Tom Hanks on 'La La Land'

Over the weekend at the Telluride Film Festival, Tom Hanks was on hand to support Sully (which was received positively). At a screening Q&A he got off topic to get effusive about our most anticipated festival player La La Land. The diversion began from discussing the difficulty to in getting an adult drama with no franchise potential like Sully made and how audiences are only craving new experiences at the movies. He went on to praise the boldness of its original songs and unfamiliar characters even though he's completely unassocatied with the film. (We just knew he was a musical man at heart!)

Hanks said:

When you see something that is brand new that you can’t imagine, and you think "Well thank God this landed"... This is not a movie that falls into some sort of trend.

We all understand the business aspects of it. It’s cruel and it’s backbreaking and take-no-prisoners. But there’s always that chance where the audience sees something that is brand new that they never expected, and embraces it and celebrates it... I don’t take anything away from [the studios] and there are some good movies that come out of that. But we all go to the cinema for the same thing, that is to be transported to someplace we have never been before.

Movies stars, they're just like us sometimes. Indeed, this is high praise for the film and its potential to provide a much needed unique cinematic experience to the masses. Aside from the commentary Hanks makes here, it's a reminder that one of the tinier treasures of Oscar season is hearing what movies filmmakers are taken with (apart from their own) - whether it's the commonplace 'actors on actors' pieces or the like.

Aren't you just dying to hear Emma Stone's thoughts on Sully now?

Box Office Special: 1984 Hits

Rather than talk about this weekend's boring box office results (nothing new to see here beyond a big weekend for that new kill-the-trespassing-teenagers flick Don't Breathe) let's travel back to 1984 which was a hugely influential year for franchises of many kinds. What can the biggest hits tell us about the then and the now? 

TOP TWENTY OF 1984
numbers adjusted for today's dollars via box office mojo

01 Ghostbusters $589.6  
Two Oscar nods. Spawned 1 terrible sequel, two animated TV shows, and this year's reboot

02 Beverly Hills Cop $581.5
Led to two sequels, a TV remake, and a TV pilot that wasn't picked up. Beverly Hills Cop 4 has been in some stage of development for 20+ years and is still supposedly being made. We'll believe it when we see it.

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Happy 60th Birthday Tom Hanks!

Is there such thing as the male America's sweetheart? If there is then Tom Hanks would surely have to be him. The general public love him, your mum loves him, cinephiles love him, his co-stars love him, and cinematic history definitely loves him. To say Happy Birthday let's say T-Hanks for 5 of the best characters he's gifted us after the jump...

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Clint Eastwood's 'Sully' Biopic Lands Its First Trailer

Daniel here. When news broke that Tom Hanks was cast as airline captain Chesley “Sully” Sullenberger – the real-life angel with jet wings who, in 2009, famously piloted an A320 to an emergency water landing on the Hudson River, saving the lives of all crew and passengers in the process – approximately no one was surprised. If you ever need to cast an IRL hero for the big screen, Hanks’ evergreen likeability automatically makes him the safest choice; personally, as much as I really, really, really, really, really, really like Hanks, I’d have loved to see William Hurt take the controls. Regardless, we now have our first trailer for Clint Eastwood’s Sully and down to its Oscar-nominated, underutilized actress propped as a wallpaper wife, it’s about what you've come to expect from a ripped-from-the-headlines biopic these days. To some, it seems the surest route to stoic is stale.

In lieu of our traditional Yes No Maybe So, a whole bunch of Maybe concerns... 

• How it will stretch two hours’ worth of drama from a single incident that in actuality didn’t last that long? How will it craft a compelling character arc for a figure of such broad-stroked, well, likeability. No points for originality, as it seems to take Flight’s plan of cross-examining his methodology and, briefly, toxicology. That said, its shards of PTSD and demythologizing its hero archetype through personal doubt look promising.
• While J. Edgar was a dud in the American History Eastwood department, some (including the Academy) found American Sniper’s mode of pointed patriotism to be persuasive. This could go either way.
• Eastwood’s scummy blue scrim has deservedly taken a lot of flack over the years and, for a few shots in the trailer anyway, cinematographer Tom Stern has opened a critical window for some light to make its way into the frame.
• As mentioned, The Lovely Laura Linney seems totally wasted here, issuing words of support to her husband and little else. As if that’s not bad enough, they gave her a hale bay wig to go with it. The Film Experience couldn’t be more thrilled with the movies’ recent showcases for senior actresses – Blythe Danner, Susan Sarandon, Sally Field, to name a few – but how about giving our middle-aged actresses some vehicles as well?

A firm “I hope to God I’m surprised” on this. Does it look like Eastwood's latest will take flight?

"Wicked" is Finally Officially For Real Coming Soon

Musical lovers have finally gotten the long rumored news they've impatiently waited for: Wicked is officially a go! The film will be directed by Stephen Daldry and open on December 20, 2019 - a likely guaranteed holiday hit like Into the Woods and Les Miserables.

While that is still awhile to wait for the big screen adaptation, this announcement comes after more than a decade of crumbs and non-starting rumors for the fanbase. The hope for original stars Idina Menzel and Kristin Chenoweth has long gone out the window, so casting is the next phase to obsess over. While Universal likes to keep their musicals star loaded (think Les Mis and Mamma Mia), my suspicion is that some expected names won't be in the running... sorry, Lea Michele.

Which is all the better for the green leading lady. Daldry has a gift for finding new talent, so why not give us a new talent to make Elphaba's sense of discovery all the more meaningful. Maybe if it's not a completely fresh face this could be where a Broadway star shows up. Also how many times can we hear "Defying Gravity" before those notes aren't as emotionally transporting? Give us someone who can take us to unexpected emotional and musical heights! Recent Tony winner Cynthia Erivo, for example - her Tony's solo should be all the proof you need (starts at 2:48).

For Glinda, I have a bolder recommendation...

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