SAG Awards Live Blog

Let's talk about you for a second...

7:11 This is the face Sarah Silverman made after hearing "Let's talk about you for a second" which is... sublimely funny, a perfect encapsulation of the faux humility #blessed of superstars attending awards shows in which they all fawn on each other. You're great. No, no, you're great.

07:14 Rami Malek doesn't know who he was wearing. Alicia Vikander says 'I've only watched this on YouTube' before. Idris Elba is working the grey in his beard. Everyone is adorable x3 is my point.

07:22 Saoirse is in light pink and Brie in baby blue and I'm not sure what to make of that.

07:25 Jesse Tyler Ferguson and E! Brad talking to each other 

- "Are you a nervous nellie."
- "Yaaas"

(hugs)

"-I hope I didn't get any contour on you"

This is the gayest thing I've ever seen on television. Which is saying a lot.

07:31 Nicole Kidman has arrived. [More...]

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Agent Linker

W Magazine Rooney Mara loves the sex scene from Rust & Bone. Who knew?
Decider Joe Reid reminds you to catch up with the Golden Globe and Critics Choice winning Crazy Ex-Girlfriend 
Guardian wonders who historically accurate The Big Short is... this is such a predictable part of awards season, yes?
Guardian after a bit of rights shuffling the Little House on the Prairie movie is back on 
Coming Soon Spider-Man (2017) set for IMAX so you can see Tom Holland real big like when he swings and flips and supers around

EW Matt Smith and Zosia Mamet are going to star in a Robert Mapplethorpe biopic. This is not, as far as we can tell, an adaptation of Patti Smith's Just Kids book, that was supposedly going to be adapted. So perhaps there are competing projects? 
Awards Daily on why she thinks The Big Short is going to win Best Picture - short answer: PGA hasn't been wrong yet in this short "preferential ballot" era
MNPP have you heard about the bizarre sounding post 9/11 Michael Jackson/Elizabeth Taylor/Marlon Brando movie to star Joseph Fiennes, Stockard Channing, and Brian Cox respectively. It sounds too strange to be true but it is in fact true. Meanwhile...
Pajiba ... has been on a tear about the casting and shares a funny quote from Orlando Jones pitching Angela Bassett as Liz Taylor. YES PLEASE.
Pajiba on the joys (thus far) of Agent Carter Season 2 

Finally...
Ear Candy! The Motion Picture Sound Editing "Golden Reel" Nominations were announced today. No film really led the nominations since Mad Max: Fury Road, The Martian, The Revenant and Star Wars: The Force Awakens all received the same amount of nominations (3). They are all up for both Sound categories at the Oscars, too. Bridge of Spies which was Oscar nominated for Sound Mixing received 1 nomination  and Sicario which was nominated for Sound Editing received 2. On the television side, Game of Thrones is the nomination champ. Here's one category I thought was fun to know about:

Feature Film — Music in a Musical
“Love & Mercy” (Nicholas Renbeck)
“Pitch Perfect 2” (Amanda Goodpaster)
“Straight Outta Compton” (Jason Ruder)

And in case you missed the Film Bitch Awards in the sound categories, announced a while back, they are located here.

Interview: Affonso Gonçalves and the Art of Editing Great Actresses

Affonso Gonçalves with this ACE win for editing True Detective (2014)Affonso Gonçalves is a man that every actress lover ought to both thank and envy. Over the course of his career in TV and film he has been privvy to a consisently vivid series of strong and sometimes downright iconic performances by several of our greatest actress. He's helped shape the way we see them, too.

His career began in earnest with as an assisant editor on Todd Solondz's cult hit about a nerdy teenager Dawn Weiner in Welcome to the Dollhouse (1995) and soon thereafter he was editing multiple films for Ira Sachs and other independent minded directors. In the 20 years since his debut he's edited performances by Tilda Swinton (Only Lovers Left Alive), Kate Winslet (Mildred Pierce), Kerry Washington (Night Catches Us), Michelle Williams (The Hawk is Dying), Kim Basinger (The Door in the Floor), and  Patricia Clarkson (Married Life). More famously he's edited two star-making young performances that went on to be Oscar nominated for Best Actress in Jennifer Lawrence in Winter's Bone (2010) and Quvenzhané Wallis in Beasts of the Southern Wild (2012). Next week he'll likely be able to add two more Oscar nominated performances to his editing triumphs with Cate Blanchett & Rooney Mara's duet in Carol.

I had the pleasure recently of grilling him about watching and shaping these Best Actress performances in Winter's Bone, Beasts of the Southern Wild and Carol. Here's our conversation (edited for length and clarity) with very mild Carol spoilers if you haven't yet seen it. The film opens in additional theaters this weekend. More after the jump...

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Red Carpet: Palm Springs Film Festival

Jose here with great news. Apparently Cate Blanchett decided to listen to my prayers (yes, I pray to her) and - after a good, but slightly underwhelming fashion run - finally went back to wowing us. She is the epitome of Kate Hepburn-effortless-glamour in a sky-hued Marc Jacobs gown, with a stunning gold applique-Rorschach-test that screams "Awards season Queen is here, biatches" (And screams it right in other celebrities ears. See tweets from Carol's genius screenwriter Phyllis Nagy, Cate's Best Actress competition Brie Larson and images of Rooney Mara, too.)

Cate was benevolent enough to also let Alicia Vikander out of her leathery/earthy Louis Vuitton curse, and allow her to wear a delicious Erdem gown that's the most playful we've seen her yet. My usual quandary with Vikander comes in her usually meh choice of footwear, which always seem to be inspired by Charlotte York. Ooh, interesting game here, which of these ladies whould be which Sex and the City character? Dame Helen is of course the Samantha, in yet another elegantly sexy design by Alberta Ferreti. The lovely Saoirse Ronan in a multicolored/multipattern Duro Olowu is all kinds of perfect and age appropriate.

Less impressive, yawn inducing even, are potential Oscar winners Rooney Mara and Brie Larson, both of whom exist only within the confinements of an "if it ain't broken" universe. They're both beautiful, but I bet I could have found any picture of any other ceremony they've attended, inserted it here, and fooled everyone. Mara is in Lanvin, Larson in Jason Wu. Just a thought, would their styles become slightly more exciting if we Freaky Friday-ed them? It's about time Rooney did some more color, and Larson put her hair in a bun, or anything other than her usual pulled back, wet look

How would you improve these two soon-to-be awards season fixtures? 

The Greatest Pick Up Line in Movie History

Mic drop. No really. 

Imagine you're Therese. It's 1952, you look like Rooney Mara, you're wearing a Santa hat, you're hawking a pile of terrifying looking but also freakishly gender-normative dolls, there's a sign behind you that says "Mommy's Baby," and you've got the span of one sale to signal your romantic viability to customer and apparent goddess Carol.

What's your move? Coquettishly mention that her daughter's chosen doll, Bright Betsy, has a capacity for secretion? No? And that's why Cate Blanchett's not your girlfriend.