"Oh putain!" It's Jean Dujardin

This just in from our friend Julien in Paris... Jean Dujardin, interviewed on Europe1 this week to promote his new movie Mobius, was asked about his acceptance speech at last year's Oscars and Emmanuelle Riva's nomination in Best Actress this year, the award he'll be presenting on Oscar night.

The actor famously proclaimed "Oh putain!" before launching into his acceptance speech which sort of translates to "Fuck!".  In fact, some people believe that it's the only word you need to know to speak French.  

Dujardin goes on to confess that he didn't vote (!?!) and congratulates Emmanuelle Riva on her BAFTA win. He promises the interviewer that if Emmanuelle Riva wins on Oscar night he'll shout "Oh, putain - It's Emmanuelle Riva!" when he opens the envelope.

Do you think he'll get the chance?

P.S. While you're here why not like the Film Experience on Facebook?

Links, Inc.

i09 Monster University has a recruiting ad
i09 and character designs - Helen Mirren being dragon-like as the Dean in this Pixar sequel
Interiors picks a great topic this month: the apartment in Amour. All mapped out. 
NPR Tony Kushner's research and characterizatin of Lincoln
Pakoto illustrated tribute to Jurassic Park
Movie|Line talks to the Ryan Gosling of the porn set who keeps getting cast in XXX versions of Gosling hits

Details interviews James Franco on this moment in his career including Oz the Great and Powerful and...
MNPP brilliantly dissects those page 3 answers about deep throating a pistol for his next picture Spring Breakers
Stale Popcorn Naomi Watts on stardom and breakthroughs
Vanity Fair Quentin Tarantino Kill Chart in infographic form. Wow his movies are gruesome 
Grantland has a snarky Oscar bracket for worst travesties ever while...
A Blog Next Door has some snark for Grantland's fratboy leanings

/Film Jason Reitman's next live reading of a famous picture is Glengarry Glen Ross. This time it's gender-flipped. Normally I am quite happy to be a New Yorker but these events in LA sound so enticing every time. Alec Baldwin's famous role has yet to be cast but Robin Wright will be doing her best Pacino and Catherine O'Hara gets the plum Jack Lemmon role. 

Finally... I wasn't aware of this but Encore Entertainment is hosting a blog-a-thon of some sort called Motifs in Cinema so far I've seen two articles. They are: Motifs: Aging featuring Skyfall, The Dark Knight Rises, Hope Springs, and Amour; Motifs Fantasy & Reality featuring Beasts of the Southern Wild, The Hobbit, and Savages; 

Oscar Can You Link Me?

Big Screen 
The Advocate Barbra Streisand to sing at the Oscars for the first time in 36 years - she'll do "The Way We Were" over the in memoriam segment. There sure are going to be a lot of musical performances on Oscar night. 
Variety Jessica Chastain to star in new screen version of Miss Julie. Chastain being cast is something isn't exactly news (she's everywhere) but LIV ULLMAN is directing this oft-filmed Strindbergh tale.
Gawker Rich Juzwiack on the mainstream appropriation of "shade" and Paris is Burning (That documentary on NYC's ball culture is still one of the largest blights on Oscar's documentary branch. It was critically raved at the time and is still must-see viewing 20+ years later but Oscar ignored it)

The New York Times  on the still heated atmosphere of all Les Miz conversations. Stanley Fish wonders if it's the film's lack of irony that so enrages people?
Empire Will our dream of seeing Viola Davis & Denzel Washington reprise their Tony roles in Fences onscreen come true? It turns out Denzel is planning to direct a film version. If he doesn't bring Viola along, I'm going to freak.
CHUD The Muppets... Again is already shooting. Here's a synopsis and cast list
The Carpetbagger on Spielberg's ACE prize from the editors in Hollywood 
Guardian Charlize Theron will co-star in the Seth McFarlane comedy A Million Ways to Die in the West which is said to be an homage to Blazing Saddles.
The Playlist first pic of Tilda Swinton and Tom Hiddleston (god, what a pairing) in Only Lovers Left Alive  

Hey Look.... Jodie Foster in Elysium

Coming Soon ...the movie's title refers to a pristine space station. She plays a government official out to protect the wealthiest citizens from their dirty Earth-bound counterparts who wish to emigrate. (The last time Jodie did sci-fi it turned out well, I think, don't you? Love Contact.) 

Small Screen 
A Blog Next Door says goodbye to 30 Rock with an encyclopedic memory of the show. What will we do on Thursdays now? I always want to go to there.
BuzzFeed 'How Smash became TV's biggest train wreck.' If you're a Smash obsessive this is a must-read... though it's more than a shade shady. The biggest shocker for me was hearing that Steven Spielberg wanted to replace Megan Hilty!!! Good God, are his eyes and ears working? She's the single best thing on the show by an embarrassing margin.

One Night Only ♪

Have you heard that The Academy is going to honor the renaissance of the movie musical with tributes to Chicago, Dreamgirls and Les Miz during the ceremony on February 24th? I'm never been that big on amorphous "tributes" which usually come in the form of sloppy montages at the expense of time celebrating either specific grand careers (lifetime achievements) or actual nominees. And I can't quite see what the through line is between those three pictures (as opposed to any other modern musicals). But you know I love musicals. Still... this makes precious little sense to me, not when you have a decent current lineup of Original Song nominees you could focus on for once. And not when you're only focusing on three films, two of which had little to do with the musical genres resuscitation.

It's a Musical Diva Throwdown

Everyone knows (or should come to understand) that it was the one-two-three-four punch of Disney's resurrection (The Little Mermaid + Beauty & The Beast) + Dancer in the Dark + Moulin Rouge! +  Hedwig and the Angry Inch from 1989-2001 that reopened the musical floodgates artistically and reminded everyone "ohmygod... look what this versatile genre can do!!!". Chicago (2002) then was the behemoth that came charging down that road that had been pre-paved for it by stronger films, despite how grandly entertaining it was, to claim the trophy for the whole genre.

At any rate the strangest exclusion from their planned tribute is surely Moulin Rouge! which had, if you'll recall, just as many nominations as both Les Miz and Dreamgirls (I guess 8 is the magic number for non-BP winning popular musicals), starred people who are still very much in the cultural conversation, and is already widely regarded as part of the new canon. That's something that none of the three films Oscar is planning to rehonor on the ceremony can quite claim... no, not even Chicago.

Which musical performances will we see at the Oscars?

Though the Academy has officially announced that Adele will be singing "Skyfall" (her first time performing it live) on Hollywood's High Holy Night, we still don't technically know if there will be Best Original Song performances as there often used to be on Oscar night. The Academy had previously announced a 50th anniversary celebration of the James Bond franchise and it's probable that Adele's soulful warbling will be folded into that, whether or not the whole category is represented. We also don't know if she'll be singing before or after her Oscar win*.

There's also been rumors that some permutation of the Les Misérables cast will be performing live but unless they're doing a choral version of "Suddenly", that doesn't necessarily equate to Best Original Song performances either since a cast performance sounds more like a "One Day More" type situation.

But, if you ask me, they'd be crazy not to just have five Original Song performances this year since that'd give you the opportunity to have four superstars on stage at various points: Scarlett Johansson ("Before My Time"), Adele ("Skyfall"), Norah Jones ("Everyone Needs a Best Friend") and Hugh Jackman ("Suddenly") plus a gorgeous little outreach for a little world music ("Pi's Lullaby") on the side.

I know that people think the Best Original Song category is silly but if you look back through the history of the Oscars it has often provided great water-cooler moments or at least tuneful bathroom breaks. 

*the night's biggest lock?