Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
COMMENTS

 

What'cha Looking For?
Subscribe

Entries in gender politics (231)

Sunday
Jan292012

Review: "Albert Nobbs"

This review was previously published in my column at Towleroad.


Albert Nobbs is story of a woman living as a man in Ireland in the early 20th century. Albert (Oscar nominated Glenn Close) serves as a waiter at a little upscale hotel. His world is so small that he barely leaves the hotel and hardly ever utters full sentences to anyone but himself. Those private conversations generally involve the counting of shillings. Nobbs' inner life isn't quite as small. The waiter dreams of saving up enough to buy a small tobacco shop and run his own little business. When he meets a painter by the name of Mr. Hubert Page (Oscar nominated Janet McTeer) whose situation is not dissimilar but whose emotional life is obviously richer, his eyes are suddenly opened to new possibilities, including romance... or at least cohabitation.  But dreams aren't easy when a flea in your undergarments can give you away, when your career could be finished with one misstep around a wealthy patron, when a stroke of bad luck could put your employer out of business, or when the woman you set your sights on for companionship (Mia Wasikowska) might not have the purest of motives in returning your affection.

You know what's just as a hard as opening a tobacco shop when you're a woman living as a man in early 20th century Ireland? Getting your dream movie made when you're an actress of a certain age in the early 21st century... [More]

Click to read more ...

Friday
Jan272012

Oscar Loves Two Women. In The Same Film. Often. 

Amir here. Since the Oscar nominations were announced on tuesday we’ve all heard tons of new stats about this year's slate. All the ‘oldest’ and ‘youngest’ and ‘most’s aside, the one thing that caught my eye was the double nomination for Best Supporting Actress for The Help’s ladies Jessica Chastain & Octavia Spencer. This is now the fourth consecutive year that the category has included two nominees from the same film. For the trivia lovers among you, this equals the previous longest streak of double supporting actress nominations from 1947 through 1950: Gentleman’s Agreement, I Remember Mama, Come to the Stable, Pinky and All About Eve... (though the earlier run is more impressive since 1949 had two sets of double nominees.)

Trivia: The two longest double supporting runs (though 47-50 actually had a year with two double noms."Pinky" is not pictured by accident. Apologies). In both one actress appeared multiple times (Amy Adams and Celeste Holm) and one of those times she played a nun!!!

Last year’s winner, The Fighter’s Melissa Leo, was accompanied by her co-star Amy Adams, who had been nominated along with Viola Davis for Doubt two years earlier. When Adams was taking time off inbetween, Vera Farmiga and Anna Kendrick filled in for her for their performances in Up in the Air. Had it not been for 2007's spread of wealth, the record could have been extended another two years since Rinko Kikuchi and Adriana Barraza were both nominated for Babel the year before.

If you look back through the history of the shiny gold man you'll find that in the 76 years since the Supporting categories were introduced 28 films have managed two supporting actress nominations. That’s an astonishing number but here’s what's more interesting. (Continued... with Pie Charts!)

Click to read more ...

Thursday
Jan262012

The Art Direction I Live In

I always try to finish the "Oscar Categories" of my own Film Bitch Awards before the Oscar nominations. I was racing to the deadline, panting heavily, sweating profusely and then I collapsed. I am now crawling towards the finish line. If anything can revive me it's eye candy! So here are my nominees for Art Direction and Cinematography. I would post Costumes too but I'm still arguing with myself over 8 films. (So many worthy efforts!) 

But while I have your eyeballs, I want to talk about one film in particular. Film is a visual medium so you'd think it would be a given that filmmakers would convey their themes and moods and characters visually. But many of them don't, relying on dialogue as exposition or voiceover profundities or leaning heavily on the gifts of their actors to get themes and nuances across. In other words, we have too few Pedro Almodóvars behind the camera.

In the two stills above from The Skin I Live In (which went without any Oscar nominations and was not submitted by Spain for Best Foreign Film) you can see how visually rich and how carefully planned every beat in an Almodóvar film is [MORE AFTER THE JUMP]

Click to read more ...

Wednesday
Dec142011

SAG Nominations: Surprising, Silly, Shame-less 

Regina King and Judy Greer announced the SAG nominees

Before we begin can I get something off my chest. You've possibly noticed that I always list actresses before actors when I do lists or my own awardage. Beyond my own actressexuality there is another reason for this. It galls me that they're listed second everywhere as if they're just slightly less important than actors. Now, you might say that's just a matter of alphabetics since "Actor" comes before "Actress" in correct alphabetization and that's true enough. But it's not only alphabetics, its our lazily sexist society. Please to note that SAG makes a point of calling all acting professionals "actors" without gender division and yet they do this and then STILL list men first even though "female" comes before "male" in correct alphabetization of category titles.

Grrrrr and also "girl!"

So women first when I list it because that's how we like it! 

MOVIES

OUTSTANDING PERFORMANCES BY AN ENSEMBLE IN A MOTION PICTURE 

  • The Artist
  • Bridesmaids
  • The Descendants
  • The Help
  • Midnight In Paris

These are strong nominees this year but as usual they left great actors out, even when their films were nominated.  Some comments on that problem in a separate post.

One theory of SAG ensemble voting is that actors vote for the movies that they wish they'd been in and that theory definitely holds up this year. All five of these sets must have been a blast when you think of the actors involved, the costumes, the color, the comedy (all five have comedic spirit even the two that are dramas).

 

 

 

It's also worth noting that this list is 80% identical to the BFCA list for ensemble. The only difference is you need to swap out Midnight in Paris for Ides of March. Still... it's clear that voters don't watch the more under the radar movies. I wish A Separation had opened a few months ago and built up to the acclaim it so deserves.

How fun would a win for Bridesmaids be as a ceremony capper? I demand a Wilson Phillips song be played when they take the stage should it occur.

COMPLETE LIST OF NOMINEES & MAJOR SURPRISES AFTER THE JUMP. 

Click to read more ...

Sunday
Nov132011

Oh Sister, My Sister... It's Dakota & Elle

Everyone's favorite teen blonde star sisters are covering W magazine this month.

It's too bad nobody writes really great nuanced dramas about glamourous teenage sisters, huh?

Elle Fanning on Dakota leaving for college:

I went into her room at home in California, and all her clothes were gone! Her closet was empty! I don’t get to go in there and steal clothes anymore. It’s really strange. It’s sort of like she’s off making a movie, but this time she’s not coming back.

Big interview reveal: Dakota is learning how to do her own laundry now that she's at NYU. Hee. (I laugh not at her but with her since I also didn't learn to do my own laundry until college. I know that's pathetic but my mom is a workaholic martyr-type, needs to do everything for everyone.)

Controversy
The interview never raises the latest controversy about Dakota Fanning's Marc Jacobs ad being banned. Flowers as Vagina is such a symbolic cliché that it's hard for me to take it seriously and be offended. Particularly when sexualizing young girls is such a constant and constantly celebrated aspect of pop culture (not saying it's right but it seems so arbitrary as to when people get up in arms about it vs when they love it, you know?). But anyway this particular cliché makes me lol because of Dianne Wiest's awesome "magnificent vagina" monologue in Bullets Over Broadway.

But back to the sisters... 
Who do you think scores an Oscar nomination first and how long are they both gonna have to wait? 


more photos and interviews (weirdly not conjoined) at W magazine.