Interview: Emil Gallardo on his Oscar Hopeful Short "1,2,3, All Eyes on Me"

by Nathaniel R

In November this year a few of us here at The Film Experience had the pleasure of attending the HollyShorts festival virtually. Shorts festivals are a great way to catch exciting talent on the rise. My favourite of the shorts I screened was a drama on the very tough topic of school shootings called 1,2,3, All Eyes on Me by debut filmmaker Emil Gallardo. Gallardo won the top prize at HollyShorts and with it Oscar consideration, attention from managers, and a HBO Directing Fellowship. He's also working on a feature now with his writing partner Derek Ho.

But success wasn't as instant as it sounds. He worked for years as a Production Assistant and Assistant Director starting in the Aughts before opting for film school himself. He humorously compares himself to a fish and the set to a fish bowl; if he's not there he's just squriming around -- Plop him back in! But making a film is never an easy swim. "I literally had pneumonia," he says recalling post-production. "I dragged myself out of bed to meet the Sundance deadline only to get rejected. But I wasn't going to miss the deadline!"

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Animated Feature - what will be nominated?

by Nathaniel R

Studio Ghibli's "Earwig and the Witch"

We really do not approve of the Academy's new shyness in telling the public which films are competing for the specialty categories. They didn't announce the animated feature eligibiility until TODAY. But here are the 27 features competing for Best Animated Feature, though the Academy has not made them official. We've helpfully divided them into categories for you after the jump...

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The 9th Annual Team Experience Awards!

by Christopher James

Many things may have changed in the past year, but one thing remains the same. The show must go on and the Team Experience Awards must continue! If there's one perk of staying quarantined in one's home for a full year, it's that there is ample time to watch movies. Before Nathaniel reveals all of his Film Bitch winners for the year, the rest of the writers at The Film Experience gathered together to vote on our favorites of 2020 (and the first two months of 2021). Nathaniel will be staying with the calendar year eligibility (plus US festivals) but the Team is using Oscar eligibility rules with one exception: we also decided to consider Small Axe in our awards as five separate films.

In the end, nothing was a match for Emerald Fennell's Promising Young Woman, which earned the most wins (4) and nominations (11) from the bunch. While that may have taken the top prize, the team nominated fifty movies across 21 categories. Check out the nominees and winners after the jump...

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Trust BAFTA to make this bizarre awards season even crazier!

BAFTA has made a strange decision. Despite more than enough movies to justify an awards season (as you can see from the numerous critics awards we've already witnessed... many of which weren't considering January/February releases like Oscar and the Globes are), BAFTA now just opened to the window for even more films to play. They're saying that as long as you already had a release date planned before April 9th in the UK, you can be eligible for their current award season and just delay your actual release until any point in 2021. 

This is an administrative nightmare. Or, at least it's a nightmare for those of us who enjoy things like calendars, time, seasons, and Things That Make Sense.

It also begs the question of what groups like the Globes, SAG, BAFTA, and the Academy are going to do for next year's awards (do all of these awards bodies think the world is going to end in 2021)...

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Thoughts on "The Father"...

by Eric Blume

It's difficult to write reviews these days, because it feels like no film is ever actually "released", and all of us are scrambling to find what movies are even available, how they're available, if they're VOD, or on a streaming service, etc.  Sony Pictures Classics might have made a fumble mostly holding back from view director Florian Zeller's The Father, taken from his own play, starring Anthony Hopkins and Olivia Colman:  if more people could see it, everyone would be talking about it.

The Father is one of those Movies They Don't Make Anymore, i.e., a damn adult drama that challenges your mind and heart.  This is a film where the entire creative team treats the audience with dignity and respect, trusting that you're listening and paying attention, and they will reward you with literate ideas, high drama, and an emotional experience.  But The Father is more than just that:  the storytelling and the visual conceit of the film are surprising and demanding, and it is not a passive undertaking for the viewer...

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