Final Oscar Balloting + Spring Preview

It's the final countdown! From now until February 25th, AMPAS members will be filling out their Oscar ballots determining who joins the history books as 2013's "most" "BEST".

Important Remaining Dates

• 2/14 Oscar Voting Begins
• 2/15 Sci-Tech Awards
• 2/16 BAFTAs
• 2/14-2/25 Everything We've Been Procrastinating! (aka all remaining Oscar Interviews, Top Ten List and Film Bitch Awards)
• 2/25 Voting ends 5 PM
• 2/27 Film Bitch Awards Medal Ceremony
• 2/28 Nathaniel's Final Oscar Predictions
• 3/1 Spirit Awards
• 3/2 HOLLYWOOD'S HIGH HOLY NIGHT - THE 86TH OSCARS ARRIVE
• 3/3-3/10  Oscar Night Recaps. Red Carpet Lineup. Acceptance Speeches. Season Takeaways. And the Podcast Season Finale!

SPRING PREVIEW
But you shouldn't go anywhere after the Oscars because new hit series like Seasons of Bette and A Year with Kate and Beauty vs Beast continue along with other spring surprises, the Tribeca Film Festival, the return of "Hit Me With Your Best Shot" and the return of Mad Men at the Movies as the show enters its final bifurcated season. Plus special anniversary parties for Heathers (25th), Mean Girls (10th) and Eternal Sunshine of the Spotless Mind (10th) and Wuthering Heights (75th), and as well as our APRIL FOOLISH 2014 PREDICTIONS... and possibly the return of "Actress Psychic" as we start all over again. So like us on Facebook, follow Nathaniel on Twitter and don't miss anything.

But back to this Oscar season. Your final Oscar Voting pleas in the comments. If you could sway just one category in a new direction, it'd be... 

GKIDS acquires Song of the Sea

Tim here with some great news for everyone who loved the 2009 Best Animated Feature Oscar nominne The Secret of Kells (which should, really, be everyone). GKIDS, the indie that Kells first put on the map, has announced that they'll be distributing diretor Tomm Moore's second feature, Song of the Sea, though they've rather cagily failed to announce a date just yet (the film is still in production). Based on the distributor's past history, I'd expect an Oscar-qualifying run in the fall, followed by a full release sometime in the spring of 2015, which isn't terribly comforting to those of us who want to see it, like, now. Just based on the images available on Moore's blog for the movie, it looks like the animators at Cartoon Saloon have taken the illuminated manuscript aesthetic gone to even richer, more tactile places.

Like The Secret of Kells, the new movie tells a story inspired by Irish folklore: in this case, selkies, a race of seal-humans whose previous cinematic appearances include the John Sayles family movie The Secret of Roan Inish and the Neil Jordan romantic drama Ondine. Kells veteran Brenan Gleeson is back to do voice work, and the music will once again by courtesy of Bruno Coulais and the band Kila, whose work was almost as key to the effectiveness of the earlier movie as the imagery was.

Having found Moore's last film to be one of the most fresh and enjoyable animated films in years, I'm ecstatic to have this clear indication that his new project will be treated with care for a North American audience. GKIDS has pushed films to four Oscar nominations in five years, including current nominee Ernest & Celestine; I'd (foolishly?) lay good money on Song of the Sea being part of the same conversation a year from now.

Link Shelf

Can we talk about the official Oscar site for a minute? The past few years they've really improved it but some things are questionable. Like their live blog of the nominee luncheon being just a series of photos or this weird article about the biggest Oscar surprises evers that seeks to rewrite history and imagine a world where everyone didn't know that Ben Affleck and Matt Damon were winning Screenplay for Good Will Hunting. LMFAO. Everyone knew that. But I have to say that I love their nominee questionnaire. Especially the handwritten responses from various celebrities and filmmakers.

Okay, Links
Pajiba Fox News' hilariously dumb war against the "anti-capitalist" The LEGO Movie. Hahaha. I swear they get dumber every year over there and they were pretty stoopid to begin with
Glenn Dunks Laura Dern's greatest faces
i09 the cast of Frozen, including Idina, did a live concert. Will Disney finally wise up and realize original voice recordings are better than overproduced lame pop versions of the song? 
/Film Weinstein Co drops a lot of money on Imitation Game (2014). We already thought it was an Oscar contender and this confirms it

Oh and have you seen McConaughey on Graham Norton talking about his Wolf of Wall Street chant? For some reason Julianne Moore is there, too, and eager to hear it. (I missed this episode, obviously)

Cinema Blend Anne Hathaway considering taking the lead role in The Intern, vacated by Reese Witherspoon opposite Robert DeNiro (but why are there two recent comedies about middle aged or senior guys doing internships -- is this a business trend I'm unaware of or just Hollywood being dumb?)
Grantland Mark Harris on Oscar season turning ugly
Pillow Tweets [NSFW] W Magazine has compiled a bunch of photos of stars in various states of undress with their white sheets and pillows including current Oscar nominee Pharrell Williams, increasingly naked Miley Cyrus, Joe Manganiello, noted homosexual Luke Evans and many more.

BOOKS!
I wanted to take the time out to congratulate some online writer friends. Manuel Muñoz's first full novel "What You See in the Dark" was inspired by and evolves as kind of an adjacent story to the making of Hitchcock's Psycho (we've discussed it a few times because it's awesome) and it's now been translated into French - here's a review if you're a francophone! Christopher Smith, who once upon a time vouched for me for BFCA membership, left film reviewing to become a best-selling novelist.He just keeps churning them out!  

But the real reason I'm posting this is three more online friends have new books out or arriving soon! Kenneth in the (212) wrote the pop culture saturated memoir "Wasn't Tomorrow Wonderful?" which is available now. Dan Callahan, who was delighted when we coined the term 'actressexual' here (and definitely is one) has previously written a book on Barbara Stanwyck. His new book is  "A Life of Vanessa Redgrave" which doesn't arrive until May but I have a delicious looking copy on my coffee table because I am special. And last but not least, the Self Styled Siren (a must read blogger for you fans of classic cinema) also has a book coming out later in 2014 though I don't think we're allowed to share details just yet. Be assured that we'll discuss it when it arrives. I am officially now the only reasonably-somewhat-sort-of-well-known blogger I've ever met who never got a book deal. I am officially also quite happy for all of them. Well done! 

Review: The LEGO Movie

'If you build it, they will come.' They'll come in droves. It's 2014 and at this point, it's safe to say that Hollywood has mastered the art of pandering to the masses. They deliver exactly what we are pre-conditioned to want. The box office charts each year are now completely filled by franchises and pre-branded efforts. Frozen, for example, isn't a true original, but the 12th episode of the Disney Princess franchise that's been breaking box office records since (gulp) 1937. It's now extremely rare for a non-sequel non-pre-branded film to ever become a mammoth hit; only one "original" per year even cracks the annual top ten now (Gravity in 2013, Ted in 2012, none in 2011) which is a big downturn from the Aughts which themselves weren't as original as the Nineties.

All of which brings us to this weekend's chart topper, THE LEGO MOVIE. With its built-in nostalgia for childhood as well as a huge swath of pre-licensed characters to dangle in front of your 3D glasses (Gandalf, Batman, Han Solo, Wonder Woman, and dozens more), it's easy to approach the new hit expecting the worst. But there's no need! I'll use Bad Cop / Good Cop (voiced by Liam Neeson) to illustrate the situation and my own immediate mood swing as the movie built its case.

[BAD COP] The LEGO Movie would be a massive hit even if it were terrible.

[GOOD COP] Who cares? It's wonderful!

Click to read more ...

We Can't Wait #1: Carol

[The Film Experience's "We Can't Wait" series, highlighting the most exciting prospects of the 2014 film year concludes with new contributor Matthew Eng (you loved his Jennifer Lawrence piece) on the latest from Todd Haynes, long absent from the big screen. Thank you to Amir for managing this anticipatory series! - Nathaniel]

Carol
Set in 1950s New York City and based on the classic yet long-neglected novel of the same name (originally published under the title "The Price of Salt") by Patricia Highsmith (The Talented Mr Ripley), Carol traces the blossoming lesbian romance between Carol, an older, dissatisfied housewife, and Therese, a young, infatuated shop girl. 

Talent
At long last, that magnificent maverick Todd Haynes makes his long-awaited return to the big screen, a full seven years after I’m Not There, with a sterling cast that includes soon-to-be two-time Oscar winner Cate Blanchett and Rooney Mara (stepping in for Mia Wasikowska) as the film’s central couple, as well as the recently-announced Sarah Paulson as Blanchett’s gal pal. Phyllis Nagy (HBO’s Mrs. Harris) is scripting, and movie maestro Carter Burwell (Fargo, Where the Wild Things Are) is scoring the thing.

Why We Can’t Wait
If only the directors you loved most were the ones who were most prolific. Yes, it’s probably harder for a filmmaker as gloriously provocative and fearlessly risk-taking as Todd Haynes to get a new project off the ground than it is for say, Woody Allen or Tyler Perry to. But the movies need Todd Haynes, who hasn’t exactly been napping in the years since I’m Not There, even though his last buzzed-about effort, the 2011 HBO miniseries adaptation of Mildred Pierce, is likely to be remembered more as a mega-sized Kate Winslet awards-magnet than it is as a feat of occasionally flat but more typically immersive and intelligent filmmaking.

Haynes has assembled a rich, actressexual-pleasing cast of actors for Carol, including his I’m Not There star Blanchett, who, with this and Blue Jasmine, seems poised to have something like a Jennifer Lawrence-year in 2014, with two buzzy, presumably Oscar-friendly performances within only two years of each other; Mara, who I’d like to continue her string of smart and striking work, in projects more deserving of her than unsavory slop like Side Effects; and Paulson, who was so indelibly tense and terrifying in 12 Years a Slave and whose current career surge is a delight to witness. Carol, which caused quite a stir during its initial publication in 1952 for its uninhibited and unashamed depictions of homosexuality and female agency, sounds like a perfect fit for Haynes, who is one of our most groundbreaking gay filmmakers . He's made a commendable career out of wrestling madly and marvelously with explicitly queer ideas of desire, obsession, and identity. Plus, the last time Haynes worked in a fifties milieu...

...need I say more?

But We Do Have to Wait
Filming hasn’t even begun yet, likely due to the fact that Cate Blanchett couldn’t possibly provide us with the most priceless acceptance speeches of this awards season and deliver yet another tremendous performance, right on the designer heels of Jasmine. But have no fear, shooting commences in the spring, in both New York and London, with the Weinsteins distributing and Haynes’ go-to collaborator Christine Vachon and her indie outlet Killer Film producing. A release date is still TBD, but so very highly anticipated. We may never stop having to wait those grueling five, six, or seven years betwen Todd Haynes creations  on the big screen. But when they do arrive, they make you wonder how your moviegoing life ever went on without them. 

The Complete List of "We Can't Wait" Titles
We'll be following all these titles closely this year! Which of your most awaited, didn't make our list?
01 Carol (TBA)
02 The Grand Budapest Hotel (March)
03 Foxcatcher (TBA)
04 Under the Skin (April)
05 Inherent Vice (TBA)
06 Into the Woods (Christmas)
07 Snowpiercer (TBA)
08 Nymphomaniac (March)
09 Boyhood (May)
10 Big Eyes  (TBA)
11 The Last 5 Years (TBA)
12 Gone Girl (Oct)
13 Can a Song Save Your Life (TBA)
14 Veronica Mars (March)
Runners Up:  How to Catch a Monster, Hunger Games: Mockingjay Pt 1,A Most Wanted Man, Godzilla, Untitled Public School Project, Tammy, Magic in the Moonlight, Far From the Madding Crowd, and Interstellar