No More Mara "Magdalene" This Year

Chris here. We've been dying to see Rooney Mara in Garth Davis's Lion follow-up Mary Magdalene ever since those set photos emerged of her smoking in costume. But unfortunately the wait is about to be longer: the Weinstein Co. just pushed the film off this year's release calendar. We suspected this news might be coming when the film wasn't showing up in any festival lineups, but now the news in confirmed.

However, this doesn't mean that Mary Magdalene is headed towards the same fate as their delayed-into-oblivion titles Suite Francaise and Tulip Fever (which will finally open wide Sept. 1 - allegedly). Weinstein Co. has simply pushed the film back to March 30, which will be appropriately timed for Easter weekend. Perhaps opening on the holiday will be a smart cash grab given the relevancy with the subject.

But the Weinstein's aren't giving up that prime November release date after the same timing worked out so well for them last year with Lion. They have now moved up the Edison/Westinghouse electricity race film The Current War to Magdalene's former November 24 date. That film plays right into the Academy's biopic sweet spot and boasts a nomination-ready ensemble that includes Benedict Cumberbatch, Michael Shannon, and Tom Holland. The financial struggles of the Weinstein Co. would likely have not been able to support the awards hopes for both, so maybe this is the best scenario for both films. Even if it means we'll have to smoke another pack with Mara Magdalene while we wait.

Beauty vs Beast: Burbank in the Bubble

Jason from MNPP here - just this morning I wished director Peter Weir (one of my favorites) a happy 73rd birthday on my own site, and it struck me that hitting up his 1998 classic The Truman Show (which at almost 20 years old can rightly be considered a "classic" now, can't it? God I am old) would make for a very fine installment of our "Beauty vs Beast" series. On the left we have Jim Carrey's second greatest performance as the manic man in the bubble Truman Burbank, and on the right we have one of Laura Linney's funniest supporting turns as his pretend wife turned hostage Meryl. And I know you all lean Lovely Linney (as a religion) but it's awfully hard to root for Meryl if you ask me...

PREVIOUSLY I'm actually a little bit surprised that you guys gave last week's Strangers on a Train competion to Farley Granger's Guy over Robert Walker's Bruno with 56% of the vote - Walker's sinister flamboyance is like oxygen to me personally! Said forever1267:

"That is a toughie, as this might be my favorite Hitchcock. I went with Team Guy, who's delusional in not reciprocating Bruno's desires, at least in the bedroom, but not at the carnival. Naughty Naughty! Ruth Roman is just sort of there, but Patricia Hitchcock and Teresa Wright should have teamed up to make a movie together where they solve mysteries while going Boy Crazy! Make it retro so!"

The Furniture: Who Should Win the Emmys for Production Design

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail.

Last year, I made a pitch to the Academy of Television Arts and Science on the subject of production design. Hopefully you also remember that amazing table tennis parlor from Penny Dreadful. But what you might not remember is that not a single one of the nominees I recommended actually won. Not even Lemonade, about which I am still annoyed.

But here I am, one year later, trying again. Here’s who should win each of the five production design Emmys. (At least Game of Thrones isn’t eligible this year, or they’d be winning for the fourth year in a row.)

Outstanding Production Design for a Narrative Contemporary or Fantasy Program (One Hour or More)
The Young Pope is almost dizzyingly lush. It’s here as a “contemporary” program, but much of it feels just as fantastical as the other nominees. It revives the gilded extravagance of the old Catholic Church, back when the Pope presented himself as more of an emperor than a priest. One is reminded of the clerical fashion show from Fellini’s Roma, but with a much darker undercurrent.

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Weak Weekend Box Office - Did You Go To the Movies?

It was a rather tepid week and weekend at the box office aside from some milestones further down the list. Wonder Woman continues to break records despite falling out of the top 15. In its 12th weekend its just passed by Sam Raimi's Spider-Man (if you don't adjust for inflation) making it the top grossing origin story superhero film. In other happy news for fans, both Girls Trip and Baby Driver passed the important $100 million mark this week. The Girls Trip figure isn't as unusual as the internet seems to be  pretending -- how quickly people forget that The Color Purple, Hidden Figures and The Help, which all centered on black women, were megahits and two of those in the very recent past! But the Baby Driver milestone is rarer. It's a first for director Edgar Wright who has had a devoted fanbase for years but never quite crossed over in this way. More after the jump...

Weekend Box Office (Aug 18th-20th)
W I D E	L I M I T E D
1. 🔺 THE HITMAN'S BODYGUARD $21.6 NEW	1. AN INCONVENIENT SEQUEL $300k (cum. $2.9) 514 screens  REVIEW
2. ANNABELLE CREATION $15.5 (cum. $64)	2. A TAXI DRIVER $266k (cum. $842k) 41 screens
3. 🔺 LOGAN LUCKY $8 NEW   REVIEW	3.🔺 INGRID GOES WEST  $265k (cum. $438k) 26 screens REVIEW
4. DUNKIRK  $6.7 (cum. $165.5) PODCAST | TOM HARDY	4. 🔺  MENASHE $230k (cum. $715k) 86 screens REVIEW

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Difficult People S3 E1-2: Woody Allen, Depression Shadows, and Protest Rats

Difficult People is back and Chris and Spencer will be chatting about this season!

Julie and Billy begin the season doing community service for wrecking a live televised musical. Billy lands a gig as the audience warmup for a new Larry Wilmore talkshow, while Julie tries to score some new antidepressants to get through Passover dinner.

CHRIS: That opening live musical joke was a great capsule of the show's humor: a blend of mass entertainment and niche references with a huge serving of outrage. I'd have an even harsher revolt to Bazinga in the Park with George however.

SPENCER: But if anything, it gives us that brief gag where they’re picking up trash along the Nathan Lane Roadway Memorial. It’s such a great way of keeping that world-building alive and comical.

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