Aladdin Pt 3: Free at last! A 'Whole New World' awaits.

In Part 1 Ben introduced us to the romantic heroes and their evil nemesis. In Part 2 of our re-watch of Disney's Aladdin (1992) Timothy took us into the Cave of Wonders where our 'diamond in the rough' met the whirlwind vocal performance of Robin Williams as the Genie. He discussed stylistic, color palette, and comic choices in the storytelling on the fantastical journey. We return to the film just as Aladdin has dropped his pompous prince pretenses and admitted that the Princess is not a prize to be won and promptly jumps off her balcony just as she requested.

Part 3 by Nathaniel R

- Startled by his sudden humility and agreement, as well as the not so mundane matter of magical carpets, Jasmine drops her own defenses and becomes curious about this new prince. She can't shake the feeling that she knows him.

- Does Jasmine have facial blindness that she can't remember the only man she ever almost kissed in her life? The one from the day before no less!

-Aladdin moves at quite a clip but we know it's been no more than two days due to the plot business because she has only three days to get married by the laws of both Agrabah and childlike-attention-spans-of-target audiences. 

- Tim spoke of Aladdin's intuition and it is a beautifully realized aspect of his character. He's not aware of it, per se, the way he is in regards to his other physical and mental skills, so he's more of an idiot savant when it comes to emotional intelligence. He instinctively gets the Genie's pride / Jafar's competitiveness / and Jasmine's need to roam. He harnesses all three in the course of the plot, the latter not to manipulate her like the other two but to free her spiritually/romantically though he isn't thinking of all this when he asks...

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Aladdin Pt 2: Manic Magical Improv, Sight Gags, and "Prince Ali"

In Part 1 of our re-watch of Disney's Aladdin (the proper one, from 1992, not the live-action thing coming out this weekend) Ben got us through the introductions to good-hearted "street rat" Aladdin, frustrated princess Jasmine, and up to the mouth of the Cave of Wonders. We enter as Aladdin takes his first step into a whole new world…

Part 2 by Tim Brayton

0:28:04 – Let's take just a minute to appreciate the atmospheric concision of this descent into the cave. First, we had a shot of Aladdin stepping over the tiger-god's teeth, dissolving into this beautiful wide shot of him (below) at the top of an impossible flight of stairs, a tiny bright dot in the overall gloom that shifts from cold blue to hot, threatening red as our eye glides down the lines of the composition.

Then another dissolve takes us to the foot of stairs, with Aladdin about to step into the heart of the cave. It's a swift, visually-driven way of taking us down into… Hell? It's hard to say just yet, but it creates a terrific sense of mystery, both promising and foreboding...

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John Singleton (1968-2019)

by guest contributor Alfred Soto 

Few young filmmakers get their scripts approved and direct a film in which most things go right, and John Singleton did with Boyz n the Hood. The 1991 depiction of life in blighted South Central L.A. starring a mesmerizing Ice Cube became the kind of phenomenon that absorbs cultural currents and creates new ones; for a few years pop music and MTV took their cues from Boyz n the Hood. It made $60 million and, in one of the Motion Picture Academy’s occasional gob-smacking beau gestes, earned Singleton a Best Director nomination, the youngest in history and, more crucially, the first nomination for a black director. 

Please consider the times...

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25th Anniversary: "Four Weddings and a Funeral"

by Deborah Lipp

Four Weddings and a Funeral turns 25 today. This is probably not also the number of times I’ve seen it, but it might be. I’m sure if you add the times Professor Spouse and I have each seen it, we exceed that number.  To say, therefore, that this is a beloved movie is a ridiculous understatement.

Here’s what we’re going to cover after the jump to celebrate its birthday...

• Four Weddings is highly quotable
• It features the best use of "fuck," and its variations, this side of Get Shorty
• Screenwriter Richard Curtis excels at movies that are kind-heartd and generous
• Four Weddings isn't perfect, but I will teach you the trick of making it perfect

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Soundtracking: A "Titanic" melody and Oscar memory

by Chris Feil

Aren’t we all happy now that the Best Original Song nominees are staying on the ceremony? Now that the uproar is settling, perhaps it’s a safe time to reflect on why removing them from the telecast never should have been up for debate. What better example of music’s inextricability from the movies and their intertwined cultural impact than Titanic?

“My Heart Will Go On” was its own inescapable beast in 1997 aside from Titanic itself, the dominance of the film and song fueling each other’s fire in tandem...

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