The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
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Tuesday, October 17, 2023 at 9:00AM Can you guess the movie from its first and last shot?
The answer is after the jump once you scroll down...
first and last, sci-fi fantasy Monday, October 16, 2023 at 7:00PM 
By Christopher James
How does one follow up a first feature after it breaks out and earns an Oscar?
After her vivid breakthrough Promising Young Woman, Emerald Fennell smartly refuses to play it safe. At first glance, the tale of class warfare and homoeroticism feels familiar. But her singular eye adds an indelible slant to the material, which feels like a spiritual sister to The Talented Mr. Ripley. Like that film, Saltburn expertly dramatizes the intoxication of lust and the limits we all blow past while under its influence. Fennell’s live-wire pacing is perfectly complemented by the committed cast, particularly Barry Keoghan, Jacob Elordi and Rosamund Pike...
Monday, October 16, 2023 at 1:00PM by Nick Taylor
Cats! We love ‘em. I know I do. Are we all cat people? No, but variety is the spice of life. Spirits of wronged women avenging their own deaths? Well loved across all kinds of cultural traditions and generic conventions. Putting cats and wronged women together, then, should be an instant recipe for success, yes? Especially if the title in question is as lauded as Kaneto Shindo’s 1968 film Kuroneko?
Set roughly one millenia before it was filmed, Kuroneko follows two women, mother Yone (Nobuko Otawa) and her daughter-in-law Shige (Kiwako Taichi), who live together in a bamboo cottage on the outskirts of a peasant village...
1968, Happy Halloween, Horror, Kuroneko Monday, October 16, 2023 at 9:31AM Can you guess the movie from its first and last shot?
The answer (and some Oscar talk) is after the jump...
animated films, first and last Sunday, October 15, 2023 at 5:00PM 
A moment ago, I knew exactly what I wanted to say to you. I have run through this letter in my mind so very often and I wanted to compose something eloquent, but the words just don't seem to be there.
So mused Hester Collyer in The Deep Blue Sea, and so I felt this past week, trying to articulate a fitting farewell to Terence Davies and failing to do so, over and over again. Words don't seem enough to describe what the filmmaker meant to me. Suddenly, my limitations as a writer became obvious, heavy on the soul, almost accusatory, for I can't seem to express what cinema lost on October 7th, 2023. It feels too big a calamity to encompass within a measly obituary. At the same time, this bruisedness that conquers me seems foolish, one of those idiocies of celebrity culture. How can I not feel silly for this grief over someone I've never met and will never meet? How can I worry about this considering everything else going on in the world? I don't know, yet I do.
Eloquence and intelligence, sensibility and sense have slipped from my grasp, so vulnerability might have to be the last resource available to confront this text, clumsy as it might seem. At my wit's end, it's all that's left…
