2015 Film Year Interview Index

There will be another handful (or two) of interviews coming as we march toward Hollywood's High Holy Night on February 28th. But with Oscar nomination voting closing today and so many interviews these past few weeks this seems as good a time as any to ask you to "consider" our official index of interviews from the film year and to take a less daily approach to the remaining one-on-ones.

Actors
Laia Costa (Victoria)
Chris Eigeman (Metropolitan's 25th anniversary)
Nina Hoss (Phoenix)
Jeremy Irvine (Stonewall)
James Ransone (Tangerine & Sinister 2) 
Eddie Redmayne (The Danish Girl)
Géza Röhrig (Son of Saul) 
Alicia Vikander (Ex Machina / The Danish Girl)

...and super brief chats with Sir Ian McKellen (Mr Holmes), Jane Fonda & Paul Dano (Youth), Michael Keaton (Spotlight), Pilou Asbaek (A War), and Carey Mulligan (Suffragette)

Creatives
Judy Becker (Production Design, Carol)
Carter Burwell (Composer, Carol, Anomalisa, Hail, Caesar!)
Odile Dicks-Mireaux (Costumes, Brooklyn)
Jack Fisk (Production Design, The Revenant)
Affonso Gonçalves (Editing, Carol)
Roger Guyett & Pat Tubach (Visual FX, The Force Awakens)
Ed Lachman (Cinematography, Carol)
David Lang (Original Song, Youth)
Emmanuel Lubezki (Cinematography, The Revenant)
Nathan Nugent (Editing, Room)
Daniel Pemberton (Original Score, Steve Jobs)
Sandy Powell (Costume Design, Carol)
Adam Stockhausen (Production Design, Bridge of Spies)
Ethan Tobman (Production Design, Room)
Kasia Walicka-Maimone (Costume Design, Bridge of Spies)
Jacqueline West (Costume Design, The Revenant) 

Writers & Directors
Gillian Armstrong (Women He's Undressed)
John Boorman (Queen & Country)
Lucinda Coxon (The Danish Girl) 
Deniz Gamze Ergüven (Mustang - France's Oscar nominee)
Ciro Guerra (Embrace of the Serpent - Colombia's Oscar nominee)
Klaus Härö (The Fencer - Finland's Oscar finalist)
Tobias Linhdolm (A War - Denmark's Oscar Nominee)
Kornél Mundruczó (White God)
Phyllis Nagy (Carol)
Joshua Oppenheimer (The Look of Silence - Doc Nominee)
Lázló Nemes (Son of Saul - Hungary's Oscar nominee)
Giulio Ricciarelli (Labyrinth of Lies - Germany's Oscar finalist) 
Josh Singer (Spotlight -Screenplay)
Frédéric Tcheng (Dior & I) 
Wim Wenders (Everything Will Be Fine) 

 ...and lots more Foreign Film Oscar Submission Interviews

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2014's Index - Anna Kendrick, Oscar Isaac, Hans Zimmer, etc.
2013's Index - Matthew McConaughey, Sarah Paulson, Sally Hawkins, etc.
2012's Index - Nicole Kidman, Eddie Redmayne, Kerry Washington, etc.
2011's Index  -Jessica Chastain, Charlize Theron, Corey Stoll, etc.
2010's Index - Julianne Moore, Kirsten Dunst, Juliette Lewis, etc.

Who Will Be This Year's Surprising Snub at the Oscars?

Coco here, ready to talk about the current Oscar race and the surprising snubs that wait around the corner.

Last week, I wrote about performances that might get nominated despite not having a lot of precursor support. This week, I'm writing about the opposite. If you're an actor and you're nominated for the Golden Globes, the SAG awards, and the BAFTAs, then you're widely assumed to be a lock for an Oscar nomination. This is true for the most part, but there are plenty of instances in which seemingly beloved performances that do great with precursors are nowhere to be found on Oscar morning. This has been especially true in recent years. We've seen at least one such performance be left off Oscar's list in each of the last four years.  

Here's a quick rundown... 

2014 - Jake Gyllenhaal's performance in Nightcrawler popped up at all the right places. What's more, the movie seemed to gain momentum consistently, scoring nominations from practically every awards-giving body throughout January. As you probably know, Jake didn't get the nomination. Maybe Oscar didn't like Nightcrawler as much as we were expecting. After all, the movie only got one nomination for Original Screenplay.  

2013 - This year was a bloodbath as far as snubs are concerned. The most surprising omission was Tom Hanks, who gave one of the best performances of his career in Captain Phillips. The movie scored six nominations including Best Picture, but Oscar couldn't make room for its lead star. Also ignored despite support from SAG, BAFTA, and the Globes were Emma Thompson in Saving Mr. Banks and Daniel Brühl in Rush. Although neither of those films were as beloved as Phillips (Saving Mr. Banks only got one nomination for Original Score, Rush wasn't nominated at all). 

2012 and 2011 stats, as well as 2015 speculation after the jump. 

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The Revenant's Jack Fisk on Outdoor Movies & His Life with Sissy Spacek

Jack Fisk at the Oscars for "There Will Be Blood" with his Best Actress wife Sissy SpacekThe Revenant, just nominated for eight (!) BAFTAs, opens nationwide today so here's our last interview of the week to celebrate this wilderness epic. 

Jack Fisk, the Oscar-nominated Production Designer (There Will Be Blood) is no stranger to outdoor challenges. Many of his most famous films, due in no small part to his long collaboration with Terrence Malick, feel the spiritual pull of nature as does the man who designs them. He prefers to build on location and with the tools that would have been present at the time, whatever time the movie happens to take place in.

When he signed on for The Revenant, Alejandro Gonzalez Inarritu gave him a copy of Andrei Tarkovsky's Andrei Rublev which he used for inspiration of scale and detail. His longtime collaborators Emmanuel "Chivo" Lubezki (Cinematographer) and Jacqueline West (Costumes) Fisk -- who he had worked with on many projects though only once altogether (The New World, 2005) were also on hand to realize this brutal of frontiersman Hugh Glass (Leonardo DiCaprio) surviving bear attacks, bloody skirmishes, and mercenary Tom Hardy.  

I asked Fisk about his onscreen life with auteur collaborators, his offscreen life with one of the great screen actresses, and his preference for outdoor cinema. Our conversation is after the jump...

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Watching the Documentary Finalists Part 2 - The Political Edge

Glenn here looking at each of the 15 Academy’s documentary finalists from which five will be nominated for the Oscar.

In the first part of this three-part series, we looked at social activists, rape survivors and famous artists in documentaries that took us from Pakistan to America to Britain to Africa. This selection of films is even more globe-trotting as we look at a group of documentaries that show us the conflict across several continents and the personal traumas that come with it. They include some of the best and worst films of the year.

WHERE TO INVADE NEXT
Director: Michael Moore (one nomination, one win)
Synopsis: In typically irreverent fashion, Michael Moore visits foreign nations in an effort to learn how they deal with social problems differently to the United States.
Festivals: Toronto (premiere), New York, Chicago, Hamptons
Awards: Chicago International Film Festival (Audience Choice Award), Hamptons International Film Festival (Audience Award)
Nominations: BFCA, Austin Film Critics, Chicago Film Critics, Houston Film Critics, Phoenix Film Critics, Satellite Awards
Box-Office: Qualifying run; theatrical release in February, 2016.
Review: Manuel was more forgiving, but I thought it was utterly disgraceful!

More about Invade plus we go to Ukraine, Mexico, Africa and the streets of Florida after the jump.

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A Very Batty Birthday

Today is the inception date of one of the world's all time most compelling screen characters. It's Replicant, Roy Batty (of Blade Runner fame). Oh the places he'll go... 

Or, rather the things he'll see in his short life: Attack ships on fire off the shoulder of Orion; C-beams glittering in the darkness at Tannhäuser Gate.

We speak of course of Replicant N6MAA10816 Roy Batty (Rutger Hauer) of Blade Runner fame. Who will be incepted at some point... today (gulp). Given how prescient so much of Blade Runner was, particularly in its inarguably genius production design (which hilariously lost the Oscar to Gandhi - okay, Hollywood *rotflmao* you do you!), this shouldn't surprise us.

With Alicia Vikander's gloriously sly Ex Machina performance winning recent honors (BAFTA & Globe nominations) for a brand new potentially classic synthetic antagonist, this is a perfect time for us to honor Rutger Hauer's greatest performance yet again. Hauer's work as Roy Batty has long since become a personal symbol of what heights actors who are in tune with their film's message, their auteur's vision, and their genre's style can soar to... even if awards bodies have historically always had trouble understanding the level of difficulty and the mad genius that shapes the best genre acting, nearly always to their detriment since these performances often become classics examples of great screen acting nearly the very second people are done cordoning of the movies that house them as "sci-fi" or "horror" or "comedy" and have started thinking of them as simply "a classic."

After the jump a slight reworking of a tribute written by yours truly in 2007 on the occasion of his film's then 25th birthday...

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