The 2019 Team Experience Awards

It's that time again: the Team Experience Awards! Before Nathaniel starts dishing out the Film Bitch Awards you've all been waiting for, the rest of us at The Film Experience compile our ballots for our favorites of the year in film. This year, Greta Gerwig's Little Women leads the mentions with 11 nominations - but it's Bong Joon-ho's Parasite that is our ultimate runaway favorite. As usual, our ballot features some major divergences from Oscar and some unheralded favorites. Look out for a majority female Best Director lineup, a different double acting nominee than the one Oscar chose, and a few contemporary surprises in the design categories...

Best Picture

1. Parasite
2. Portrait of a Lady on Fire
3. Marriage Story
4. Little Women
5. Pain and Glory
6. Atlantics
7. A Beautiful Day in the Neighborhood
8. Once Upon a Time in Hollywood
9. The Lighthouse
10. Hustlers
    

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New Oscar Trivia courtesy of the fresh Oscar nominations

Here are some fresh statistics to ponder given the new round of Oscar nominations. If you can think of more records broken or equalled let us know in the comments so we can add them. Refresh your screens for updates!

ALL TIME RECORDS...

• Thelma Schoonmaker, received her 8th nomination for editing The Irishman. That's an all time record but she has to share it since Michael Kahn (who, like Thelma, is three time winner in the category: Raiders of the Lost Ark, Schindler's List and Saving Private Ryan) has also received 8 nominations in his career, most recently with Lincoln (2012) when he broke their previous tie for "most nominated".
• Little Women (2019) is now the most nominated adaptation of Louisa May Alcott's book ever filmed...

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"1917" big in weekend three (and other box office stories)

The war drama 1917 moved into wide release in its third weekend, touting that big Globes victory, and scored with an amazing haul for a serious non-franchise film with no bankable stars. The civil rights drama Just Mercy also had a successful expansion to wide release in its third weekend but that one has three movie stars to help it (Michael B Jordan and Jamie Foxx in the main roles and Brie Larson in support) 

Weekend Box Office January 10th-12th (ESTIMATES) 🔺 = new or expanding / ★ = recommended
WIDE RELEASE (800+ screens)	PLATFORM TITLES
1 🔺  1917  $36.5 (cum. $39.2) GLOBE VICTORIES, TEASER ★	1 🔺   PARASITE $966k on 345 screens (cum. $25.3) PODCAST, CLASS, BONG, SAG CAST ★

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Podcast: Loving "Little Women"

In this hour long conversation Nathaniel and Murtada welcome special guest Kim Rogers (no relation to Nathaniel) from Head Over Feels to discuss Greta Gerwig's reworking of the classic oft-adapted Little Women starring Saorsie Ronan. Compare and contrast conversations to the 1994 version can't be helped but our opinions differ here and there on the 2019 film's sucess in various areas. We discuss the ambiguous ending, Eliza Scanlan versus Claire Danes, Florence Pugh playing Amy the whole way through and more. Spoilers, obviously, for this 151 year-old story. 

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Little Women

Review: Little Women

By Lynn Lee

Did we need another one?

That question hangs over any movie based on a novel that’s already been adapted multiple times – even moreso if there’s a previous adaptation that’s particularly beloved.  It may not, however, be the right question.  As potential movie material, perhaps great books should be treated more like great plays are for the stage, in the sense that if the work has enduring appeal, every new era deserves its own adaptation.  So perhaps the better question is whether this adaptation speaks to us, the viewers of today?

As applied to Greta Gerwig’s Little Women, the answer is yes…with a few caveats.  Full disclosure: I came to the movie as someone who read Louisa May Alcott’s coming-of-age classic so many times that my copy literally fell apart at the seams, and my devotion to Gillian Armstrong’s near-perfect 1994 adaptation starring Winona Ryder (which you should absolutely see if you haven’t) is a matter of TFE record .

While Armstrong’s version remains my favorite, I found a lot to like and admire about Gerwig’s...

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