Nathaniel's Top Ten List. The Film Bitch Awards Begin...

by Nathaniel R

 

For this cinephile, the film year doesn’t officially end until the naked gold men are handed to their blessed new owners, deserving or otherwise. (If you’re looking for my predictions that article is here or in various Oscar volleys) So as we enter the third month of 2025 the books must now close on 2024. It’s time for even champion procrastinators like myself to participate in their mandatory subjective “Best” proclamations. For the next week or three I’ll be posting the Film Bitch Awards, the public honors for my private darlings, beginning with this Top Ten List / Best Picture, announcement today. These awards are the site's most enduring annual tradition and though I agonize over them (call it ‘permanent record’ anxiety as I never change them after the fact because I want them to feel respectable in a time capsule way) I deeply love the process of listing and favoriting and ranking. It’s one small ritual to bring order to the chaos of life. I imagine I’ll still do it even after the world collapses in three years time and we’re all living in a hellish installment of the Mad Max Saga. What will there be to rank… Rocks? Cancerous growths? Abandoned ruins? Who knows but I’ll do it. Until then we have civilization and the movies...

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Oscar Volleys: Best Actress is a bloodbath

The Oscar Volleys are almost over. Today, Cláudio Alves, Elisa Giudici and Nathaniel Rogers discuss the Best Actress race...

CLÁUDIO: Say what you want about the merits of Best Director or Best Picture's intrinsic importance, but we all know that Best Actress is where it's at. Certainly here, at The Film Experience, where a love for actressing and a love of cinema are often inextricable. And this year, we have one hell of a race, a good old-fashioned nail-biter that will only be resolved once that envelope's opened.

Will it be a rare triumph for horror and a legitimization of an oft-dismissed talent? Will it be a newcomer's moment to shine, riding the wave of love for her frontrunner film? Will it be an international goddess whose Golden Globe win remains one of the season's biggest and most delightful shockers, breaking decades of Oscar precedent? And what about the persona non grata among us? How will the room react to her glorification as a nominee, even if a win seems out of the question? So many mysteries…

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Drag Race RuCap: “The Wicked Wiz of Oz: The Rusical!”

THE WIZARD OF OZ looks...different.

NICK TAYLOR: Can you believe our luck, going from a disappointingly mid Snatch Game to a snappy, entertainingly performed, bizarrely conceived Rusical? With a fabulous runway and a lip sync for your life where both queens are actively serving? That’s just about everything one could ask for on this show, with my one caveat being the least deserving finalist got the win this week. Even so, I loved this episode of Drag Race, which threw so many portents and standbys at me that I somehow convinced myself this episode’s somewhat inevitable elimination could surprise us with an unexpected victory. There’s so much drama, all of which is organically felt and most of which is seamlessly edited into the rhythms of the episode. Were you as big a fan of this episode as I was? 

CLÁUDIO ALVES: The only thing that would make it better would have been Onya messing up another girl’s outfit. But I guess we need to wait ‘till next week for that…

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Oscar Volleys: Best Supporting Actress is a Disappointment

The Oscar Volleys are back for some post-nomination talks. Tonight, Nathaniel Rogers and Cláudio Alves discuss Best Supporting Actress...

A COMPLETE UNKNOWN | © Searchlight Pictures

NATHANIEL: Cláudio it falls on us to discuss Supporting Actress. I thought it only fitting that we approach this as a callback to Supporting Actress Smackdowns of the past, and start the hype by discussing their character's introductions. But I could only remember two of them so there goes that idea. I'm beginning this way so as to not bury the lede: I REALLY don't like the category this year. I would not have been tempted to nominate a single one of these performances even though I like three of them just fine. The fact that I've already forgotten how they're introduced in the context of their films reinforces the mediocrity of the chosen five. To dispel this immediate negativity (sorry sorry) let's just say that I felt like one of the extras in A Complete Unknown in the sequence where we meet Joan Baez.  Had I been in that cafe I, too, would have fallen silent utterly bewitched by stage presence and voice. The film doesn't make much room for Baez/Barbaro thereafter but what a voice! 

Did you love any of their introduction scenes? Or, alternately if you also feel the category is weak, were you excited by any of their introductions in terms of anticipation as to what that character and that actress might bring to the rest of the film?

CLÁUDIO: Oh, how I wish I could come in as a contrarian and sing the praises of this lineup. Sadly, that would be dishonest and we're all about truth-tellin’…

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The 13th Annual Team Experience Awards: NOMINATIONS ANNOUNCEMENT!

by Cláudio Alves

THE BRUTALIST | © A24

The Brutalist leads the nominations for the 13th annual Team Experience Awards. Brady Corbet's Oscar player scored in seven categories, including Best Picture, Director, and Actor. The film premiered on digital today, so if you missed it in theaters, it's time to give this epic a look. Many other Oscar frontrunners appeared on our ballots, with every one of AMPAS' Best Picture nominees featured in one category or another. As always, it's a fascinating mix of prestige fare and outré offerings, awards magnets, and obscure titles that got here on the basis of a few writers' burning passion. These awards are a testament to the variety of opinions featured on The Film Experience, having been voted by several members of its team. With the notable exception of Nathaniel, whose Film Bitch Awards are another matter altogether.

Discover the full list of nominees in 20 categories after the jump…

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