Leo, Lists, Ladies, and Link Love

French Toast Sunday 5 best summer movies? Confession: I have never seen Crooklyn but always wanted to. 
Gawker on Cher's wiggy performance on The Voice 
The Local did you hear this story about how a French teacher an 11 year-old class Saw? WTF? At least pick a classic horror with artistic historical merit.
Guardian the next Star Wars sequels are looking for a teenage female lead? Whoa. I guess Hunger Games and Twilight are even more influential than they appear to be

Variety Miss Saigon is returning to the boards but I'm personally still curious as to why the movie version has never happened?
My New Plaid Pants the three things you need to see from the Anchorman 2 trailer
Los Angeles Times Show Tracker the women of Mad Men speak about the impending end
Film Flare awww, I had totally forgotten about "Elizabeth Taylor" on Sex & the City 
The Cinematic Katzenjammer Shailene Woodley cut from The Amazing Spider-Man 2 (ahem, 5). What, no Mary Jane? Seems odd to cut her just as her star is rising
Empire speaking of which. Here's more on her Hunger Games which is called Divergent
Hark, A Vagrant! takes on The Secret Garden 

On Leo...
Awards Daily asks why Leonardo DiCaprio is so often ignored by the Academy (brought on by The Wolf of Wall Street trailer). I know he has many devout fans and I am often criticized for not adoring him wholeheartedly these days but I disagree (and muchly) with the notion that his work has improved with age. I still think he has beautiful moments in several of his recent star turns but as a whole from film to film he is not pushing himself and is deeply repetitive in his acting choices (not just in the surface role similarities I've mocked like his run through The Dead Wives Club).

But I harbor no illusions that the Academy shares my opinion of his gift...

I think it's as simple as this: Leading Men who are considered beautiful always have to fight harder for Oscar love. That's all there is to it (well, that and them preferring five other people each time he's missed out). Paul Newman and Jeff Bridges, two of the best screen actors of all time, didn't win until their 60s and Leo isn't nearly that good! Plus he's only 38 years old. Leo has the same amount of acting nominations as Brad Pitt, Tom Cruise and Johnny Depp and the similarities are instantly noticeable, aren't they? Good looking marquee value men who are often viewed as STARS first, ACTORS second (whether or not that's an accurate description). I have no doubt Leo will eventually win -- and I think nominations will be much easier to come by in his 40s after whatever hiatus he plans to take -- but I think if it doesn't happen for him with Wolf, he'll have to wait until at least his mid40s and possibly much longer as many desirable leading men have had to in the past. I'm not sure why everyone expects the rules to be different for this one actor. The question of why not yet is as simple as the male dominated Oscar's completely obvious binary gender standards: they usually like to award female actors for being young and hot and, to some extent, new; and they usually like to award male actors for their bodies of work when they have stood the test of time (and are less sexually threatening).

poll by twiigs.com

This Sunday...
Oooh, I totally wanna watch this. Oprah is talking to four black actresses on their unique struggles in Hollywood on her new network. (Do I even get this network? I do not know)

Alfre Woodard (that's enough right there!), Viola Davis (YES), Phyllicia Rashad (makes sense) and Gabrielle Union (Bring it!) which is a classy lineup, don'cha think?

Also
The Film Experience on facebook. You haven't "liked" us yet. Rectify!

Stage Door: Showgirls with Kinky Boots

I'll be out of the country for the Tony Awards this year on a much needed vacation but before they arrive I thought I'd share with you my final theatrical experiences of the season, the first of which is way Off Broadway (though close to Broadway geographically)  and the second is one of your major Tony contenders.

Both of them adapted from movies because that is what gets financed these days!

Elizabeth Berkeley (Nomi Malone) and Rena Riffel (Penny/Hope) in Showgirls (1995)

Showgirls: The Musical is playing Wednesdays and Saturday nights at XL Nightclub. I raced to see it with friends since I love the movie so much. Plus I was fascinated that "Penny" herself, excuse me, "Hope" ("no one wants to fuck a Penny!"), the actress Rena Riffel, is reprising her role for the stage. She's self-aware enough to embrace Showgirls infamy as a career (she's also the star of the straight to DVD Showgirls 2: Penny's Revenge) the way C list stars of certain sci-fi programs end up as geek convention regulars hawking their wares. It's a honest living! I totally wanted to hug her or at least let her sign my ass or something. What a good sport! [more on Showgirls and "Kinky Boots" after the jump]

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"Tell me about it, stud."

R.I.P. "Smash"

Smash, age 2, passed away on Sunday May 26th, 2013 at an undisclosed location at NBC after airing its final two-part episode "The Nominations" and "The Tony Awards". Few were there to mark its passing due to its long and quite unamusing terminal illness. Smash's difficult short life was plagued by self-sabotage, and two unfortunately common showbiz ailments: Actress Dysmorphia Disorder, in which everyone pretends that a gifted actress is NOT awesome so as to place another lesser being on a pedestal, and the no less deadly Audience Prosopagnosia in which a piece of showbiz believes it is performing for a different audience entirely than the one it's got.

Smash, television's first and now only Broadway musical series, was born on February 6th, 2012 to stubborn scarf-aficionado Theresa Rebeck but wrestled away from her and placed in the care of foster parents who, from all filmed evidence, had never set foot inside a Broadway theater, never witnessed a Tony Awards telecast and prefer American Idol Results Shows to Broadway Musicals. 

In its final death rattle on Sunday night, Smash continued to exhibit all of its usual signs of self-loathing and  mental illness: oh look another "Cute" moment about leaving your cel phone on during live theater!; oh look a lame subplot suggesting the show's best actress should chuck aside her showbiz career the second she's earned it; oh look, more encouraging of absolutely unprofessional behavior to get your way in your profession as if everyone working in musical theater is a complete sociopath and everyone else is okay with this!). In its final two hours of life Smash drifted in and out of consciousness and lucidity forgetting it was a musical and then remembering and even breaking the fourth wall (during one bizarre gay flirtation) on the way to its "Big Finish", a cute reminder that McPhee & Hilty did always sound good singing together, despite all the rest.

In the tradition of all self-immolating entertainments, Smash will be buried with the careers of several of its participants though these names are as yet undisclosed and mourners are asked to withhold petitions calling for Katharine McPhee, Jeremy Jordan, and Joshua Safran's entombment. Smash is survived by Megan Hilty (aka "Ivy Lynn"), actress, Christian Borle & Debra Messing (aka "Will & Grace" "Tom & Julia"), actors, and presumably by Anjelica Huston, diva, who survived Jack Nicholson and is rumored to be indestructible.

Stage Door: Far From Heaven...THE MUSICAL!!!

Since we're in the heat of Tony season, you get TWO screen-to-stage posts this week. Here's the first one (though perversely both shows are not on Broadway and are thus ineligible for those awards)

abstew here. Although often cited as one of the reasons for the death of originality in American Theatre, the musicalization of popular films to stage is hardly new. After all, two Best Picture Oscar winners (All About Eve and The Apartment) were turned into musicals (1970's Applause and 1968's Promises, Promises, respectively) long before Bring It On was cheering it's way to a Best "New" Musical Tony Nomination. (I, myself, am still waiting for the musical version of Death Becomes Her. It already has a musical number! Someone, please, make this happen!) The latest film getting the song & dance treatment (well... song & walking around) is one that I'm sure TFE readers are familiar with, Todd Haynes' glorious Far From Heaven (2002). more...

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