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Entries in gender politics (231)

Saturday
Jan162016

Handwringing: The Ongoing, Important but Not Always Helpful #OscarsSoWhite Conversation

Have you been following the #OscarsSoWhite discussion? Or rather the shouting? Discussion happens after the fact so we waited 48 hours. There was a lot of knee jerk anger on the day of the Oscar Nominations and many bold statements. Some were totally understandable. Others had us wondering if we've been watching a different Oscars for the past quarter century than anyone else.

If you can't read another word about this we'll understand and hope you'll come back for the next article. But if you'd like to discuss and are willing to think about diversity as a wider and more important topic than a list of 20 names published this year and who or who isn't on it, than read on.

First, I need to get something off my chest...

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Wednesday
Jan132016

The Razzies Are Here (Though You Wish They Weren't)

Kieran, here. The Razzie Awards, “honoring” the worst cinematic offerings of the year have announced their nominees and it’s pretty much as expected—knee-jerk, steeped in misogyny and patriarchal nonsense (more on this later) and generally indicative that they don’t care about quality filmmaking any more than the offenders they’re highlighting. A little background on who votes on the Razzies—voting is actually open to the public. People who want to vote pay an annual fee or you can pay a whopping $500 for lifetime membership. Why would anyone ever pay to be part of this unseemly orgasm of fruitless schadenfreude, you ask? To quote Sarah Paulson’s Abby in Carol, “I can’t help you with that”.

Anyway, here are the nominees...

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Wednesday
Jan132016

Who will be nominated for Best Picture? Our Final Predictions.

The wisest thing to do in Oscar prediction in most years is a holistic approach. Start with Best Picture and let everything flow outward from that. Many technical or acting nominations throughout Oscar history are headscratchers unless you notice that their housing film was up for the big prize. People love what they love and they love blindly. Or, well, that's not right. That's... ungenerous. I don't think anyone is willfully myopic  -- which is why diversity in Academy membership is so important -- it's just that we all have our limitations and our fields of vision can be narrowed by any number of things including time spent looking at options.

If there were still only five. Oscar.... so manly!

For my own awards -- which statistically always include more movies than Oscars field each year -- this is probably because I see more movies and I probably fuss over my ballot more than 90% of Academy voters. They're inside the raging storm (and as some of them have told me over the years they either see movies very early before they're out in the world or well after the fact depending on their connection to the filmmakers studios and demands of current projects) while we're outside the storm looking at it and able to consider it from more vantage points. Of course that always brings the danger of overthinking it, the #1 easiest trap for pundits. "Guilty!" I shout, knowing myself

How many of these pictures will also be nominated? Last year we had 8 nominees in total.

Best Picture is unusually competitive this year and it's been a  clogged up mess. The sudden lurching away from critical darlings  Carol & Mad Mad Fury Road -- no secret at all that they're my two favorite films of the year -- that some pundits were predicting to lead the nomination tallies as recently as a week or two ago, toward more traditional Oscar Bait like The Revenant and The Big Short (read: heavily masculine, more traditional in form and message) has been a bit disheartening. I go on about this and the gender bias of Best Picture in my intermittent column at Towleroad. I am hopeful that Carol will be nominated still but it's no sure thing. I expect Carol and Room and Brooklyn are in the same 'could go either way' boat .. and together with longer shots Sicario and Inside Out -- well it's hard to miss that these are all extremely well reviewed films with female leads. So why are none of them sure things? Oscar might me walking into an #OscarsSoMale situation tomorrow morning. But we'll cross our fingers and hope voters realized during balloting that women are 50% of the human race and their stories aren't any less important and when they're told so gorgeously it'd be a real shame to pass them over. 

UPDATED CHARTS: PICTURE | DIRECTOR | ACTOR | SUPPORTING ACTOR | ALL SOUND CATEGORIES 

Saturday
Jan092016

Podcast: Whodunnit and Whydtheydoit... "The Hateful Eight"

When the cats away the mice will play? Something like that. This week's two part podcast marks the very first without your host (none of you needed to hear me whine about The Hateful Eight again! -- plus I was sick the day of the recording). So let's see what Nick, Katey and Joe think of it in this sure to be exciting conversation; I only have a vague notion of what they each thought of it so can't wait to listen with all of you! 

24 minutes 
00:01 Introductions & Teasings
02:00 Quentin Tarantino's The Hateful Eight: moviegoing crowds, racial & gender controveries, Agatha Christie mysteries
19:00 Reader Question: Three comedy performances that went wildly underappreciated this past year. Nick, Katey and Joe each pick a favorite. 

Part 2 will be up shortly

You can listen to the podcast here at the bottom of the post or download from iTunes. 

The Hateful Eight. Intermission and All...

Wednesday
Dec302015

Q&A: Oscar Ceremonies, Sex Work, and... The Warlocks of Eastwick? 

Soon, we'll be buried in an avalanche of awards news again so tonight a brief respite from the current Oscar race. It's Q&A time. Here are eight reader questions I chose to answer. I skipped anything on Category Fraud because I feel so exhausted by that fight ("though undeterred in my moral superiority!" he says arms akimbo and chin up, like a superhero with cape billowing behind him, sworn to upheld 'the Awards Way') and I might have to freak out all over again on nomination morning so let's ignore it for now.

MDA: What 2015 release that you were looking forward to watching disappointed you the most?

NATHANIEL: It feels stranger to answer with a film I liked, especially one that's already getting a critical rethink by way of surprise top ten placements but maybe Magic Mike XXL? While I admire its super cajzh vibe and its focus on female pleasure, I'm puzzled as to why they went more demure with the sequel when they kept promising it would be more stripperific i.e. what everyone expected from Soderbergh's first brilliant film (which you'll remember was a Bronze medalist for Best Picture right here.)

Another big disappointment was Sisters. It's totally funny don't get me wrong. But that's all it is. It's strange that we know that Tina Fey can write brilliant comic masterworks (30 Rock, Mean Girls) but keeps wasting her star power and comic gift on propping up other people's wildly underwritten cliché-filled scripts. I'm beginning to wonder is she even wants to make another comedy classic? Perhaps she's fine coasting until retirement. But it's hard to not wonder what could be if she'd only apply herself again. 

EZ: I hereby grant you special powers to go back in time and attend an Academy Awards Ceremony of your choosing. Which year do you choose and why?

NATHANIEL: This question sounds nice until you realize the genie has only granted you one wish instead of three.  So stingy!

Retro Oscar Races, Domnhall Gleeson, Bridget Jones's Baby, and more after the jump...

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