Soundtracking: "Hedwig and the Angry Inch"

by Chris Feil

Perhaps you missed that John Cameron Mitchell finally returned to the punk rock scene this past weekend with How to Talk to Girls at Parties, and honestly - what gives? Regardless of this Neil Gaiman adaptation’s quality, has everyone faded from the afterglow of Hedwig and the Angry Inch so quickly? (Mitchell's promise that the film is joining The Criterion Collection later this year should fix that.)

Mitchell has given us one of the most unique musicals of the past quarter century, so any return to musical adjacency (National Anthem or otherwise) deserves our attention. Or maybe the distinctive qualities of Hedwig make comparisons - its weathered reductive comparisons to every recent rock musical you can think of - a losing battle...

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"So how was that for you?"

When the moon is in the seventh house
And Jupiter aligns with Mars...

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Two Handfuls of Link

• The Guardian Isabelle Huppert has really outdone herself with her answers in this new Q&A
• Variety Roseanne cancelled at ABC after Roseanne couldn't help herself and went on yet another round of racist remarks. Still, that's quite a move by ABC given the success and profitability of the show (and their past indifference to her statements). Corporations aren't really known for not letting money do the loudest talking.
• Variety interesting buiness related follow up: In the very recent upfronts ABC had basically built its whole Tuesday schedule around Roseanne as ratings savior. What will they do now?
• Slate an oral history of The Muppets
• Coming Soon Uma Thurman to star in Netflix's supernatural drama series Chambers. Let's hope she has better luck than Naomi Watts did with Gypsy.
• Pajiba Let's talk about Phoebe Waller-Bridge (Fleabag, Solo)

Much more after the jump including Jake Shears new song, George Takei exonerated, Interview magazine, Mean Girls album, a Spawn reboot, and what to do when stars disappoint us...

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A Reflection on "The Tale"

By Spencer Coile 

I intended for this to be a formal review of Jennifer Fox’s autobiographical HBO film, The Tale. I was going to dive into the Sundance darling and discuss it, celebrate it, and critique it the way we do most movies. I was going to conclude with the film’s Emmy chances, where it will no doubt be a worthy contender for Best Made for TV Movie and Laura Dern in Leading Actress. And it’s no wonder – it was critically lauded as a timely reflection of the #MeToo movement.  

But a "review" would be doing Fox’s story a disservice. This is, first and foremost, a personal story about Fox's reconciliation with the past as a means of understanding her present and future. The Tale was acclaimed coming out of Sundance, and was quickly scooped up by HBO. Gone were Dern’s Oscar chances, but this decision ensured that the film would reach an audience, which according to Fox, was the point all along.

Dern plays Jennifer Fox at 48-years-old – a documentarian, a professor, engaged. On the surface, she seems to be living a completely fulfilling life. But when her mother (Ellen Burstyn) finds a story that Jennifer wrote at 13, her world begins to crumble...

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Maleficent 2 Begins Filming. A Few Words on the Cast

by Nathaniel R

As much as I neither enjoyed Maleficent (2014) nor have any reason whatsoever to believe the sequel will be any better, I'll admit that I am as gullible as anyone when it comes to promotional hype about blockbusters. I veritably squealed when I saw this photo on Elle Fanning's instagram today. And then this equally delicious photo...

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