Beauty vs Beast: Marriage Among the Ruins

Jason here, taking a little break between New York Film Festival screenings to give you this week's edition of "Beauty vs Beast" -- this past weekend Danny Boyle's film Steve Jobs screened at NYFF to sold-out crowds and from what I gathered very good notices (stay tuned for TFE's take soon; I took that picture to the left myself at the press conference), and I heard that on Saturday night Danny Boyle led the crowd in a rousing rendition of "Happy Birthday" to birthday girl, beloved actress, Oscar winner, and icon Kate Winslet.

Kate turns 40 today! We have been worshipping Kate ever since she helped bash in her girlfriend's mother's head with a brick in Peter Jackson's Heavenly Creatures, and we've never wavered... well okay we had no idea what anybody was thinking with Labor Day either, but other than that, not ever. Here on her 40th birthday let's give love to one of her best recent performances, one that just happened to coincide with a reunion with the Bogie to her Bacall, Leonardo DiCaprio, who was doing very fine work right across from her.

PREVIOUSLY Last week in anticipation of Ridley Scott's The Martian's looming box office boom we faced off our favorite pair of Red Planet invaders -- well it was Tim Burton's little green men that zapped their way into our hearts, to the tune of nearly 80% of your vote. Sorry Tripods, better luck next invasion. Said Denny:

"ACKACKACKACKLOLOLOLOL The martians from Mars Attacks win for their Frankenstein-ian experiments ALONE. "

Tim's Toons: Corpse Bride, ten years later

Tim here. This past week marked the tenth anniversary of the festival premieres of two very different stop-motion animated features. We've recently chatted a bit about Wallace & Gromit: The Curse of the Were-Rabbit, so other than reminding you that it exists, and it's still delightful a decade on, I will pass it by in silence. Instead, I want turn everybody's attention to Corpse Bride, or if you prefer - the boys in marketing clearly did - Tim Burton's Corpse Bride. The second movie's reputation has gone off in a very different direction over the last ten years: while Were-Rabbit remains a touchstone of sorts thanks to its iconic stars, I'll bet that a good number of you just thought, "Huh, Corpse Bride, I forgot all about that".

That’s not unfair. Revisiting it for the first time in most of that same decade, I found it to be visually inventive, and dangerously rushed as a narrative: based on a Russian folk tale of a young man who accidentally weds a beautiful dead woman, the films never quite shakes the sketchy structure of a fable.

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5 Suggestions for that Newly Announced DumBurton Film

Manuel here with your daily Disney update. By now you’ve probably already heard that Tim Burton, he of Alice in Wonderland & Big Eyes fame has signed on to direct a live-action adaptation of beloved Disney property Dumbo. With it, of course, came cries of “IS NOTHING SACRED?!” despite large corporations (in particular the Mouse House) constantly letting us know that, no, actually nothing is. Especially when we’re all so eager to shell out money for Phase 1 of their live action remake roster.

So, rather than rehearse those conversations (“What will they turn to next; Fantasia?!”) or snarkily, if gleefully, begin to imagine what other director/Disney film pairings we could come up with (Fincher’s Ursula, Bigelow’s Mulan, Apatow’s Hercules…), I figured we’d offer some suggestions for this Dumburton film:

• Cast Andy Serkis as Dumbo (or maybe Sean Gunn who did such great work on Rocket Raccoon?)
• Steer away from casting Johnny Depp (no one wants to see his take on Timothy Q. Mouse)
• If you’ll be recruiting past collaborators, make us excited about seeing what Colleen Atwood & Dennis Gassner could do with a circus (they did such great work on Big Fish)
• Gender-bend this mostly male story; might the crows be an all-female gang? (think of it: Ricci! Davis! Ryder! Green! Pfeiffer!)
• Keep it weird (but not Mad Hatter dancing weird, more like ‘is this really a drug-induced elephant dancing sequence?’ weird).

I’m sure we all have strong opinions on this one, so let’s hear ‘em! Are you the teensiest bit excited about this or is Disney’s cash-grab go back-to-the-animation-well more unsavory than when they used it to cast Glenn Close as Cruella DeVil back in the 90s?

Thoughts I Had... The "Big Eyes" Poster

We finally have a poster for Tim Burton's Big Eyes. Herewith some thoughts as they came to me.

• "Visionary Director" would be so much more impressive as a description if it weren't so overused.
• "Big Eyes" could well describe lots of celebrities: Emma Stone, Amanda Seyfried, Marty Feldman*, Heather Graham, Jake Gyllenhaal, Susan Sarandon, Anne Hathaway, Sailor Moon.
• Christoph Waltz and Amy Adams have Normal-Sized Eyes but that will never be a film title. The only person in this cast with gargantuan eyeballs is Krysten Ritter
• The tag line is basic but it does cleverly have a double meaning with the last bit "... and everyone bought it" 
• A lot of people seem to be sure that this one won't be a major Oscar player but apart from test screenings (a notoriously unreliable source of info) no one has seen it so it's one of our mystery movies when it comes to the competition this year.
• The Big Eyes team, cast and crew, has been nominated for 37 Oscars and won 7 (most of those for Waltz & Colleen Atwood). 
• Why do they always make ginger movie stars blondes when the movies take place in the 1950s? There were actually more gingers back then statistically. (And I don't want any "Amy Adams isn't a natural ginger!" backtalk in the comments -don't be literal!)
• It's fun that the screenwriters Scott Alexander and Larry Karaszewski get such prominent yellow billing at the bottom. We'll pretend it's a retroactive thank you for Ed Wood (1994) rather than a contractual negotiation! 

*Just wanted to see if you were paying attention

This is the one...

This is the one I'll be remembered for.