Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe
Tuesday
Oct242017

TFE Does Halloween

The time has come… for you to block all the Kardashians on Instagram to prevent any self-harm you’ll be tempted to cause after seeing what percentage of your student loans they’re about to invest on a never-to-be-worn-again Halloween costume. We, at TFE, like to think of ourselves as better than the Kardashians—except for Kris, she is untouchable—so we have come up with a nice list of zeitgeist-friendly costumes that promise to be easy to assemble. Try to wear these at parties filthy with cinephiles, unless you want to be explaining yourself all night. We promise we’ll keep these cheap to assemble, except for the occasional requisite $600 lace-front.

Inspired by all the pop culture that's come out since last All Hallow's Eve, we've come up with a pretty specific list of costumes for you to avoid the store-bought. Check them out!

Click to read more ...

Tuesday
Oct242017

Doc Corner: 'One of Us' and 'Thy Father's Chair'

by Glenn Dunks

Not content to let scientology corner the market in controversial religion exposes, directors Heidi Ewing and Rachel Grady focus their attention on New York’s Hasidic community in their latest feature. A dramatic change of pace after last year’s celebrity bio-doc Norman Lear: Just Another Version of You, the filmmakers return at least somewhat to the themes of their most famous film, the Oscar-nominated Jesus Camp. Yet despite the potential cross-over to be found in the pair that seek to uncover the alarming practises of organised religion, One of Us is a much different beast.

Unlike that earlier film, which trained its cameras on the inner-circle of a camp for raising the next generation of evangelicals, One of Us observes from the outside, following the stories of three individuals who have attempted to extract themselves from the community and tell some often haunting and traumatic tales of their times within it...

Click to read more ...

Tuesday
Oct242017

I'm fluent in "Cher"

I discovered that I can read if not speak Cher fluently. So if you are not so blessed I shall translate this tweet for you after the jump...

Click to read more ...

Tuesday
Oct242017

"Wonderstruck" and "Mudbound"

Lynn Lee continuing our Middleburg Film Festival adventure

Dee Rees and Mudbound cast earlier this year. © Daniel Bergeron

It’s always a little weird to attend a talk with a director before seeing the film they’re being interviewed about.  That’s what happened with Mudbound, which concluded a day that began with a very engaging conversation between director Dee Rees and Washington Post film critic Ann Hornaday and festival founder Sheila Johnson’s presentation of the 2017 “Visionary” award to Rees.  Rees was charming, articulate, and impressively self-possessed, and had many interesting comments on the directorial choices she made in Mudbound, which I wasn’t sure whether I should keep in mind or set aside while watching the film that night.  Rees made clear that she resists being pigeonholed as a director of color, female director, or female director of color, an aversion reflected in her somewhat bland mantra “let excellence be the standard.”  At the same time, she agreed that the current system is structurally biased against prioritizing excellence and needs to be opened up...

Click to read more ...

Tuesday
Oct242017

Hertzfeldt's Return to "World of Tomorrow"

Chris here. Even the most niche of cinema is getting sequelized these days. Remember Don Hertzfeldt's masterwork animated short World of Tomorrow? Of course you do. The mini-major was an unforgettable science-fiction mix of rudimentary and complex visuals with equal bits silliness and profundity, and gained as much popularity as any short film in recent memory. Well we'll get to revisit Emily Prime for Hertzfeldt's follow-up, World of Tomorrow Episode Two: The Burden of Other People's Thoughts.

Hertzfeldt has been teasing the new short on Twitter for a few months and it played Fantastic Fest to equally high praise as its predecessor. Could this mean that Hertzfeldt could be back in the Oscar shorts race again after losing two years ago? The bigger question might actually be found in the film's not-so-short title: is Hertzfeldt planning an entire saga on Emily Prime or is "episode" simply a cheeky word choice? 

Based on a new teaser, the filmmaker will be delivering on more hypnotic visuals and melancholy wit that made the first so very special. Take a look at what is in store - and if you haven't seen World of Tomorrow yet, it's still on Netflix. Hello Again, Emily!