NYFF: Arthur Miller: Writer

By Manuel Betancourt

There may not be a more towering figure of the American stage than Arthur Miller. From A View from the Bridge and Death of a Salesman to The Crucible and The Price, his plays remain some of the most performed / discussed / dissected dramas of the twentieth century. Capturing men (for they were so often men) caught adrift in an ever-changing world, Miller’s protagonists laid bare the most insidious aspects of American society. 12 years after his death, Arthur Miller: Writer (a riff on what he once said he hoped his obituary would read like), comes to offer a humanizing portrait of the New York City-born dramatist. That it comes courtesy of his daughter, Rebecca (yes, Mrs Day-Lewis, The Meyerowitz Stories’ bit part player, and Maggie’s Plan helmer) means that there’s a level of access and intimacy that we may not otherwise have gotten... 

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Four Better Ways to Spend Avatar's Billion Dollar Budget

By Ilich Mejia

Avatar 2 just began production after it was announced that the saga's four upcoming sequels (filming back-to-back) will have an alleged combined budget of $1 billion. For those of you too pretty to be bothered by mental math, that's an estimated $250 million per sequel. Very good news for the realtor finalizing the purchase of Sigourney Weaver's next vacation home; less good for our over-stuffed "sequels no one needs" file.

To be fair, $250 million doesn't come close to matching the fourth installment no one wanted of the Pirates of the Caribbean series' ($370 million budget), but it is still two handfuls of zeroes (if—for whatever reason—you are missing a pinky) for movies that will come out in the next eight years. 

In an effort that could willingly be misinterpreted as a cry against the threat of capitalism, we have come up with four more pressing ways to spend someone else's money. Come disagree!

01. $250 MILLION for the Crazy Rich Asians press tour + sequels

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Link what you made me do

Cartoon Brew it turns out the new animated film Leap is actually a previously internationally released animated film named Ballerina, reworked by the Weinsteins for the US with a new voice cast. The difference: the reviews are terrible this time
Variety Orland Bloom to star in and produce an urban fantasy series called Carnival Row which has humans and mythological species interacting (sounds a smidge like the new Will Smith project Bright)
The Guardian James Cameron interview on Terminator 2. But the part that's getting quoted is his dismissal of Wonder Woman (though he says he enjoyed it)
Variety... but naturally Patty Jenkins has fired back

IndieWire lots of female directors hitting the festivals this year. Here's a list of 20
Nerdist we haven't heard anything about that ill-advised movie remake of The Birds (1963) in a while. But now there's news that another adaptation of the source novella is aiming to be a dramatic BBC miniseries
Mental Floss extensive piece on the costumes of Game of Thrones
Boy Culture Jay Thomas of Mork and Mindy and Murphy Brown fame has died of cancer
/Film casting for the live action version of Teen Titans (which will just be called Titans) has begun with Anna Diop nabbing the Firestar role.
/Film The best recent Asian action movies you probably haven't seen
Like Hacker Movie Pass is suddenly seeing a huge influx of subscribers. You guys I love the service so much. If you don't have it you really should get it. It saves you so much money if you like seeing movies regularly.

OffScreen
The Atlantic interesting piece on Taylor Swift's persona-shifting new single "Look What You Made Me Do"
The Stage Stephen Sondheim on what directors should and shouldn't do when restaging musicals
The New Yorker read this brilliant piece, please... "Louise Linton isn't mad. You're mad."

Exit Video
Ever wonder what it would be like to hang out with Madonna for a whole day on your birthday? Dennis Hensley enlisted his comedienne friend Nadya Ginsburg to play her all day and find out. "C'mon" hit play. Ginsburg is a brilliant Madonna impersonator and proves it again.

Wonder Woman at The Alamo Drafthouse

Please welcome guest contributor Shannon Fox with a report from the all female screening of Wonder Woman at the Alamo Drafthouse.

Photo Credit: Proma Khosla/Mashable (Right to left: Stephanie Barnes, Annemarie Mancino, Shannon Fox)

Be careful.”  

This was the general response by friends and family, both male and female, upon learning that I had secured tickets to the women-only Wonder Woman screening at my local Alamo Drafthouse.  And, I mean, sure, we live in a scary world nowadays-- crazy things happen.  But it’s a pretty atypical response to catching a flick, you know?  I mean, I don’t know about you, but I usually hear “let me know if it’s any good” rather than “please don’t get murdered” when it comes to going to the movies.

But if that isn’t telling of the female experience in today’s society, I’m not sure what is.  

Alamo’s women-only screenings have garnered quite a bit of press over the past week, thanks to the multitude of mostly-male detractors on the internet.  There have been lawsuits, threats of storming the theater, and demands of men-only screenings in the future (for the female-led The Last Jedi, inexplicably) to name a few. Because of that, I wasn’t quite sure what to expect this past Sunday...

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Cannes Days 7-8: "The Beguiled" and "Rodin"

Another day in May, more cheers and jeers for the competition films. Only five competition films are yet to screen: Fatih Akin's In the Fade (starring Diane Kruger), Good Time from the Safdie brothers, Sergei Loznita's A Gentle Creature, François Ozon's L'Amant Double  (with two of his favorites Marine Vacth and Jérémie Renier), and Lynne Ramsay's You Were Never Really Here (starring Joaquin Phoenix). 

Previously: Day 1, Days 2-4, and Days 5-6
And Don't Miss: Nicole in Cannes Pt 1 and Pt 2

So it looks like the frontrunners for the Palme d'Or, barring any of those five landing in a major way, are France's 120 Battements Par Minute, Sweden's The Square, or Russia's Loveless. But with Cannes and the mysteries of the group dynamics of juries, you never really know until the awards are announced. Pundits always forget that. People who assume that the Palme is a given for ___ are wrong nearly every year. That's half the fun.

Day 8 brings us one of the longshot possibilities for the Palme from the great Sofia Coppola...

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