Team Experience: Oscar's Best & Worst Moments

Neil Patrick Harris' big musical opening had fun shadow effectsAre most of you over your Oscar party hangovers now?

I polled Team Experience (and myself) on their very favorite moment and their "Agony!" bit alike from last night's show of shows and here's what they had to say about the 87th Academy Awards. Please do share your single Best & Worst moment in the comments, too as we work our way through putting this film year behind us.

BEST MOMENTS

Timothy: Pawel Pawlikowski muscling right on through the play-off music in order to pay due tribute to his late wife.

Julien: That opening song was really some... Oh who am I kidding ? Watching Julianne finally clutch that Oscar was a dream I thought would never come true. 

Nathaniel: Once you get past Julianne I'd go with 1) Emma Stone reaction shots  2) "Glory" 3) Jessica Chastain saying "Chivooooo" 4) the insanity of "Everything is Awesome" - particularly the fake Oscars and the Batman interruption 5) Patricia Arquette's infectious righteousness (sub-shoutout to Meryl & JLo). I understand that people are up in arms the day after but that's called 'missing the point because people love to be outraged' which is an epidemic online that distracts the world from progressive goals like eradicating inequality and sexism. 6) "because you're rich"

More heartfelt applause (and then some jeers) after the jump...

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22 Oscar Tweets

Though liveblogging and livetweeting has its drawbacks -- I always miss something when i"m typing, Social Media has kept "events" in event status so we welcome it. Here are some tweets that had me screaming or thinking or nodding or LOLing on Oscar night and the morning after.... plus a couple from me because Michael Keaton thanks Narcisuss at the Indie Spirits so I'm allowed. 

pic.twitter.com/ErtsNUxWDX

— Daniel Switzer (@daniel_switzer) February 23, 2015

On Oscar Day I start rooting for chaos. What if Cooper wins Best Actor? What if Anderson wins Best Director? Release the hounds!

— kateyrich (@kateyrich) February 22, 2015

Meryl Streep doesn't lose. She let's other people win.

— Sam Stryker (@sbstryker) February 23, 2015

if u watch the oscars backwards, a select number of white peopel bring golden statues on stage and give them to a bureaucracy

— jomny sun (@jonnysun) February 22, 2015

Redmayne, Desplat, Cotillard, Gaga, and NPH bombing after the jump

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Oscar Style: Henry Hobson & Those Gorgeous Graphic Sequences

Manuel here to talk about the gorgeous designs we saw last night. The Oscar telecast was, as usual, a very pretty affair. Humor may be subjective (a pun can both garner a laugh and an eye roll) and winners can be fought over (oh those Birdman takedowns aren't gonna get any less nasty now are they?) but the show will always provide the eye candy. And I'm not just talking about the gorgeous dresses, the preened faces and the sculpted male torso that walked the stage. I'm here to talk about the beautiful title cards that were featured throughout the night. 

Combining Tumblr-ized minimalism and Instagram's cataloguing style, Henry Hobson and the Elastic Design created some beautifully stylized graphic sequences for last night's awards:

I particularly loved the (ever so brief! -- guess they wanted to keep these sequences short and sweet?) Best Picture montage:

Best Picture Oscar Nomination Title Sequence - 2015 from henry hobson directing & design on Vimeo.

If there's one objection to make about all these pretty pictures is that they seemed designed to deny us of the power of those moving pictures we were supposed to be honoring (or, in the case of the In Memoriam tribute, of the work which Meryl reminded us, would live on). 

Were you taken with the designs? Or did you wish we could have gotten full clips of some of these nominees, especially as the telecast was unusually reticent to show clips of any kind?

Lady Gaga Isn't the Only One Who Loves "The Sound of Music"

Be here a week from tomorrow for the season premiere of Hit Me With Your Best Shot when we look at the classic Julie Andrews... or, rather, the classic Julie Andrews in between her other classics. the one where she spins on a mountain top (though hopefully not everyone picks that opening scene)

If you've never played before it's easy. You 1) post your favorite shot from the movie somewhere. 2) Say why you chose it. 3) We link up. Here's the March schedule for the series every Tuesday night!

And dont forget to "like" TFE on facebook and sign up for our weekly newsletter which will start next week. Don't vanish post-Oscar because we do this all year round: lovin on the actresses, investigating the directors, and having fun with cinephilia.

After the jump excerpts from Lady Gaga's performance and fun tweets about it.

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The 87th Academy Awards. Live Blog

08:29 3...2...1...

08:36 We began with a big musical number "Moving Pictures" with Neil Patrick Harris, Anna Kendrick, and Jack Black. Some of the audience likes it more than others.Keira Knightley and her date look at each other and laugh. Some of the opening monologue is funny... but why do jokes about Oprah always come across so awkward. David Letterman 'you got your Oprah in our Uma Thurman!' and now NPH equates Oprah with American Sniper. "cuz you're rich" 

08:46 BEST SUPPORTING ACTOR GOES TO J.K. SIMMONS 
He never mentions the movie or anything. Puzzling. Just talks about his wife and "above average kids" - people still laugh at that line despite the sweeping of the precursors and that he's used it each time. Tells us to call our parents. My mom would not believe it if I called during the Oscars. She'd think someone died.

Neil Patrick Harris tries to make us believe he's an Oscar nerd with an elaborate bit which IS NOT A BIT about his predictions locked up on stage. He puts Octavia Spencer in charge of watching them. 

08:48 Clips from Grand Budapest Hotel and American Sniper the double feature you never knew you wanted introduced by the star you never knew would introduce them Liam Neeson

08:50 Dakota Johnson introduces Adam Levine singing "Lost Stars" 

ALL THE REST AFTER THE JUMP

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