Links: Martha Momoa Malick Moneyball

In Contention has an important addendum to the misleading 'Sean Penn hates The Tree of Life' stories circulating the net.
The Daily Beast It's recently come to my attention that Drew Droege (of "Chloë Sevigny" drag fame) has written musings about playing Chloë and meeting the real icon. She did not throw a drink in his face but kissed him and laughed. Love that.
Little White Lies has an interview with Conan's Jason Momoa in which the actor offers to scare the shit out of the reporter by doing the Haka.

Serious Film "Bridesmaids stands alone" in 2011's box office charts.
Movie|Line remembers Kristen Wiig's supporting bit in Adventureland 

Cinema Blend is Germany next for world traveller Woody Allen's filmography? P.S. Did you hear that Judy Davis joined the cast of his current Rome picture? (Yay)

Oooh... new posters for Martha Marcy May Marlene from EW.
Misterioso!

Do you like? John Hawkes eyes peering out on the one to the left are spooking me! Remember how intense his stare was in Winter's Bone? I haven't tried it but those are actual working QR codes on the movie poster -- should take you right to the trailer if you have a QR scanning app on your phone.

Brad Pitt still has magic hair in his late 40s. The shirt is by Alexander McQueen.Scott Feinberg discovers a funny irony in the Drive press notes.
Today Movies on the funny women breakthrough of this, 'The Summer of Raunch'
Fandor gets the great South Korean film Poetry tomorrow, so make sure to watch it. This is a sampling of reviews. I was quite honored to be named a "standout" review, and keeping such fine company.
Michael Musto predicts the Tony nominees for Best Actress in a musical a year in advance. We'd say that's too early but then we'd be huge hypocrites (hello, Oscar fanaticism) 
New York Magazine on Brad Pitt's Moneyball pitch. He's comparing his character arc, or lack of one (hmm....interesting) to 70s films, explaining that it's a drama about process and his character challenging the way things have always been done.

I thought of The Conversation: How do you tap a phone? Or Thief, with Jimmy Caan: How do you crack a safe? And I saw in it a guy who had an obsessive quality like Popeye Doyle.

I don’t really like big character-arc epiphanies. What I most loved about those seventies films is that the characters were the same at the end as at the beginning. It was the world around them that had shifted."

Kristen Wiig & Annette Bening in "Imogene"

The Bening and freshly Bridesmaids minted Kristen Wiig are filming the comedy Imogene (2013) just 20 plus miles from where I type this. I absolutely cannot wait and my impatience demands that I assume this will get pushed up to 2012 calendar before long since they're already filming in summer 2011.

 photo src

Everyone knows Wiig is funny after years on Saturday Night Live and the Bridesmaids smash but people always seem to forget how hilarious The Bening is whenever her characters are called on for comic moments, even within heavy dramas. I'm guessing her status as Hollywood Royalty and Serious Actress obscures this.

In fact, one could argue that ALL of her best performances are comedic in nature, even if they're within dark, brooding or angsty films, The Grifters and American Beauty being two obvious examples.

⇐ Annette Bening's Imogene character, who is Wiig's gambling addict mama,  looks like a cross between Carolyn Burnham and Arlene from True Blood, right?

The film, directed by the American Splendor (2003) and Cinema Verite (2011) team of Shari Springer Berman and Robert Pulcini , is about a woman (Wiig) forced to move back in with her mother after a staged suicide attempt to win back her ex-boyfriend fails.  In the most eye-brow raising bit of casting Glee sensation Darren Criss -- also recently spotted on set -- will play Wiig's love interest, though we assume he's not the ex in question. Wiig turns 38 next week, Criss is just 23. That age difference is absolutely normal for movies when the genders are reversed but it's still surprising and usually a large discussion point in the script (and may well be here) if the woman is older.

It sounds like a fun movie, right?

200 Days Until Oscar Nominations. Let's Predict!

200 Days? How about that...it's practically tomorrow.  Kidding! All of the following predictions are thus 100% accurate since every contending film is currently in release and consensus has long since been reached. Kidding²!

Big (speculative) gains for Bridesmaids and Midnight In Paris as they continue to do fantastic leggy box office, The Artist (since it hasn't lost even 1〫of its Cannes heat), and minor gains for films which have recently won distribution like W.E., Albert Nobbs and A Dangerous Method.

Prediction Page Revisions in Progress.
Completed: Picture, Director, Actor, Actress, Supporting Actor, Supporting Actress and Screenplay. 

And yes I am feeling really good about that Bridesmaids prediction. Why not, right? Big comedy hits have been nominated before and what a fun way to honor Kristen Wiig who no one expects to show up in Best Actress, you know? Unless of course you're talking Golden Globe Actress in which case, bitch better be there!

Box Office: Mutant Powers Revealed!

It's "Mutant Week" -- I'm into weekly themes this summer (any requests?) so deal with it! --  so this post will be illustrated by the previously unrevealed superpowers of famous people.

Like...

The Box Office (Actuals)
Class was in session for select homosuperiors and their homosapien fans this weekend in Westchester New York as Charles Xavier finally opened his School For Gifted Youngsters. But what people were talking about as they left the theater was Michael Fassbender as Magneto. And/or his chemistry with James McAvoy which is quite something. We'll call them "Double Thespian" Their mutant power --wonder twins activate --  is to make you believe that the movie you're watching is twice as good as it actually is!

We're feeling a bit stingy about having to share Fassy with the world now but happy for his success. It will all be worth it if this means he can make as many Fish Tanks and Hungers and Jane Eyres as he wants to, and maybe a few more people will show up to them, now.

01 X-MEN FIRST CLASS new $55.1 [review]
02 THE HANGOVER PT. 2  $31.3 (cumulative $185.8)
03 KUNG FU PANDA 2 $23.8 (cumulative $100)
04 PIRATES OF THE CARIBBEAN: ON STRANGER TIDES $17.9 (cumulative $190.2) [review]
05 BRIDESMAIDS $12 (cumulative $107.1)
06 THOR $4.2 (cumulative $169.1) [review]
07 FAST FIVE  $3.1 (cumulative $201.9)
08 MIDNIGHT IN PARIS $2.7 (cumulative $6.7)

other new(ish) stuff
13 TREE OF LIFE $618,000 (on 20 screens cumulative $1.2 million)
27 BEGINNERS $135,000 (on 5 screens) [review]
-- SUBMARINE $41,800 (on 4 screens)
-- BEAUTIFUL BOY $16,100 (on 4 screens)

The Talking Points: Woody Allen and Terrence Malick continue to have high per screen averages courtesy of their devoted fanbases and the critically-driven curiousity factor; Bridesmaids, which just crossed the magic $100 million mark, continues to hold steady, while the movies around it plummet 50% or more in attendance each week; Fast Five will lose its #1 movie of '11 bragging rights this week when Pirates surpasses it; Thor recently surpassed the original X-Men (2000) in grosses but it's no longer mighty (losing theaters now) which might leave it stranded ignobly on the Marvel superhero charts as "less" popular than a movie almost everyone hates (X-Men Origins: Wolverine).

What did YOU see over the weekend? Which mutant powers do you think the movie stars currently in theaters have?



Box Office Prophecy: Kristen Wiig's Legs

I've been in Boston for my girlfriend's birthday. Yesterday on the last day of the weekend birthday-ing, our group filed into a very crowded house for Bridesmaids. Perfect movie choice for a rainy day after brunch with a group o' friends. Given how consistently the entire theater was LOLing -- including our row -- you'd think the film could've knocked Thor right off the Bifrost.

A Truth: Wiig's Penis Imitation > Thor's Hammer. 

But I guess a great audience response and word of mouth is what second weekends are for. I expect Bridesmaids will have major box office legs and the tiniest of percentage dips next weekend. It's much funnier than The Hangover (2009) to which it's often compared (for plot and especially marketing reasons) and that film, which opened stronger, only dipped 27% and 18% in its 2nd and 3rd weekends going on to a very substantial gross. I'm guessing we see something very similar with Kristen Wiig & Co, at least percentage wise, in the next couple of weekends. I hope The Hangover II doesn't eat into its potential audience in the coming weeks. The wolf pack already had its turn.

The Box Office (Actuals)

01 THOR $34.7 (cumulative $119.4) [review]
02 BRIDESMAIDS new  $26.2
03 FAST FIVE $20.4 (cumulative $169.6)
04 PRIEST new $14.9
05 RIO $8.2 (cumulative $125.2)
06 JUMPING THE BROOM $7.0 (cumulative $25.7)
07 SOMETHING BORROWED $6.8 (cumulative $25.5)
08 WATER FOR ELEPHANTS $4.2 (cumulative $48.5) [review]
09 TYLER PERRY MADEA'S BIG HAPPY FAMILY $2.2 (cumulative $50.2)
10 SOUL SURFER $1.8 (cumulative $39.2)

What did you see this weekend? I'll try to write up Bridesmaids soon. I have a few things to say about it but they feel too entirely jumbled and disparate to make sense of this morning.