Almost There: Class of 2022

by Cláudio Alves 

The Oscar nominations have been announced, and, while some celebrate, others commiserate. The word snub is getting its yearly workout, though it's easy to see why it's on the tip of everybody's tongue. This was a hard-to-predict year full of volatile lineups, not to mention a couple of dark horses crashing the party after most had considered them over. Grassroots campaigns won out while the precursors' importance keeps dwindling, and first-time nominees are more numerous than they've been in decades. Amid the chaos, it's time to fulfill an annual tradition here at The Film Experience, honoring those performances that probably came close to Oscar gold but missed the ballot at the last moment. Without further ado, let's give a warm welcome to the Almost There class of 2022…

Click to read more ...

Split Decision: "Babylon"

No two people feel the same exact way about any film. Thus, Team Experience is pairing up to debate the merits of each of the big awards season movies this year. Here’s Chris James, Ben Miller and Glenn Dunks duking it out over Babylon.

CHRIS: Hey Glenn and Ben, happy to chat with you on the most talked about/least seen movie of the holiday season. Oscar winner Damien Chazelle's big budget tale, Babylon, opened with $3.6 million over the holiday weekend. I hate to be the person to kick a movie when it's down. It benefits no one for an original auteur project to flop. However, I found Babylon to be an all-out disaster. Its grand scale debauchery grows stale with each passing scene, with nothing ever exuding sexiness or splendor. 

Much could be saved if Chazelle had a clear thesis with the movie, or engaging characters to follow. Unfortunately, Chazelle never quite knows whether to vilify or exalt Hollywood; instead, we just get a confused portrait of the silent era that feels neither real nor heightened. Despite a game performance from Margot Robbie, none of the central three characters jump off the screen because they don't have a strong, propulsive want. They do wild and crazy things, but the movie never bothers giving any of their actions a strong enough motivation. Maybe I'm just being the Grinch of Babylon. What are both of your thoughts on Babylon? Were there any elements that really worked - or didn't - for either of you?

Click to read more ...

Is Margot Robbie about to shake up the Best Actress race?

by Nathaniel R

While it would be foolish to consider any Oscar race locked up before any mainstream precursor nominations have been announced, Best Actress sure feels like it's solidifying as a race between Cate Blanchett, Michelle Yeoh, Danielle Deadwyler, and Michelle Williams. Any of them (except Cate of course) could be a surprise snub if precursor season throw us curveballs. If it's true that the race has narrowed down to these four (again that's only the assumption) than the fifth slot is where the drama is at the moment. Former Oscar winners Olivia Colman and Viola Davis remain distinct possibilities (when Oscar loves you, they love you) and people will start seeing Margot Robbie's performance in Babylon this week. If her star turn is as juicy and fun and focus-seizing as the trailer suggests, it's hard to picture her not being in the hunt for that third nomination. Perhaps she'll emerge from the first reviews as a genuine threat for a win if the first audience raves as much as her co-star Eric Roberts is raving about her. We know that the internet likes to "solve" categories long before the first mainstream precursor announces but it's important to keep an open mind before films are screened. If she seizes the imagination of the audience with her drug-addled wild-child movie star, the sky might be the limit. For now, on the updated chart, we'll place her fifth.

What does your hunch say about who the nominees will be and who might have a true shot at the win? 

Almost There: Margot Robbie in "Mary, Queen of Scots"

by Cláudio Alves

Since her 2013 breakthrough in The Wolf of Wall Street, Margot Robbie's Hollywood career has risen so consistently and quickly that its verging on meteoric. Early stabs at blockbuster stardom paid off with her über-popular Harley Quinn, soon giving way to more prestigious pursuits. I, Tonya earned the Australian actress her first Oscar nomination, and a second soon followed for Bombshell. This year, beyond dominating social media while location shooting for Greta Gerwig's upcoming Barbie, Robbie returns with two big movies. First up is David O. Russell's Amsterdam which opens Friday under a wave of controversy and critical scorn. Then, on Christmas Day, Damien Chazelle's Babylon finds her playing a Clara Bow-type in one of the year's buzziest titles.

As we wait to see if Robbie ends the season as a three-time Oscar nominee, let's turn our minds back to when the thespian tried her hand at playing one of the most dramatized figures in film history – Elizabeth I in Mary, Queen of Scots…

Click to read more ...

Yes No Maybe So: "The Fabelmans" and "Glass Onion"

by Nathaniel R

It's hard to keep up in September with festival premieres, Oscar news, and fresh trailers arriving daily. The strangest thing about September though is how future-oriented everything is. It's not about what people have access to now (theaters start crawling out of their current wasteland Friday) but what they might be talking about in December and January. Which makes September feel like foreplay without pleasure. But October is just around the corner and things get significantly more in-the-moment the further into the last quarter we get. Still trailers have their own kind of anticipatory pleasure. So today let's talk The Fabelmans which is getting raves from the first responders at TIFF...

Click to read more ...