All Oscar Charts Updated: "The Favourite" and "Black Panther" Rising

As a special Thanksgiving gift to all of you, we've updated all the Oscar charts.  

The Favourite In theaters tomorrow! DO NOT MISS IT.

BEST PICTURE
The box office this weekend and so many openings and/or guild screenings this week (Roma and The Favourite both in limited release, Green Book going wide, Vice and Mary Poppins and Mary Queen of Scots screenings) etcetera will likely disrupt this chart, as will the impending NYFCC and NBR decisions, but here's what we're thinking right now...

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Willem Dafoe is Monumental in "At Eternity's Gate"

by Eric Blume

Willem Dafoe plays Vincent van Gogh in At Eternity’s Gate, director Julian Schnabel’s film about the last year in the life of the great Dutch painter.  And Dafoe’s delivers a magnificent performance here: his face is the canvas of the film, in all its agony and ecstasy.

Schnabel, a painter himself who made the stunning films Before Night Falls and The Diving Bell and the Butterfly, gives us a deeply detailed movie of a painter by a painter.  The mechanics of landscape and portrait painting, the walks to the viewpoints, the tools, and the intimacy with the subject all become the fabric of this movie.  Schnabel’s attention to these subtleties establish his credibility and give the movie real texture...

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goodness gracious, great links of fire

• Variety Susanne Bier to direct Nicole Kidman in the miniseries The Undoing about a therapist whose husband goes missing
• Paste Kyle Turner on the "literary drag" of Can You Ever Forgive Me?
• Decider Julia Roberts 'queen of comebacks she never had to make'
• Pajiba an ode to Missy on Big Mouth (also my favorite character on the show)
• AV Club Emma Thompson wore sneakers to her damehood ceremony
• IndieWire it's foolish to bet against James Cameron even if you think the idea of four more Avatars is insane

• Remezcla why was the Cuban submission Sergio & Sergei left off the Oscar Foreign Film list?
• THR will Netflix caving on an exclusive theatrical window for Roma mean more films will get that treatment?
• Vulture on the extreme closeups in this season's awards contenders
• i09 interesting piece on why we need more utopian fiction (it's all dystopias out there currently)
• Vulture unexpectedly good article "in defense of the medicore music biopic" on Bohemian Rhapsody, Great Balls of Fire, The Doors, and more...
• People Idris Elba named "sexiest man alive" for 2018
• Gizmodo MoviePass didn't kill the dream of subscription-based moviegoing. A new competitor Sinemia has lots of tiered pricing options and a $24 monthly charge if you want unlimited one non 3D movie a day.
• /Film Nothing ever stays dead onscreen. Breaking Bad will now get a film version with Aaron Paul expected to return (as a sequel to the series)
• Broadway World Angela Bassett and Cicely Tyson named honorary chairs of the 60th anniversary gala of Alvin Ailey American Dance Theater

Post Election Blueishness
• Slate offers a practical optimistic way to look at the election results yesterday
• New Yorker "Putin Loses Control of the House" - funny piece!

A look back at Gods and Monsters (1998)

Please welcome guest contributor Anna to discuss Gods and Monsters for its 20th anniversary. You can follow her on Twitter @MovieNut14

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Based on Christopher Bram’s novel "Father of Frankenstein," Gods and Monsters – which references a line from Bride of Frankenstein – focuses on the final months of retired film director James Whale (Ian McKellen). Recovering from a series of minor strokes, he lives alone with his housemaid Hanna (Lynn Redgrave) and memories of his past. Because of his weakening state, he slips into a depression and contemplates suicide (which he would ultimately follow through in 1957). But the presence of gardener Clay Boone (Brendan Fraser) gives the aging man something to live for...

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Review: Bohemian Rhapsody

The review was originally published in Nathaniel's column at Towleroad

‘C’mon Gay Shame!’ That’s what we imagine the movies are shouting at us right now, spirits ablaze and fingers snapping. Though it’s surely a coincidence, the Freddie Mercury biopic Bohemian Rhapsody (‘yaaas, Queen’?) and the gay conversion therapy drama Boy Erased have arrived simultaneously. This accidental double feature is a double closeted whammy. 

It’d be wonderful to report that they’re both worth seeing, but only one might rock you. And it isn’t the one with the famous “we will we will rock you” chorus. But more on Boy Erased later since it’s just beginning a platform run on 5 screens and will be expanding as awards season heats up. Bohemian Rhapsody, on the other hand, is opening wide on 4,000 screens and hoping to fill them like Queen filled stadiums…

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