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Entries in Oscars (13) (327)

Friday
Jul122013

Yes, No, Maybe So: Saving Mr. Banks

Glenn here looking at the trailer to the long-awaited sequel to Oscar-winner Finding Neverland!

Tom Hanks as Disney and Emma Thompson as P.L.Travers in "Saving Mr Banks"

Okay, so Saving Mr. Banks isn't a sequel, but it's certainly a kin to Marc Forster's Peter Pan origin story from 2004. I wasn't a fan of that movie, but given we've recently been discussing Johnny Depp's descent into fulltime caricature, maybe we should relish Finding Neverland as one of his few roles of the last decade that didn't rely on kooky make-up and broad physical comedy. For whatever reason I'm surprised Disney didn't try and get Depp on board to play a bumbling Dick Van Dyke in this behind the Hollywood scenes feelgood drama. Instead they went with relative unknown Kris Kyer who actually has a history as a Dick Van Dyke impersonator. Whatta world! [more...]

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Monday
Jul082013

Review: Depp & Tonto (and The Lone Ranger, Too)

This review was originally published in my weekly column at Towleroad

If Hollywood has its own wild wild west, a mythic frontier to tame, it is undoubtedly a time rather than a place: Next Summer. And the one after that. Release dates famously come before screenplays and the studios start laying down their tracks to get there: concept, screenplay, pre-production, casting, filming, editing, promotion, release though not usually quite in that sensible artistic order. Budgets often balloon on the way to the imagined gold at the end of the line. Or silver, as is the case with the name of a certain iconic horse, and the coveted metal driving the plot and the literal train tracks in the new version of THE LONE RANGER.

Hollywood hasn't revived this particular franchise in over 30 years, for what one assumes are three reasons: westerns have been notoriously difficult sells for modern mainstream audiences; the last time they attempted this franchise, it failed; and the Tonto character opens you up to charges of racism and cultural insensitivity in modern times. But if anyone could revive this dead franchise and skirt these issues, the thinking went, wouldn't it be director Gore Verbinski and his masses-beloved star Johnny Depp (rumored to have some sort of Cherokee heritage, and adopted into the Comanche Nation last year) who together did the impossible 10 years ago in Pirates of the Caribbean: The Curse of the Black Pearl, making a well reviewed, Oscar-nominated, mega-blockbuster out of a famous amusement park ride while also navigating another even more notoriously pricey and difficult to sell outmoded genre: the pirate movie!

The director and star aren't so lucky this time around. [more]

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Friday
Jul052013

The Halfway Mark Pt 2. Actors & Actresses

I assume that the entire time you were reading the Halfway Mark Best Screenplays & Pictures you were thinking "get to the actors already!" because, damn you're predictable and also so am I and I love to pay homage to great performances. So, here they are in six categories for your perusal and debate and "I guess I'd better watch that" list-making pleasure.

Best Actor in a Limited or Cameo Role (THUS FAR): Lior Ashkenazi (of Late Marriage fame) temporarily energizes the unfortunately bland Yossi by temporarily attempting to to rub off on and up against Yossi himself with pushy sleaze; James Badge Dale, who also won a nomination in this category at 2012's Film Bitch Awards for Flight, is in every big movie now (World War Z, The Lone Ranger, Iron Man 3) and pretty much great in all of them though the roles are growing exponentially and he's already too large for this category!; Kyle Chandler memorably flips his 'clear eyes, full hearts' image on its head as an absent father in The Spectacular NowCheyenne Jackson is robbed of his signature voice entirely in Behind the Candelabra as a disgruntled employee/protege/lover but it turns out he doesnt need it absolutely nailing every tiny gesture and facial expression; and finally, I liked Jamie Sheridan's conflicted big business father in The East.

Best Actress in a Limited or Cameo Role: Hillary Baack, is moving in a key brief role as The East's hearing impaired member; Zoe Kazan wins best in show for a group acting exercize masquerading as a movie called Some Girl(s) with an agonizing backstory; Debbie Reynolds, is a real hoot and unrecognizable in the Liberace flick Behind the CandelabraOrly Silbersatz Banai adds wonderful depth and shading to her history of denial in Yossi; And in a fine cast in StokerJacki Weaver, makes the most of her tense few scenes as the deservedly worried unannounced visitor Aunt Ginny; and my apologies to Grace Gummer in Frances Ha who I didn't quite have room for but I liked her prickly Ivy League alumna

4 More Acting Category "Bests" after the jump

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Thursday
Jul042013

Will You Be Having "Labor Day" For Christmas?

Labor Day, the latest film from writer/director Jason Reitman is now scheduled to open on Christmas Day so I thought I'd post about it on Independence Day just to continue its holiday confusions!

You may remember that I had promised to read two books that y'all voted on in that "read this before the movie comes out" and this was your second choice pick (I'll read 12 Years a Slave next). I managed to get through thise runner up on flights during my recent Scandinavian trip. Joyce Manard's "Labor Day" was an easy read, actually as the novel is slim and the story is condensed to a very short time frame. I like both of its book covers though they're vague (love and peach pies do figure in but...) and its difficult to say what they're selling but the same is arguably true of the book, which I felt ambivalent about when I'd finished though it never really lost my interest in the reading.

It could make a smart tight movie about unloved middle aged people and the messy crossroads between romantic fulfillment and parenting, OR what it's like to grow up as the child of absent divorced parents but it also could make for an odd collision of coming-of-age clichés, faux thriller suspense, and romantic drama. If it's not tightly directed I could see some 'let's just watch some actors act' aimlessness happening given the novel's multiple identities. I'm loathe to give away details (though I'm 100% certain the trailer will...) but the set up is that an escaped ex convict Frank (Josh Brolin) suddenly enters the lives of a shut-in mother Adele (Kate Winslet) and her lonely teenage son Henry (played by 14 year old Gattlin Griffith from Changeling and then by 16 year old Dylan Minette who has had a few regular series gigs on TV... though it seems strange to have actors so close in age playing the same character at different ages) on a rare trip out shopping, further isolating them from the world. That's all I'm saying. 

 

I'm intrigued to see Josh Brolin and Kate Winslet work together -- seems like smart casting director match-making.

Winslet's character is a complicated one so if the movie is strong a Best Actress nomination isn't out of the question. Adele is eccentric, stubborn, moody, shut-down, delusional but also sexually vivid. She's described repeatedly in the novel as beautiful with a lithe dancers physique that's still a head turner even though she doesn't take care of herself and put herself out there visually (she seems to have no interest in dating). But based on the set photos of the costuming and styling maybe they've erred on the side of "she's a housewife that's given up!" Winslet might have to provide all the eroticism on her own. 

Dylan MinnetteBrolin is a smidge beefier than his character as described (Frank is a wiry almost gaunt ex-con) though it does look like he lost some weight for the role. But I think it's great casting emotionally since he is fairly adept at shading good guys and bad guys alike with questionable impulses and more complex character that you're able to read at first glance. 

Is this a movie you're looking forward to?
If you've read the novel what did you think of it? Do you remember Gattlin Griffith in Changeling (little Walter Collins) and if you've seen Dylan Minette on Lost or Saving Grace tell us what you think of his big screen potential?

Related Reading: 14 Books to Read Before They Hit the Big Screen (BuzzFeed) 25 Beach Reads for Summer 2013 (Vulture)

Monday
Jul012013

The Halfway Mark Pt 1: Pictures & Screenplays

We're halfway through the calendar, if not the film year exactly given the backloaded release schedule. So, let's take stock as to where we've been. Herewith my choices for Best thus far... which means I'm hoping that AMPAS and all awards groups will give them a try before the mad traffic jam of year-end Oscar vehicles.

Disclaimer: But first of all... did I miss anything? Sure. You can't see everything though I see my share (full list). My biggest 'oops' for 2013 is definitely Stories We Tell, Sarah Polley's docudrama about her family history which most people I trust at least like and some love. But I also wish I'd seen the Israeli Oscar submission Fill the Void which didn't compete for the foreign film Oscar but did win a release and great reviews.

BEST OF THE YEAR... THUS FAR

Original Screenplay

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