Q&A: Oscar-Free Dames, Supporting Shortlists, Disney Renaissance

Just answering six reader questions this afternoon for time constraints so we'll do another handful later in the week. Thanks for all the great Qs, readers! Here we go.

GSHAQ: Do you feel the gap is widening between the stories told in mainstream movies and contemporary issues? Oops, that might be an essay. 

NATHANIEL: This question hurts my brain but I'll try. I do fear for the health of cinema which directly addresses contemporary issues. For a long time the movies have preferred past-tense filters for social and political issues, once it's safer since history has sorted out consensus. The best of those past-tense films also address the here and now through their resonant power (see: Selma). And there's something to be said for the facility that good genre films have in addressing the way we live via metaphor (The Babadook, Bridesmaids, and Melancholia are MUCH better films about depression than some earnest dramas that directly take it on) Even superhero films can be reflective of the here and now in spite of (or maybe because of) all their mixed messages and contradictory 'have it both ways' politics. I don't think it's an accident that Batman v Superman and Captain America: Civil War, whatever their disparate qualities, are asking the same questions about Might Equalling Right and whether we have the right checks and balances in place for those in power. These are issues that we're facing in very real ways all over the world. But, that said, we do need a reenergized contemporary cinema. If we can only think about tough issues through metaphor or by dwelling on the past, we have some maturation to do as a society!

It's true that movies made in the right-now about the right-now can age quickly (see movies we've recently discussed like Working Girl)  but if they're any good -- and sometimes even when they aren't -- they make great time capsules about the way we were, the things we valued, and the issues that laid claim to our collective mental real estate.  

BVR: Rank the animated movies from the Disney Renaissance (1989-1999). Extra: which is the most underrated?

NATHANIEL: This is cheating and asking for a top ten list but here's a NON commital answer after the jump...

Click to read more ...

Box Office: Dory Keeps Swimming as Other Pets Rise.

This weekend Dory swam easily past Captain America to become the biggest grossing US hero of the year. (Captain America still leads internationally by a lot, which is funny if you think about it). That's quite impressive for a forgetful blue tang who could have gone 'straight to video' -- Wait, are we still saying that? If not, what's the new phrase. I'm scared of what this means for the future with all those cheapie animated sequels but it is what happened. The current top ten of 2016 includes only two originals (Zootopia & Central Intelligence) but otherwise it's all brand extensions / revisions. It didn't use to be this way but it's been a slow erosion. Consider by comparison: 2006's top ten had 5 originals; 1996 had 6; 1986 had 7. Since we get less original hits every year how soon until we have none?

It should be noted that an original won the weekend but since The Secret Life of Pets famously steals so shamelessly from the Toy Story template, and since it's been promoting itself for what seems like YEARS already it feels like it's a sequel to itself so should it count? Animated films continue to be the safest box office bets.

Mike and Dave performed fairly well in its opening weekend and The Legend of Tarzan had a strong second weekend. In platform release Captain Fantastic had a decent debut with a teensy tiny theater count: not terrible, not great. Will it win strong word of mouth? We deserve more Viggo in our lives but if we don't support his movie we won't get it.

TOP WIDE
800+ screens. arrows indicate gaining or losing screens
🔺01 Secret Life of Pets $103.1 NEW 
🔻02 The Legend of Tarzan $20.6 (cum. $81.4) Review 
🔺03 Finding Dory $20.3 (cum. $422.5) Review
🔺04 Mike and Dave Need Wedding Dates $16.6 NEW 
🔺05 The Purge: Election Year $11.7 (cum. $58.1) 
🔺06 Central Intelligence $8.1 (cum. $108.3)
🔻07 Independence Day: Resurgence $7.7 (cum. $91.4)
🔻08 The BFG $7.6 (cum. $38.7)  Review
🔻09 The Shallows $4.8 (cum. $45.8) Costume Honors
🔻10 The Conjuring 2 $1.7 (cum. $99.3) Heroes and Villains
🔻11 Now You See Me 2 $1.3 (cum. $62.2)
🔻12 Free State of Jones $1.3 (cum. $19.2)

TOP LIMITED
Less than 800 screens. Excluding previously wide. 
🔺01 Sultan $2.2 (cum. $3.2) NEW
🔺02 Our Kind of Traitor $731K ($2.2)
🔻03 Swiss Army Man $690K ($3.1) Best Actor
🔺04 Hunt for the Wilderpeople $413K (cum. $754K)  Review 
🔻05 Love & Friendship $326K (cum. $12.9) Review, Podcast, Best Picture  
🔻06 The Lobster $309K (cum. $8) Reviewish, Podcast 
🔻07 Maggie's Plan $180K (cum. $2.9) Review
🔺08 Cold War 2 $165K NEW
🔺09 The Music of Strangers $144K (cum. $566K)
🔺10 Weiner-Dog $105K (cum. $288K)
🔺11 Captain Fantastic $98K NEW Review
🔻12 Genius $80K (cum. $1.2) Review

What movies did you catch this week? Remember to watch Gentlemen Prefer Blondes on Netflix for Tuesday night's "Best Shot" party.

Review: Finding Dory

This review was originally published in Nathaniel's column at Towleroad

One of the best things about breakout supporting characters is that the fandom surrounding them comes honestly. Scene-stealers aren't handed their movies, but earn them. So it went with Dory, Ellen DeGeneres's forgetful blue tang who swam circles around every other character in Finding Nemo (2003), figuratively speaking, though she did sometimes swim in actual circles since she couldn't remember where she was going.

Thirteen years later, though Finding Dory takes place just after Finding Nemo ends, we're swimming in circles again with Dory, via a suspiciously similar movie. Let us count the ways...

Click to read more ...

Finding Treasure (with Pixar's Dory)

It will surprise you less than Dory, that she's the new queen of the box office. Finding Dory, the sequel to Pixar's most beloved non-Toy based title with mainstream audiences (not with us though - we're WALL•E / Incredibles people round these parts), broke records when it swam into theaters Thursday night. The bankability of a little Hart (Kevin) and a Big Johnson (Dwayne "The Rock") made an impact in second position, as well, though it's worth noting that pairing them didn't remotely result in twice their usual opening weekend grosses (these are fairly typical for either of them. Maybe their fanbases are too similar?) Between those two movies requiring nearly 8,000 screens between them it was a rough weekend for other movies with most big and small releases losing a ton of movie houses (yes even Love and Friendship and The Lobster which both had strong momentum until they lost theaters. *sniffle*). There's a lot of summer left but there's only one last tidal wave of box office as we move towards the July 4th holiday and Independence Day, The BFG, and Tarzan soon battle for dominance.

TOP WIDE
arrows indicate gaining or losing screens
🔺01 Finding Dory $136.1 NEW Review
🔺02 Central Intelligence $34.5 NEW
🔺03 The Conjuring 2 $15.5 (cum. $71.7) 
▫️04 Now You See Me 2 $9.6 (cum. $41.3) 
🔺05 Warcraft $6.5 (cum. $37.7) Six Questions

Jude Law & Colin Firth in GENIUSTOP  LIMITED
Under 1000 screens. Excluding previously wide. 
🔻01 Love & Friendship $797K (cum. $10.9) Review, Podcast
🔻02 The Lobster $647K (cum. $6.3)  Reviewish, Podcast
🔺03 Maggie's Plan $471K (cum. $1.8)  Review
🔺04 Genius $306K (cum. $442K) Review 
🔺05 Weiner $144K (cum. $1) Review 
 

WHAT DID YOU SEE THIS WEEKEND? 
I caught Neon Demon (ooh boy. that's going to be tough to write about) and rewatched Who's Afraid of Virginia Woolf (1966) - our 50th anniversary celebration of that classic begins tomorrow!

Schuyler Sister, Disney Princess?

With Hamilton fever not relenting any time soon, we're starting to get excited for Lin-Manuel Miranda's next projects, including the resucitated In the Heights movie adaptation and Mary Poppins sequel with Emily Blunt. But we won't have to wait years for his next musical feat: he's partnered with Disney for the music on November's animated Moana.

But he's taking some Hamilton family with him: castmate and Schuyler Sister Phillipa Soo has joined the vocal cast which also includes Dwayne "The Rock" Johnson and newcomer Auli'i Cravalho.

The casting doesn't come with details on her character beyond "villager", with much of the South Pacific-set animated film still under wraps, but surely you're thinking what I'm thinking. Could Soo be following the likes of Idina Menzel and Jodi Benson from Broadway leading lady to Disney princess? Besides, aren't Schuyler Sisters already the girl power heroes we always hope new Disney princesses will be?

Call it a stretch with as little as we know about the film (and she's not the title character - *shrug* details), but considering the composer connection, we can at least expect some gorgeous music to come from the actress. She faces stiff competition for Lead Actress in a Musical at the Tonys this Sunday, but might we even see her performing at the Oscars come 2017? Miranda shares scoring duties with Opetaia Foa'i and Mark Mancini, and could already be safe bets for Original Song nominees thanks to Disney and Hamilton's combined cache. If Soo got one of the film's key songs, it would be quite a thrilling (and fast) reunion.

Moana Opens this Thanksgiving! What other Hamilton cast member would you like to see join the Disney ranks?