Thoughts I Had Looking at Binoche, Fiennes and Scott Thomas

by Murtada

This weekend the Rome Film Festival celebrated the 20th Anniversary of The English Patient with a special screening, attended by its three stars Kristin Scott Thomas, Juliette Binoche and Ralph Fiennes.

• The English Patient was 20 years ago????
• Juliette laughing and KST mistily looking away is reminiscent of their characters, warm melancholy Hannah and icy melancholy Katharine.
• I miss KST’s icy grandeur… now that she is a Dame will she get a new wind to her career?
• Am I K in your book?
• I still lived in Sudan in 1997 where cinemas were scarce. I remember wanting to see the movie for months and finally managed to see it on a trip to London a month after it won 9 Oscars. I went straight from the airport, dropped my bags and rushed to an afternoon screening in Leicester Square. That’s how bad I wanted to see it, I couldn’t wait another minute.

What are your memories of the first time you saw The English Patient?

Beauty vs Beast: My Best Friend is a Vampire

Jason from MNPP here wishing everyone a happy week's worth of Halloween fun & spooky frivolity. Now that the New York Film Festival's behind us I feel as if I can properly focus in on the reason for the season - horror movies! So let's devote this week's "Beauty vs Beast" to one of the finest examples of the genre from our young new millenium - Tomas Alfredson's 2008 Swedish stunner Let the Right One In, which tells the tale of young Oskar and the strange "girl" named Eli who moves in next door. Eli puts the "bad dream" into the term "Manic Pixie Dream Girl," but Oskar, bullied though he may be, ain't no saint himself...

PREVIOUSLY Last week we wandered into the woods with Into the Woods and the battle between the Baker's Wife and The Witch was quite the doozy, but in the end (unlike the film) it was Emily Blunt who came out singing with 52% of the vite. Said PoliVamp:

"Baker's Wife easily. I was very unhappy with Streep's nomination, as she was only the 5th best performance in the movie (and Blunt is in that top 4 group). Also, Moments is my favorite song from the musical, give or take Agony, so this was an easy pick for me."

Middleburg Day 3: Presidents, Production Designers, and Girl Power

Photo by Mara RoszakSaturday, my final full day at the fest, was a chilly windy day in Middleburg - horseback ride thwarted again! The unplanned theme of the day was girl power. The day began with a lively keynote conversation with AMPAS President Cheryl Boone-Isaacs. The moderator kept mentioning that she was the perfect person to be leading the Academy in these tough times and after listening to her for an hour, we can't disagree! It's quite obvious why they keep electing her. She's extroverted, quite funny, movie-loving, and knowledgeable about Hollywood with quite an interesting storied career behind her in film publicity. After that rousing breakfast conversation, the day ended with a standing ovation for Emma Stone and the dazzling La La Land (it's even better the second time!).

Inbetween those events a 13 year old Kazakh girl inspires in the documentary The Eagle Huntress, a very crowded panel on Presidents in the movies, and a conversation with four time Oscar nominated Production Designer Jeannine Oppenwall...

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APSA Nominations: Lion, Cold of Kalandar, and More

The Asia Pacific Screen Awards has announced its nominations for the film year. The organization is in its 10th year -- and we should note that our own Glenn Dunks works for them behind the scenes. They basically cover the whole continent so that includes Asian countries, Australia, Russia, you name it. Their definition is loose enough that it even covers films with creative teams that qualify even if the film is a co-production made elsewhere. Their nomination procedure is elaborate -- 303 films from 43 countries were in the mix this year -- and whittled down throughout the year. The results are certainly a unique barometer of the region.

Cold of Kalandar, Turkey's Oscar submission, has 3 nominations

The nominations with commentary are after the jump...

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The Furniture: Designing Dignity in "How Green Was My Valley"

"The Furniture" our weekly series on Production Design. Here's Daniel Walber

Filmmaking is often an art borne of flexibility. Tim Burton built Sleepy Hollow from scratch when he couldn’t find just the right town in the real world. Vincente Minnelli was forced to make Brigadoon indoors in Hollywood, because the studio wouldn’t pay for an expensive production in Scotland. Both films are likely better for it, too.

The same is perhaps true for How Green Was My Valley, which premiered 75 years ago this week. John Ford wanted to make shoot it on location in Wales, but World War II intervened. Instead, the production team built an entire mining town in the Santa Monica Mountains. This condensed and idealized version of the setting of Richard Llewellyn’s 1939 novel is among the most emotionally resonant sets of its era.

The film won five Academy Awards, including Best Picture and Best Art Direction.

The design team consisted of Richard Day, Nathan H. Juran and Thomas Little, no stranger to Oscar success. They based their village on Gilfach Goch, a quintessential Welsh mining town, but they dramatically reduced the size and jammed the houses much closer to the colliery...

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