American Horror Story: Sound of Music

This thing on my DVR was the 4th season pilot, right?  

I kid I kid. But horrified I was. If you miss live "events" it's difficult (one might say pointless) to write about them later so I promise to be quick about this. What I enjoyed far more than the show, which I caught a day later, was catching up on the articles and tweets about the show wherein people either hilariously skewered it or contorted themselves memorably to find nice things to say or excuse its Carrie Underwoodedness. Her acting was far far worse than I'd been told, recalling Julianne Moore's dead on approximation of porn star acting in Boogie Nights only dumber and with less of a nose drip to help with the dead eyes. I initially was surprised that Carrie wasn't oversinging it but the surprise soon faded because after the hills came alive with the sound of music she decided to shout-sing the rest. Not a wise choice when the poor girl couldnt even make it up and down the Von Trapp family staircase without breathing heavily. It was absolutely mean to pair her with musical performers as gifted as Laura Benanti and Audra McDonald, two of Broadway's richest voices... neither of whom ever need this silly oxygen thing to get through a long-ass musical phrase. Vampire Bill was a better match for Carrie (albeit not chemistry-wise) with his shaky voice bringing him down to her shaky-acting level (somewhat). 

I should say that I was less surprised than most people seemed to be that the stage musical is so different from the film. I've seen it performed live before and though critics are generally unkind to the film version it's one of those rare adaptations that improves on virtually everything from its source material structurally in terms of song order and character arcs and even in pacing though it's longer. Plus it's got Julie Andrews who you know, owns all when it comes to twirling around on mountaintops or believably portraying both sexual longing and religious piety in equally wholesome and relatable ways as Maria. I know it's uncool among cinephile's to consider it great cinema or whatever. But I do. Full stop. The Sound of Music became its best self in the translation to the big screen. 

we must've done something good to deserve the 1965 classic

The gargantuan ratings suggest that more "live" musical events are on the way. It has to be family friendly so why not Oliver! which could use the legacy resuscitation? Since giving the stuff away never seems to hurt actual sales of entertainment (weird, that) they could even do something that's about to be a movie like Annie or Into the Woods. Or why not something more contemporary that not everyone can afford to see on Broadway. Why not The Lion King or Wicked even since that movie is clearly never going to happen. I'm thinking about Wicked constantly these days because of its doppelganger Frozen and "Defying Gravity"'s doppelganger "Let it Go" , and because of these drawings by Oscar nominated animator Minkyu Lee, and the rumored Idina & Taye breakup (sniffle. is that true? they were so adorbs together) and the possibility that Idina might perform on Oscar night. I'd rather think about Wicked right now, okay?!  My beloved Sound of Music is in a hospital in Austria somewhere recuperating. It's a survivor. I have confidence it will live to spin on mountain tops once more.

Raiders of the Lost Link

Total Film Idina Menzel on the long delayed Wicked movie adaptation
AV Club a Hilarious takedown of Nikki Finke's awful couching of Nelson Mandela's passing (RIP) in movie terms 
Boy Culture Happy birthday Boy Culture. Matt selects his 100 favorite posts from 8 years of blogging
The Onion "Google Streep View Panorama" LOL! (This could not be more appropriate to share at The Film Experience since we're always discussing Meryl Streep's Ubiquity). 

i09 Disney buys Indiana Jones. all the franchises will soon belong to them [insert evil laugh]
Playbill Sutton Foster will lead another TV show. This one is not a musical though... boo.
Playbill but another Broadway diva Alice Ripley will be starring in a film called Sugar which she'll do music for. Yay.
MNPP Which is hotter, Brad Pitt edition
me says wishes there were people of color in Frances Ha. I remember people had the same complaint about Girls and Woody Allen films before it. NYC is a very multi-ethnic place but movies and tv are less so
EOnline Mandy Patinkin Holla! He shaved off his beard
Boston Online the upstart critics group in Boston (not to be confused with the 32 year old institution that is the Boston Society of Film Critics) has given nearly 50% of their 2nd annual awards to 12 Years a Slave
Coming Soon Have you heard that Brie Larson and Emilia Clarke are the two finalists for the role of Sarah Connor in a Terminator reboot? Allow me to dry heave a little at the idea of rebooting a series that has already had three lives and whose concept allows for sequels on end without pretending the (great) originals never happened. Ugh!  Normally I'd root for my favorite actresses to get whatever parts they wanted but I'm hoping Brie finds something else instead. She's too good to waste on another tired 'no new ideas' franchise. 

Finally...

FWIW, Martin Scorsese's The Wolf of Wall Street was widely seen by critics on both coasts today, all three hours of it. Some onliners immediately broke the embargo (sigh) but I play the rules. Sure it costs me, but what can you do? I actually like embargos. They give you time to sit with a movie and consider before mouthing off. But it's definitely... um... a talking point. The only thing I'll say for now is that I was so proud of Margot Robbie for shaking off whatever dullness clung to her beauty in "Pan Am" (remember that show?) and really going for it. This is a hungry performance and Hollywood will surely reward her with a buffet of new roles to feast on. The competition for 'Hot Young Actress I Wish I Could Sleep With' critics org prize (commonly known as Best Supporting Actress... but critics can be so transparent) just got stiffer.

Is Frozen the Closest We Will Get to 'Wicked: The Movie'?

Glenn here, asking you to consider, if you will, a fantasy movie about two young women in a magical faraway kingdom, one of whom was born with a severe affliction. When her “powers” go wrong, everybody in their homeland believes she’s a monster. Wicked, you could say.  

That’s the plot to Disney’s new musical, Frozen. It could, of course, easily be the logline for Wicked: The Movie if the powers that be had been smart enough to get the film adaptation of the massive Tony-winning Broadway musical off the ground. The failure to do so remains baffling and there's been just too much other Oz-related product on the market lately that it would risk brand-damaging saturation to make it now. At least Les Miserables showed that film versions of famous musicals can still be hits decades after the fact so maybe we will get one someday. Until that someday occurs, however, at least we have Frozen. A film that feels so obviously indebted to Wicked (yes, despite being loosely adapted from Hans Christian Anderson's The Snow Queen), so much so that they even cast Idina Menzel and got her to sing a big mid-film song about embracing the dark side that could have been called “Defying Gravity Part 2”.

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Review: "Oz: the Great and Powerful"

This review was originally published @ Towleroad in my weekly column

You're basically asking for a trouble with that title, you know? OZ: THE GREAT AND POWERFUL. It doesn't take a crystal ball to predict how this will turn out. If the movie is neither great nor powerful, tomatoes will be thrown. It feels weird to abbreviate the new picture as simply Oz, since it's a derivation rather than an original, so we'll call it Great and Powerful moving forward despite the misdirection. The filmmakers would approve since the movie begins with a clear and charming admission that James Franco's "Oscar Diggs" is no wizard at all but a travelling con-artist. So I come not to throw tomatoes (too easy), at least not at first, but to marvel at how red they are as they fly through the air.

The trailer brags that the movie comes from the producers of Tim Burton's Eyesore in Wonderland, a gargantuan box office success but one of the worst films of the new century, so there was cause to worry. Could any film be as simultaneously garish and muddy to look at? The happy answer is no. 3D technology has come a long way and director Sam Raimi (most famous for the Spider-Man and Evil Dead trilogies) has far more taste and control of his color palette than Burton has had recently. 

more...

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Posterized: The Land of Oz

With Oz: The Great and Powerful hitting movie theaters today and having just remembered one of the all time greats The Wizard of Oz with the season premiere of "Hit Me With Your Best Shot" I thought we'd honor the land of Oz, the now 113 year old creation of L Frank Baum with this week's edition of Posterized.

The Wizard of Oz (1939), Journey Back to Oz (1974), The Wiz (1978)

Under the Rainbow (1981), Return to Oz (1985), Wild at Heart (1990)

Wicked (stage musical, 2004), The Muppets Wizard of Oz (2005), Tin Man (miniseries, 2011)

I'm sure I'm missing some titles that spin heavily from the Oz myth but I came up with nine entertainments, preceding Oz: The Great and Powerful so let's discuss. (If you can think of more like Wild at Heart or Under the Rainbow that trade heavily on Oz imagery or history, without being 'Land of Oz' films, do share.) 

How many have you seen?

 I can't say that I've seen that many of these as I tend to avoid anything I fear might shamelessly rip off one of the greatest films of all time and thereby tarnish its memory. There will most certainly be more grave robbers coming now that Oz has beenin the public domain for awhile. But, my reservations about all new Oz product aside, I'm still dying to see a film version of "Wicked. I couldn't stop thinking of it all through the new picture. (It was like when they made that Les Miz movie in the 90s and it wasn't the musical. Why?)