Oscar Volley It's Back
Oscar Charts Updated!
Monday, March 10, 2014 at 5:00PM With two HBO series ending their first season runs last night, I thought an open thread to discuss both was in order. Mass reactions to both "True Detective" and "Looking" have been somewhat mystifying to me, so I need you as sounding board.
Gross generalities and spoilers ahead. Ready?
Friday, February 28, 2014 at 11:00PM 
Here's Amir on this weekend's high-octane Oscar escape starring 3 Oscar nominees.
In the opening scene of NON-STOP, federal air marshal Bill Marks is sitting in his car in the parking lot of the New York airport before he enters the building to take his flight. As he fidgets with his phone, making one last call before departing, he turns the radio on. The radio voices just happen to be discussing the issue of airport security in the post 9/11 world. Fast forward to ninety minutes later when the mystery of the film is solved and the dead and alive are separated and the television is on. The newscaster, mic in hand, looks us straight in the eyes and, under the guise of national news, explains what we have just witnessed. She clarifies the twists of the film with sincerity and merrily wraps up by tying everything with a bow. As the title suggests, subtlety is not Non-Stop’s strongest suit, but it is precisely the combination of ridiculous and grandiose that makes it such an enthralling experience.
Liam Neeson, in the latest episode of the subtextual franchise which reinvents him as America’s unlikelies action star, stars as Bill Marks (that name!) an air marshal who has been assigned to a New York to London flight. Also on the plane: Jen Summers (Julianne Moore) a seemingly nervous woman intent on finding a window seat – she ends up in the one next to agent Marks, a school teacher named Bowen (Scoot McNairy), an NYPD officer named Austin (Corey Stoll), Michelle Dockery and Lupita Nyong’o as flight attendants, and a seven year old girl called Becca, whose first interaction with Marks screams "Emotional Subplot!" thousands of miles ahead of its destination.
Sunday, February 23, 2014 at 5:30PM 
This review originally appeared in my column at Towleroad
I saw Elaine Stritch’s famous one woman Broadway show “At Liberty” in the last days of 2001 a couple of years after moving to New York. I’m not exaggerating when I say that it was nothing short of spiritual ecstasy but then showbiz is my religion and actresses are my only gods. You might then justifiably say that I am predisposed to love the hell out of the new documentary Elaine Stritch: Shoot Me and you’d be right. But I can still tell a peak performance from a Wednesday matinee and the last doc I saw on Stritch, which shared its title with “At Liberty” was significantly less stellar. Shoot Me is a must-see, even if you only know this Broadway legend from her hilarious guest appearances as Jack Donaghy’s impossible mother on 30 Rock.
Tuesday, February 18, 2014 at 5:06PM TFE loves the 80s all up in our modern bizness, here's Jose to do the remake vs original battle
As you well know by now, the holiday weekend at the box office saw the arrival of four new major film releases. Three of those were remakes of 1980s films. Over the weekend I (mis)treated myself to screenings of the originals followed by their remakes. I'm devoted.
Here I present you with my findings. Read the very scientific results after the jump starting with the horny melodrama Endless Love...
Tuesday, February 11, 2014 at 9:00PM 
I wasn't looking for Looking. My experience with gay or gay-adjacent television series has been hit and miss at best, mostly miss. I outright loathed "Queer as Folk" what with its hypersexualized fantasy version of Pittsburgh and occasionally questionable acting. But mostly I hated it because it was populated by sociopathic characters who consistently behaved like no one anyone would ever put up with in real life. Sociopathic characters are fine if its part of the point within your concept or setting but otherwise, nope. Will & Grace was fun but like most sitcoms, once it established its 75 jokes, it basically repeated them for years with new words like a long-running "fabulous!" game of Mad Libs. Recently though it seems like gay characters, at least on non-gay focused shows have been allowed something like two dimensions; we're getting closer and closer to three!
And so far so good with Looking...
Jonathan Groff, LGBT, Looking, Reviews, TV, video games