Team Experience Awards 2018: Our Favourites

by staff

We couldn't let the Oscar season go without our team of writers giving you our 7th annual Team Experience Awards (Nathaniel doesn't vote on these but his Film Bitch Awards will resume in a couple of days). We've given ourselves some time to catch up to 2018's offerings and as a result we have some fun surprises in store for our ballot! This year our Best Film goes to Yorgos Lanthimos' The Favourite, one of the six prizes we've given it of thirteen total nominations. Next behind is Barry Jenkins' If Beale Street Could Talk with nine mentions, and then the love is spread pretty wide elsewhere with Roma, Hereditary, BlacKkKlansman, and Can You Ever Forgive Me? doing well among nominations.

Best Picture

1. The Favourite
2. If Beale Street Could Talk
   
3. Roma
   
4. Can You Ever Forgive Me?
5. Hereditary
   
6. BlacKkKlansman
   
7. Widows
   
8. Annihilation
   
9. First Man
   
10. We the Animals

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Beauty vs Beast: Forgiveness Among Friends

Jason from MNPP here, right upfront with an apology for what I'm about to do to you all with this week's "Beauty vs Beast" -- unfortunately for all of us we've reached the "look at the movies that are being nominated for awards" part of the year which is forcing me, just forcing me, to make us all choose between the bitter besties of the perfect (if you ask me) Can You Ever Forgive Me? from director Marielle Heller.

Both Melissa McCarthy and Richard E. grant happily and deservedly secured Oscar nominations for their performances as the wrter Lee Israel and her partner-in-crime and bourbon Jack Hock, but for all their chumminess they're also often taking adversarial stances in the film, given the cobustiveness of both their characters. So even if we hate to bust up one of the greatest gay duos ever put on screen like this, we're still gonna ask...

bike trails

PREVIOUSLY Speaking of Awards Nominated Duos, last week's The Favourite bout crowned Lady Sarah (Rachel Weisz) by a pretty substantial margin. (3/4s of the vote, if you're wondering.) Said Roger:

"Team Sarah, no question. While this is Stone best performance to date, for me, it’s a tossup between Weisz and Colman for MVP. A tragic, deeply felt love story between Sarah and Queen Anne hides in plain sight. When it sneaks up on you in their final scene together between the door, it elevates what is already an entirely enjoyable film and recontextualiizes everything. Sarah was and always will be the favourite. Also, there is no doubt that all three are leading roles. I also share the belief that if the Oscar doesn’t go to King as I expect, Weisz wins her second."

That controversial ending to "The Favourite"

by Mark Brinkerhoff

Happy post-Oscar nominations week! Despite a fair amount of rubbish (*cough* Bohemian Rhapsody), the Academy has blessed The Favourite with a deservedly (co-)leading 10 nominations. Bravo! Well done. On that note, it’s high time we talk about the film’s—shall we say—polarizing ending. Are you ready? Let’s go… (Warning: Spoilers ahead.)

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Who will win SAG tomorrow?

by Nathaniel R

Is the Oscar race as locked up as we think, or will SAG hold some surprises? Care to conjecture about what will win? I'll confess, perhaps foolishly, that I think we could be in for some surprises. Conventional wisdom will tell you that Close, Bale, Ali, and Adams will be the winners... though conventional wisdom will not solve the case of "who wins Outstanding Cast?" since the arguable Best Picture frontrunner Green Book and two most Oscar-nominated pictures Roma and The Favourite are not nominated in that category. With three heavy-hitters out, and Black Panther, Crazy Rich Asians, Bohemian Rhapsody, A Star is Born, and BlacKkKlansman as the nominees, that prize is something of a mystery...

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Blueprints: Memorable Scenes from Your "Best Original Screenplay" Nominees

by Jorge Molina

We all rose at the crack of dawn on Tuesday morning to hear Kumail Nanjiani and Tracee Ellis Ross banter in a way that we won’t see anyone do on the actual Oscar stage. While we were all bracing for catastrophe (and yes, Bohemian Rhapsody is a Best Picture nominee), the nods balance between expected precursors and delightful surprises (still high on the Marina de Tavira wave). As for Best Original Screenplay, there were no surprises. Four out of the five nominees were pretty locked from very early on. It was the fifth slot that was the question mark. While I was hoping for Bo Burnham’s distillation on teen angst, Paul Schrader’s distillation on environmental nihilism works just fine as well.

After the jump the writers, their history with Oscar, and what scene we think landed them that nomination...

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