Oscar Volleys: Best Makeup & Hairstyling is a tale of many Horrors

The Oscar Volleys are back for some post-nomination talks. First up, Cláudio Alves and Eurocheese tackle Best Makeup & Hairstyling...

EMILIA PÉREZ | © Netflix

CLÁUDIO ALVES: Neurofibromatosis melting off someone's face, rapid aging into chimeric flesh, immortal rot, green women, and brownface - this year's Best Makeup & Hairstyling race has it all. Looking at the state of the race, we seem to have a runaway winner but one can never be sure of these things. Especially when that likely winner belongs to the Academy's most hated genre - horror. Indeed, we have two horror films competing this year, a rarity in itself, plus a dark comedy that sometimes flirts with the cinematic idioms of horror and a movie musical that's a horror to witness. And then there's Wicked, which I can see pull an upset if it overperforms on Oscar night. What do you make of this year's race?

EUROCHEESE: I'm amused that you included Emilia Pérez in the mix as one of our "horrors," and given Karla Sofía Gáscon's title character would be a focal point of the nomination, Netflix can't avoid her here. We're in unprecedented territory when it comes to the ripple effects of the scandal, but even on nomination morning, this nomination felt like a mild surprise.

I'd safely rank it least likely to win…

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DGA, CCA, PGA: Has the race changed or was it always a free-for-all?

by Nathaniel R

Chicken or egg? Egg or chicken? Have the last two weeks of the Oscar race and the very recent prizes from the Directors Guild, Producers Guild, and Critics Choice Awards changed the game or were the upcoming 97th Academy Awards always this much of an "anyone's game" free-for-all wherein Anora, The Brutalist, and Emilia Perez all felt possible as the dominant film?  I myself would argue for the latter. The Golden Globes (Emilia Perez dominated with 4 wins) are never the final chapter in any Oscar race, just one of its booziest most memorable chapters.

The dominant story for a week or so was the deflation Emilia Perez's, done in by a social media scandal which opened a very large window for the film's many naysayers to crash through. But it's important to remember that first industry voters loved the trans cartel musical to the breathy tune of 13 Oscar nominations...

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Gold-Standard Roles: From Tony to Oscar

by Cláudio Alves

This season, Wicked hopes to translate some of its Tony glory to the Oscars, twenty years after the musical competed for Broadway’s highest honors. Cynthia Erivo and Ariana Grande, in particular, are now part of a long tradition of performers who took Tony-heralded parts and made them into Oscar success stories. Time will tell if either of them finishes the season with little golden men clasped tightly in their hands. Still, it’s already possible to contextualize them within this peculiar dynamic, this Tony-to-Oscar pipeline. Because we love lists and statistics here at The Film Experience, let’s recall every case when a Tony-nominated role earned itself AMPAS’ seal of approval…

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ASC surprises with nominations for "Wicked" and "Maria"

by Cláudio Alves

WICKED's Alice Brooks may become the fourth woman ever nominated for the Best Cinematography Oscar.

This past week, among the bigger guild announcements, like those of the WGA and PGA, the American Society of Cinematographers also shared their nominees for the season. And what a collection of curious choices they make. For starters, the ASC rules mean its nominees on the main film category can fluctuate and, this year, we have seven nominees instead of the traditional five. But then you have the honored works themselves, including Wicked, which has been lambasted to hell and back for its blinding light choices, poor blocking, and murky color grade. The presence of some of the guild's favorite artists – Papamichael and Lachman come to mind – also surprised, somewhat. It seems A Complete Unknown has a shot at a Best Cinematography nomination, and Maria hasn't been so utterly forgotten after all…

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"Wicked" and "A Complete Unknown" are hits with SAG

by Cláudio Alves

The Screen Actors Guild couldn't resist Jonathan Bailey in WICKED. Could you?

The "guilds week" continues with SAG revealing their nominations and shaking up the Oscar race. Wicked is today's biggest champion, scoring in five categories, including a surprise Best Supporting Actor nomination for Jonathan Bailey. A Complete Unknown also got a major boost, as did The Last Showgirl, while The Brutalist and Sing Sing underperformed. The Screen Actors Guild has a more populist taste than almost any of the major awards-giving organizations, including AMPAS, so expect some discrepancies between these and the Oscar lineups. Still, when it comes to winning, it's difficult, though not impossible, to take home Hollywood's most coveted trophy without a SAG nod to match.

Find the complete nomination lists for both film and TV after the jump…

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