars on the big night (Actor, Foreign Film and Original Score) from its hefty 7 nomination tally which included Best Picture and Best Director nods.

Mexico's New Contender: AFTER LUCIA by Michel Franco is about high school bullying and was a hit at Cannes where it won the Un Certain Regard sidebar

Mexico's Nominee History - 8 noms / 0 wins
with links to Netflix pages -- unfortunately spotty
1960 Macario
1961 The Important Man 
1962 The Pearl of Tlayucan 
1975 Letters from Marusia 
2000 Amores Perros (instant watch!)
2002 The Crime of Father Amaro
2006 Pan's Labyrinth 
2010 Biutiful (instant watch!) 

WHO IS LEFT TO ANNOUNCE?

Plenty of countries in South America and Asia as well as three European biggies. The three countries with the mightiest Oscar stats that have yet to announce this year are...

 Denmark everyone assumes it will be the festival hit costume drama A Royal Affair... which has won acting awards and critical favor. So why haven't they announced that yet? Rumor has it they're announcing today so perhaps it's a done deal by the time you read this.  YEP. IT'S A ROYAL AFFAIR
Italy Reality had some buzz but NYFF is playing Caesar Must Die so it would sure be convenient... for me ;) ... if it were the latter.
Spain announces next Friday though they've already narrowed it down to three contenders. I'm hoping it's the silent black and white Snow White picture starring the internationally recognized Maribel Verdu (Y Tu Mama Tambien, Pan's Labyrinth, etcetera) because I like annual themes, don't you? See we're drowning in Snow White movies in 2012 -- you'd think this ancient story had just hit the public domain or something? -- so let's finally get a good one in the mix!

TIFF Finale Pt. 1: "Silver Cliff" and People's Choice Winner "Where Do We Go Now?"

Paolo here back with...wait, there are more movies after the awards were announced? Yes, but before we get to that, I was unfortunately reminded by Amir that I saw Love and Bruises. It's a movie about a Chinese woman in Paris named Hua who studies the women's rights movements but hangs around with rapists outside of campus. One of these, Mathieu (Tahar Rahim, who needs to work with better directors), is the jealous possessive type but lets her alone with his skeezy best friend. Cheery stuff.

Silver Cliff

Aarim Ainouz' SILVER CLIFF begins with Djalma (Otto Jr.), a beefy guy who isn't having fun despite swimming on a beach in Rio de Janeiro and making love to his wife Violetta (Alessandra Negrini). He flies to a smaller city and dumps her over the phone. Arriving at the airport too late, she roams around the city, from hotels to beaches, playing his voice message and suspicious of its tone. She meets a father (City of God's Thiago Martins) and daughter with their own back story.

Rio is a city where Brazilians can get willingly lost and here we follow the abandoned halves of broken marriages in Silver Cliff. Though the majority of the film concentrates on Violetta, her scenes neither written nor performed compellingly, Ainouz's choice to begin and end with the male characters is a puzzler.

The People's Choice Winner...

Where Do We Go Now?

After the screening of Nadine Labaki's WHERE DO WE GO NOW? (Lebanon's Oscar Submission), I overheard a festivalgoer telling his friends that 'someone's probably blogging that this is the worst People's Choice Winner ever.' I might be one of those bloggers misconstrued as writing that.

The film's chief merit is its female perspective on Lebanese sectarian conflict. In the spirit of "Lysistrata," a group of village women try to stop men from gunned conflict through pranks. (Some audiences might see this approach as too idealistic since it's difficult for any group who hate each other and unite and pull off miracles.) The director also stars as Amale (Labaki) whose character arc takes her from merely vulnerable and beautiful to someone who can publicly question notions of masculinity and God. But why did the idealistic women have to hire those big city Ukranian exotic dancers? By exploiting them for the men's use these women are taking steps back as they try to move forward. Where Do We Go Now? would have been more effective with less of its irreverent comic tone and musical numbers which only work half the time. The film could still reach the same denouement without trying so hard for its laughs.