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Entries in Directors (315)

Saturday
Jan212012

Naked Gold Man: Final Oscar Predictions !

I've never been good at math so predicting this year's Oscar race feels especially challenging. You can tell me that a picture requires 5% of #1 votes or that it's 10% or 406 votes or that you need #2 or #3 placements on 69.3% of ballots with odd #1 choices that weren't already tossed aside... None of it will really sink in. For the first time in well over a decade, I had a flashback to my high school algebra class and how my friends (who were in calculus) kept teasing me about my "polynomials?" confusion.  I hate math!*

But in the end what does it matter? Buzz, also an abstraction, is more fun to play with and closer to the truth for non-mathematicians. Best Picture nominations have long required #1 votes, maybe not in the same configurations but they've always required them. And as Joe recently pointed out on the podcast, we're tricked into thinking too deeply about this each and every year. Who thought Frost/Nixon was the best movie of 2008? Who would ever have voted for Chocolat as the best film of 2000? And yet it happens year in and year out. Focusing too much on #1 votes can cloud this certainty: Any film still being discussed as a possibility this late in the game has a fanbase. The question is just 'is that base big / loyal enough within the Academy to secure it a best picture nomination?'

Mo'Nique reading the Best Picture nominees last year!

What Happens With The Screens Behind the Presenters?
For the first time in modern history we'll have no idea until the names are read whether there will be five, six, seven, eight, nine or ten nominees. In past years when they announced the nominees you'd see the blank boxes where the nominees would be revealed while they read out the names. You knew, for instance, if there would be 3 or 5 animated nominees by how many boxes were there even if you hadn't been paying attention to the number of eligible pictures released.

My current hourly obsession is wondering whether we'll be tipped off to how many pictures there are seconds before we hear the titles...

When we knew there would be ten they simply appeared as they were read but there weren't actually boxes behind the announcers to be filled in as there were in years with five. You follow? So this year if there are, say, 6 nominees will we first see the empty boxes and KNOW there will be six before the names are read? 

PICTURE
If we only had five nominees, this race would be easy to call. Our nominees would be: The Artist, The Descendants, The Help, Hugo, and Midnight in Paris. And in that order of likelihood. (My preference order, just as reminder from my year in review, would be The Artist, Midnight in Paris, The Help, Hugo and The Descendants.) I believe the nomination tally hierarchy is going to be HugoThe Artist, and The Help way out in front of other films. Moneyball would, I think, be the spoiler in a traditional shortlist year. No matter how you feel about those films on an individual basis, as a group that's a pretty beautiful spread of the film year: message movies, family dramas, cinematic novelties, smart comedies and releases stretching from summer to Christmas, from critical triumphs to sleeper hits. It's representative and we like the Oscars that way.

More after the jump...

Click to read more ...

Monday
Jan092012

DGA Nominees

The nominations for the 64th annual Director's Guild Awards have been announced. Shortlisting here is one of the surest signs of industry support and future Oscar nominations for both directors and the films.

Woody Allen for Midnight in Paris
Michel Hazanavicius for The Artist
David Fincher for The Girl with dragon Tattoo
Alexander Payne for The Descendants
Martin Scorsese for Hugo

Who This Helps: Fincher and that girl with the tattoo. It's surging at the right time despite audiences not falling in love with it.
Who This Hurts: Spielberg who the DGA usually loves. If he didn't place here that's big trouble for War Horse.

The 64th Annual DGA Awards will take place on Saturday, January 28, 2012 in the Grand Ballroom at Hollywood & Highland in Los Angeles. Just four days after Oscar nominations are announced, someone will win this super coveted prize. And that remains a very big deal. The DGA, like so many other awards-giving bodies, is proud of their Oscar predictive status. They're official bragging rights go like so:


The DGA Award for Outstanding Directorial Achievement in Feature Film has traditionally been a near perfect barometer for the Best Director Academy Award. Only six times since the DGA Award's inception has the DGA Award winner not won the Academy Award:

 

Spielberg has 6 Oscar nominations and 2 wins for directing. He's even more popular with the DGA with 10 noms and 3 wins for the same filmography..1968: Anthony Harvey won the DGA Award for The Lion in Winter while Carol Reed took home the Oscar® for Oliver!. 1972: Francis Ford Coppola received the DGA's nod for The Godfather while the Academy selected Bob Fosse for Cabaret. 1985: Steven Spielberg received his first DGA Award for The Color Purple while the Oscar® went to Sydney Pollack for Out of Africa. 1995: Ron Howard was chosen by the DGA for his direction of Apollo 13 while Academy voters cited Mel Gibson for Braveheart. In 2001 Ang Lee took home the DGA Award for Crouching Tiger, Hidden Dragon, while the Oscar went to Steven Soderbergh for Traffic. In 2003 Roman Polanski received the Academy Award for The Pianist, but the DGA Award went to Rob Marshall for Chicago.


Looking over that list it's clear to me (though your take may vary) that when Oscar differs from the DGA it's a toss up as to whether or not it's an improvement. A toss up leaning Oscar's way.

P.S. The nominations for television, documentary and commercial directorial achievements will be announced tomorrow. 

Related Page: Best Director Oscar Predictions which will obviously need to be updated now. Predicting awardage during a blissfully volatile awards season, is like making your bed every morning. A beautiful cozy bed that you can't wait to sleep in again. Loving this year!

 
Friday
Jan062012

BAFTA Long List Losses

I've said it before and I'm forced to say it again. I'm *so* glad that the American Academy does not publish a long list. i.e. the semi-finals. You see, It's so much more bearable / engaging when you can imagine that straight up great achievements or achievements you really responded to personally but you knew might have trouble rallying huge swaths of support were in 6th or 7th place or 10th place in voting. The way BAFTA does it, however, you are forced to understand that Oscar buzz is everything and Super Size Mediocrities will always triumph over critical darlings or more challenging Art.

Take the Best Picture categories for a prime example. Notice that Weekend for example, a very British and very acclaimed film is not one of their "outstanding" homegrown products (they might want to check the reviews again) and notice that auteurist films frequently called masterpieces by their fans (The Tree of Life and Melancholia) are also absent. Other films ignored because you have to have space for The Lukewarmly Reviewed Biopics About Lady Actresses and Lady Politicians are... no, no. It's too horrible to start listing them!

Best Film The Artist, The Descendants, Drive, The Girl with the Dragon Tattoo, The Help, Hugo, The Ides of March, The Iron Lady, Midnight in Paris, Moneyball, My Week with Marilyn, Senna, Tinker Tailor Soldier Spy, War Horse, and We Need to Talk About Kevin 

Outstanding British Film Arthur Christmas, Attack the Block, Coriolanus, The Guard, Harry Potter and the Deathly Hallows Part 2, The Iron Lady, Jane Eyre, My Week with Marilyn, Senna, Shame, Submarine, Tinker Tailor Soldier Spy, Tyrannosaur, War Horse, and We Need to Talk About Kevin 

BAFTA voters went crazy 4 My Week With Marilyn, longlisted many many times

Film Not in the English Language  Abel, As If I Am Not There, The Boy Mir – Ten Years in Afghanistan, Calvet,  Dhobi Ghat (Mumbai Diaries), Incendies, Little White Lies, Pina, Post Mortem, Potiche, Le Quattro Volte, A Separation, The Skin I Live In, Tomboy and The Troll Hunter

More long list looniness with commentary after the jump...

Click to read more ...

Thursday
Dec292011

Papa Linkes

AV Club Excellent "Why don't you like this?" argument over Hugo. I liked Hugo more than Tasha does but significantly less than Scott but I found the Moulin Rouge! comparisons especially fascinating.
Movies.com crunches the numbers on Best Director, with 15 directors already honored somewhere or somehow.
Vulture who had the bluest eyes in War Horse? Not Joey, the humans. 

Roger Ebert on why movie theater audience is down. Normally I think this topic is overworked but he gets a few really succinct points in and I had no idea that Netflix's instant watch streaming numbers show a preference for art film fare!
First Showing David Fincher on why he made each of his pictures. That people are still wondering why he felt he needed to make Dragon Tattoo even after seeing it, is maybe a problem. :)
Movie|Line I lol'ed heartily reading this calendar of dates to watch in 2012
Movies.com David Ehrlich's writes a quite funny piece on the "Overrated" titles of 2011

What are you doing New Year's Eve? ♫

Ahhhhh (500) Days of Summer reunion for Winter!

Indiewire the top ten box office hits, subtitled division. France rules as per usual.
Anne Thompson on why The Girl With the Dragon Tattoo is struggling at the box office. 
Cinema Blend on disappointing films of the year. Death to hype!

Finally... I wanted to take this moment to say goodbye to Cheetah from the Tarzan movies who supposedly died this past weekend. A lot of chimps played Cheetah of course as there are a ton of Tarzan movies and The Wall Street Journal claims this could not have actually been the one from the Weismuller/O'Sullivan movies. Supposedly Cheetah was 80 but life expectancies for his species is like 35 so that's baffling. Human life expectancy is like 67 years and how many 140somethings do you know? It seems weird to say "favorite thing!" about obituary madness but I was delighted to see Mia Farrow tweeting about it.

I'd been debating whether or not to make a big to do of Tarzan's centennial in 2012 (October to be exact) though I suspect most readers aren't into that particular swinger since comments tend to be lowsville on Tarzan moments here. That's one franchise that really seems dead. RIP. 

Monday
Dec122011

'oh, oobee doo. i wanna link like you-oohooh ♫'

Empire Eddie Murphy could play Washington mayor Marion Barry for Spike Lee in a new biopic.
Carpetbagger wonders if Meryl Streep is the oldest person to ever grace the cover of Vogue? We assume she is, unless some male designer once posed there with an 18 yr old supermodel. 
Movie|Line 5 pieces of Elizabeth Taylor's Memorabilia worth paying for...
Time profiles Tilda Swinton

Indie Wire because Martin Scorsese hasn't won enough awards in the past several years, the Santa Barbara Festival is going to honor him with the American Riviera Award 
Yahoo Movies a rundown of awardage thus far. No consensus really.
Rope of Silicon lists the top five movie tattoos. I was happy to see Seth Gecko.
Awards Daily Sasha gets angry at the Shame haters. The movie not the emotion. Feel free to hate on shame the emotion. It's an annoying one. 
Guardian in "Obituaries of 2011" has Shirley Maclaine's memories of La Liz. 
24 Frames The Hollywood Blacklist... hottest screenplays 

Hero Complex on Anthony Lister's Rise of the Planet of the Apes mural at Melrose Avenue.

Love it, don't you? How many pictures do you think are going to be snapped there every day while it's up. 

And finally congratulations to the directors cited by Variety as "10 to Watch". In case the pay wall traps you like it did me they are:

 

  • Zal Batmanglij (Sound of My Voice)
  • Valérie Donzelli (Declaration of War) -French Oscar submission
  • Gareth Evans (The Raid)
  • Philippe Falardeau (Monsieur Lazhar) -Canadian Oscar submission
  • Gerardo Naranjo (Miss Bala) -Mexican Oscar submission
  • Matt Piedmont (Casa de mi Padre)
  • Michaël R Roskam (Bullhead) -Belgian Oscar submission
  • Lynn Shelton (Your Sister's Sister)
  • Benh Zeitlin (Beast of the Southern Wild)
  • The Bandito Brothers (Act of Valor)

 

Off Cinema
in case you need a wee break in which case what the hell are you doing here?
Pitchfork Top 100 Songs of the Year 
Billboard The Year in Music
Stale Popcorn Madonna's greatest soundtrack hits. (Okay that one is not totally off cinema I suppose.)