Halfway Mark: Best Actors of 2016 (Thus Far)

Halfway Mark Festivities begin now! It's never too early to start thinking about year-end lists. If you keep a list all year long, you make better choices at year's end. Unlike The Academy we don't believe that the film year begins in October. So let's name the best male performances and achievements from the first half of the year.

Disclaimer: Notable films I missed that might have factored in to these categories but that I'll have to catch up with on DVD include 10 Cloverfield Lane and The Nice Guys.

NOTABLE MALE PERFORMANCES 
(January through June, 2016 - U.S. Theatrical Releases)

Best Leading Actor

• Alfredo Castro as "Armando" in From Afar
  One of world cinema's most dependably unnerving actors but his performances are never copies. (He's also great in the predatory priests drama The Club also released this year)
• Colin Farrell as "David" in The Lobster
  This underpraised actor continues to push himself when similarly famous stars would have long ago started coasting. Just wonderful as this lovelorn but surprisingly amoral sadsack
• Jake Gyllenhaal as "Davis" in Demolition
  Can someone please start giving him films that can keep up with him? He's been on such a tear. Get him while he's at his peak!
• Daniel Radcliffe as "Manny" in Swiss Army Man
  Though it's not much of a high-bar to proclaim this Harry Potter's best performance, that doesn't negate the compliment. Radcliffe does wonders with the weird constrictions of the role, never over or underplaying this corpse that talks, marvels, and learns and yearns for love
• Ferdia Walsh-Peelo as "Cosmo" in Sing Street
  He's a major find, superbly charting Cosmo's growing confidence and musical passion.

Four more categories after the jump...

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The Furniture: Merrily We Dance in Hail Caesar!

"The Furniture" is our weekly series on Production Design. Here's Daniel Walber...

Hobie Doyle is out of his element. Tossed from the great outdoors into the drawing room by the head of the studio, Alden Ehrenreich’s cowboy careens into words with hilarious indelicacy. It might be the single funniest scene in the Coen Brothers’ Hail Caesar!, now available on DVD and Blu-Ray, or at least a close second place to the hysterical clerical debate. It also has one of the most interesting sets, if not the flashiest.

The production in question is "Merrily We Dance," a genteel comedy by the director Laurence Laurentz (Ralph Fiennes). A hodge-podge of George Cukor and Noel Coward, he stands in for the not-quite-closeted geniuses of the era. The film, which seems to fall somewhere between Private Lives and Dinner at Eight, sends a jilted lover to an upscale party from which the hostess has absconded to Lake Onondaga...

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Tweetweek: Young Han Solo, Met Ball, and Civil War

Apologies for the slim postings the past two days. Boring issues at TFE HQ that will hopefully be remedied shortly for a jampacked next week. But enough of that...

As you may have heard Alden Ehrenreich has been cast as the Young Han Solo. If you are old like me you know he won't be the first actor to have risked Ford comparisons in the role. Way back in 1989, then freshly Oscar- nominated teen star River Phoenix (Running on Empty) played Young Han Solo in Indiana Jones and the Last Crusade in a flashback scene wherein we learned how Indiana Jones got that scar under his lip. 

Alden Ehrenreich is all the rage at the moment due to his truly awesome work in Hail, Caesar! And the following tweet is most definitely true of actor heat both now and in general. The Coens have a rich history of making people notice how great certain actors are and then other filmmakers capitalize on it. It's not just that galaxy far far away that takes cues from them. 

First Oscar Isaac and Adam Driver, now Alden Ehrenreich. Lucasfilm just waits for the Coens to show them who's cool. #StarWars #HanSolo

— Angie J. Han (@ajhan) May 6, 2016

The Coens have a rich history of making people notice how great certain actors are and then other filmmakers capitalize on it. It's not just that galaxy far far away that takes cues from them. 

But before we begin after the jump please note that I'm nominating Scott Beggs for the Pulitzer in criticism

The punching in Captain America: Civil War looks better than the punching in X-Men: Apocalypse.

— Scott Beggs (@scottmbeggs) April 26, 2016

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Harrison Ford-ging ahead

Josh reporting on much Harrison Ford news. Ford has long since solidified himself as one of cinema’s most iconic megastars. Following the triple whammy of Star Wars, Indiana Jones and Blade Runner in the early 80’s, Harrison Ford received top billing for every film he was in until Morning Glory in 2010. That’s nearly 3 decades of leading man status. The last decade hasn’t been the series of hits he’s accustomed to with epic flops like Paranoia, Cowboys and Aliens, and Ender’s Game. Which is why we’re heading back to the 80’s and revisiting peak Ford.

The big news this week is he’s once again returning as Indiana Jones for the 5th time. If you’ve already ruined a legacy with an abysmal 4th film, why not just keep making money off it? He’ll be 77 by the time it hits our screen, and whilst age shouldn’t be a restriction on kicking ass on screen, wouldn’t it be nice to see the same for our beloved actresses? Julie Christie is only one year older than Ford. Are you listening Tomb Raider reboot? With Spielberg back, this will be as much a trip down nostalgia lane as it was seeing Ford re-treading the deck of the Millennium Falcon in The Force Awakens last year.

With the increasingly cinematically adventurous and fascinating Denis Villeneuve at the helm of the Blade Runner sequel Ford is also returning to, there’s every chance we could be in store for a fresh look at the vivid world Scott created in the 80’s. That imagined future was so realised and dynamic, it leaves the story very open for new ambitious directions. So far rumours indicate that Ryan Gosling will actually be the lead, with Ford’s Deckard supporting in a way to anchor it to the universe we know.

The last bit of Ford related news this week is that the casting for the young Han Solo in the Star Wars spin off has been narrowed down to three. Hollywood Reporter has revealed that Alden Ehrenreich, who stole Hail, Caesar! from the rest of a stunning cast, Jack Reynor best known for Transformers: The Age of Who Cares (but solid in indies), and Taron Egerton whose charisma and scientifically perfect jawline made an impactful debut in Kingsman. This unfortunately leaves out contender Emory Cohen who made everyone in the world disappointed in their spouses in comparison to him via Brooklyn.

Are you still a passenger in the Ford car? Is the upcoming deluge of Ford reboots a Harris-ment to your childhood? Have I gone too far with these weak at best Harrison Ford puns? Let us know in the comments!

Q&A: Actressexual Longings & Carol Gender-Flipped

It's another Q & A. Ask it and it shall be er... might be answered. When I started typing this week I couldn't stop and before I know it there were thousands and thousands of words. So that takes care of two Q&As .

Here's the first half of the mad scribblings typings then.

What is your favorite non-nominated performance from each of the five titans of the acting nominations? (Meryl Streep, Katharine Hepburn, Jack Nicholson, Bette Davis and Laurence Olivier) - SEAN

NATHANIEL: Oh this is a tough one since those people were Oscared for breathing. Okay. Let's take them in reverse order of preference as actors...

Sir Laurence Olivier. Weirdly I was just watching As You Like It (1936) just the other day. I wasn't all that impressed though he definitely had an easier time with the material and the medium than the other stagebound performers. I have seen several of his non-nominated films, mostly from when I was very young so I don't remember them well. Spartacus? Dracula? That Hamilton Woman? I have no idea. I'm not a Sir Larry person at all! I almost always prefer his co-stars even in his biggest hits.

Katharine Hepburn. Bringing Up Baby (1938) is such a comic jewel. Mid 30s to Early 40s is best with Hepburn. 

Jack Nicholson. The Shining (1980). Sure he goes big but the nightmare requires that level of commitment to devilish abandon. He does supersized devilish abandon in Witches of Eastwick (1987) as well but in the latter case it's distracting since the women are already sparking so much. Take it down, Jack.

Bette Davis. I confess: I haven't seen all that many of her non-nominated performances. I don't think she's very good in Hush Hush Sweet Charlotte or her late camp work and not very memorable in Three on a Match. Hmmm. Maybe The Great Lie (1941)? But Mary Astor performs Grand Theft Movie in that one. What a knockout star turn.

Meryl Streep. Easy. The Hours (2002). "I seem to be... unravelling."

lots more after the jump

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