Oscar Horrors: Margaret White Burns in Hell

Just one more day of Oscar Horrors! On this penultimate day of the series, JA has an incredible take on one of our shared favorites, "Carrie". -Nathaniel

HERE LIES... or rather, HERE BURNS IN HELL... Margaret White, Piper Laurie's Supporting Actress nominated performance in Brian DePalma's 1976 film Carrie.

JA from MNPP here - the only thing more shocking to me than the fact that Piper lost the Oscar for Margaret White is the fact that nobody's covered this performance for this here Oscar Horrors series yet. You could just sit back and quote her lines and be done with it - "I can see you dirty pillows." "Pimples are the Lord's way of chastising you." "I liked it. I liked it!" What a grand time it'd be! It would be like any given evening in my house, really. But give me an excuse to watch Carrie for the 50th time, and I will bite.

Piper lost the Oscar to Beatrice Straight's very brief role in Network; I won't diss Straight because I like her and I like that performance (and I like her a few years later in Poltergiest even more)... but come on. 

Rewatching the film today I was reminded what a note-perfect line Laurie walks. Dances, really. In sensible witch shoes. Her Margaret White should be what you see when you look up "Jesus Freak" in the dictionary.

But while she's often criticized for being over the top (and it's not as if director Brian DePalma backs off that angle -- when Carrie tells her mother she's going to the prom, Piper repeats the word aghast - "Prom?" - which DePalma then gooses with some ever-so-subtle lightning and thunder) what I noticed today is it's Margaret's smallness and fear that reveals themselves between the hysterics, and become disturbingly palpable. She is in a battle with herself, the beleaguered Christian, trying to be all the God Warrior she can be, but her beaten-down daughter, meekness personified (Sissy Spacek giving one of the finest performances ever put on screen, if you ask me), begins to beat her back at every turn and she's entirely befuddled by it. You can sense she's felt this before - when her husband, the one with the stinking roadhouse whiskey on his breath, also driven nuts by her zealousness, up and took off. It must be the Devil! You can see the parts clicking into place in Laurie's performance as her confusion turns into its own sense - this is what she is here for. Calmness washes over her; she has found her life's meaning. And it's a serenity that's terrifying.

And that's the thing with this performance and why it continually rings true to me - in the twenty minutes or so of screen-time that Laurie has, she simultaneously charts not just a broad portrait of religious fervor driven way off the deep end, but the pinpoint center wherein stands a very small very frightened woman, deranged by her own terror of abandonment. Once was enough, twice is too many, and she will drag her daughter straight to Hell before she ever lets go.

My Link, My Fate, My Fortune... Chanel No. 5

Studio Exec visits the set of Darren Aronofsky's Noah
The New Yorker interviews screenwriter Melissa Matheson for the 30th anniversary of E.T. The Extra Terrestrial
Movie|Line first tease of Carrie. Hmmm, looks very BIG for such an intimate horror story
Yahoo on the internal wars for each character on Homeland. Such a good season 2 thus far, yes?
Nicks Flick Picks spends an evening with Joan Allen at the Chicago Film Festival 

Chanel No. 5 Joe Wright directs Brad Pitt as the first male spokesperson for Chanel No. 5. Joe is the new Baz. Discuss.
Acidemic suggests streaming Netflix options you might not have thought of that are Halloween appropriate.

Today's Very Best News
Tina Fey & Amy Poehler will co-host the Golden Globes. YES. But can they switch show duties with Seth MacFarlane please? Now I have to look forward to the Golden Globes even more than usual and I'd rather be THAT excited for Oscar.

Awwww
Barbra Streisand singing with her son Jason Gould this past week in Philly. The family that sings together...

Finally, for you readers who are also writers... Nail Your Novel has tips on how to prepare for National Novel- Writing Month. I tried to do this once (a sci-fi novel actually) and I liked the exercize but it's hard to do when you're also writing a daily blog. But if you've been stuck in your own writing, I highly recommend.

It's Happening... Again.

Hello Lovely Readers!

Beau here, and holy God, it’s happening. 

Yeah, yeah, I knew Carrie was in production, but it’s one of those films you know is being made but you don’t truly believe it until you see a still in front of you.  And lucky for us, we have two.

Initial Thoughts:

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Do the Right Link

Classic
Cracked 5 true (?) stories of dangerous movie scenes. Reckless endangerment on the sets of Inglourious Basterds, Evil Dead and Carrie, among others.
After Elton "Best Movie Ever? Truth or Dare" well, it's one of them at least! Anyone who ever questions Madonna's magnificence, needs to watch it.
Gothamist The Zeigfeld Theater in Manhattan is losing a million a year and may close. This is terrible terrible news for cinema since it's the only grand theater left in one of the two most important movie markets. It's hallowed ground. The place where I first saw Moulin Rouge! and first saw Michelle Pfeiffer in the pflesh. And so many other great experiences.

Current 
BadAss Digest theories on an important deleted scene in The Amazing Spider-Man
Vulture has an excellent interview with Spike Lee on his new film, Hollywood today, and the Obamas.
Salon Who are you, Katie Holmes? 

...and this is my pick for Tweet of the Weekend from Allie Goertz

Hee.

Future
Coming Soon The Dark Knight Rises and... Charles Dickens?

Take Three: Piper Laurie

Craig (from Dark Eye Socket) here with this week's Take Three. Today: Piper Laurie

Take One: Hesher (2010)
Laurie has played the grandmother figure a few times in recent years (Hounddog, Eulogy, The Dead Girl), but she best conveyed matriarchal feeling last year in Hesher. The film uses the familiar narrative coupling of a loveable old person and unruly younger person connecting despite obvious differences. This time it's carried out with keen subtlety because the people involved are Laurie and Joseph Gordon-Levitt, who make this arrangement work in a delightfully fresh way. Their friendship isn’t the main thrust of the narrative, but a key characterful diversion, and the genuinely heartfelt union elevates the film with tiny moments of tender affection.

Laurie's Grandma is there for her grandson (Devin Brochu) through the mourning of his mother and later when Gordon-Levitt’s stoner/drifter crashes the family home. Her open acceptance of the stranger in their home starts as comically baffling but becomes almost profound. A bedroom scene where the Grandma and Hesher share tales of their lives over a bong contains obvious comedy. But Laurie’s performance – especially her indistinct and sweetly sing-song delivery – creates an odd pathos. She's giving us glimpses of her life before old age took its toll. This scene follows an earlier moment where nobody takes her up on her offer to accompany her on her morning walk. Unfazed, yet with a hint of melancholy barely audible to the others, she utters: “Well, you know you’re always invited.” She arouses a rush of emotion in five small words. "Grandma" couldn't might've been a mere peripheral presence or a parody, but she's more than a token old lady in Laurie's hands. 

Godfearing loons and corporate megabitches after the jump

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