Bad Education / Great Movie

by Nathaniel R

Gael García Bernal as "Juan & Ignacio & Angel & Zahara" simultaneously.

Heads up that I had the beautiful opportunity to talk Pedro Almodóvar as the guest on this week's Water Cooler podcast over at Awards Daily. It was a true pleasure to revisit his twisty provocative melodrama Bad Education (2004). Almodóvar movies nearly always improve on revisits (and they're great the first time so that's quite a feat). My theory is that it's because they're often so novelistic and twisty with plot and layered with meaning. That's true of this trans noir in particular as it's a movie (period drama - but are they flashbacks or the fictional movie?) within a movie (scripted/filming) within a movie. Multiple actors play the same roles... only not exactly. The head spins. The pulse races (Gael García Bernal looks ...um... good... in wet underwear) Longtime readers may recall that Bernal was nominated at TFE for Best Actor that year. He's playing multiple characters in a way that's both intentionally performative and cleverly obfuscated. It's a pretty remarkable star turn and it's tragic that Pedro and Gael never worked together again! Give it a listen. 

Sakamoto on Criterion

by Cláudio Alves

Ryuichi Sakamoto is a master of music that needs no introduction. Thanks to his work with the Yellow Magic Orchestra and solo experiments, Sakamoto has helped shape the evolution of electronic music like few other artists in the past decades. His avant-garde sound is difficult to confuse with that of other composers, but he's not an artist predisposed to repetition or stagnation. Since the 1970s, has never stopped composing, never stopped challenging himself, or dazzling his audience with music whose beauty transcends comprehension. Sakamoto's also an avid cinephile and had been writing film scores since the 80s when Nagisa Oshima cast him in Merry Christmas, Mr. Lawrence. Across the years, he's built an eclectic filmography that's rich in artistic brio and lacking in mediocre efforts. He even won an Oscar.

Because of such excellence, the Criterion Channel has curated a selection of 10 Ryuichi Sakamoto scored pictures. Here are some highlights…

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Round 7 for Penelope & Pedro with "Parallel Mothers"

by Nathaniel R

Given the elegaic tone of Pedro Almodóvar's brilliant autobiographical Pain & Glory (2019) we worried that it might be his last film. We're so pleased to be feeling paranoid about that now. The 70 year-old master is already writing again or perhaps has finished writing something new. And not just one new project, but three! His next feature (which will shoot in early 2021) is a melodrama called Parallel Mothers, which will star his muse Penélope Cruz. The film will follow the lives of two mothers who give birth on the same day but whose lives take different courses (no word yet on who will play the other mother or if this is a dual role for Cruz). This will be the director and actress's seventh collaboration...

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Spain's big mistake

by Cláudio Alves

Throughout the recent awards season, I wrote several pieces about the Best International Feature race, an Oscar category that's very dear to my heart. It's also a source of endless frustration for I am Portuguese and Portugal remains the country that holds the record for most submissions without getting a single Oscar nomination. To be fair, that's not always the Academy's fault. Sometimes, the choice submission is so mind-bogglingly misguided, it kills any hope of a nomination the minute it's announced. It's not always that the submitted films are lacking in quality, but, sometimes they're productions that were little seen outside of Portugal and received no buzz whatsoever.

This is by no means a strictly Portuguese problem, mind you. In fact, since we're celebrating the 2002 movie year, it seems like a good time to explore one of Spain's most misjudged bits of Oscar selection…

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Today's Must Read: Pedro Almodóvar talks Madonna and Oscars

by Nathaniel R

Pedro quarantined and tripping through memory lane.

You can keep all those celebrity sing-alongs or other social media attempts to cheer us up collectively. Instead give us gossip to chew on. More juicy shared "diaries" of stir-crazy stars, please!

The occassion for this request is that we've just finished reading a new article by Spanish genius Pedro Almodóvar. He wrote a piece for the Spanish website el diario about... well, a lot of things. It begins with memories of getting dressed up to go on an errand during quarantine and segueways into other memories of getting dressed up for movie events. Lots of fun anecdotes follow including a night with Jane Fonda (!). But the bulk of the piece centers on 1990-1991 when Madonna entered his life via Dick Tracy through the essential documentary Truth or Dare (1991). You must read the whole thing -- Spanish readers will probably enjoy it most but the rest of us will have to suffer through a google translation.

I've excerpted the Dick Tracy story after the jump...

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