Year in Review: Box Office Bonanzas

YEAR IN REVIEW FESTIVITIES BEGIN NOW! 
Cue: confetti, trumpets, fainting women, ornery cinephiles, and orgasmic actressexuals™. This is Part One of Millions! Hundred$ of Million$

We'll start with the commerce and work our way to the art. So herewith the tops in various money categories for your mental ledgers.

Top Per-Screen Arthouse Opening
BLUE JASMINE $102,011 (6 Theaters)
Runner Up: INSIDE LLEWYN DAVIS $101,353 (4 Theaters)
* Disclaimer both AMERICAN HUSTLE & FROZEN beat these numbers but those were fake-outs clearly on their way to wide mainstream moviehouses, rather than intended as platform specialty films.

Woody Allen's 'Streetcar meets Madoff Scandal' hit started even stronger than his biggest modern hit Midnight in Paris. It didn't end up making as much but then Blue Jasmine was a fair bit more depressing and riches to less riches is elemental to its DNA. Meanwhile the Coen Bros, like Woody Allen but with more regular crossover potential, can always bank on a hardcore fanbase to sell out those initial shows.

Katniss, McConaughey & McCarthy, Iron Men and Naked French Lesbians after the jump

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The summer blockbuster is dying? Thank goodness

Hi, it's Tim. It’s not typically the Done Thing for us members of Team Experience to respond to each other, but Michael C’s Burning Question yesterday got me thinking especially hard, and coupled with Nathaniel’s mention of my own “why did this summer suck so hard?” jeremiad in his link round-up, it seemed impossible not to address what has suddenly become a hot topic: the death of the great American blockbuster, although with Iron Man 3 striding past $400 million, reports of the death of tentpole filmmaking are perhaps exaggerated.

That said, there’s clearly a problem, and as somebody who still hasn’t grown out of the desire to see robots punching explosions into bigger explosions, or what have you, I count myself among the aggrieved that big-budget Hollywood movies have been steadily turning into such paint-by-numbers, flavorless affairs, too finely-tuned for international consumption to have any real personality. But that’s not what I want to talk about – there’s been enough talk about that. I want to talk about the happy flip side of things, which is that for all that the impressive flops and under-performers, it’s hardly been a dolorous wasteland at the multiplex. In fact, I take the story of this summer to be a hopeful one: the future seems to be taking shape right in front of us, and it’s exactly the opposite of the panicked “Cinema is dying!” rants delivered by such men as the Stevens, Soderbergh & Spielberg, recently.

If I were to pick the single most impressive box-office story of the summer, it wouldn’t be Iron Man 3 hitting a figure that is, however large, not that big a deal for a movie with its kind of budget, especially one serving as de facto sequel to a film that destroyed very nearly every record that exists. I’d go with either The Great Gatsby or The Conjuring. [MORE...]

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I Guess That's Why They Call It The Link

Hotel Chatter Regina King shows us the best revenge when you're dumped and your tv show is cancelled: look fabulous and happy
Antagony & Ecstasy reviews all Star Trek movies for you because Tim is generous and completist like that
IndieWire Kon-Tiki directors get the next high seas Pirates of the Caribbean gig. Typecasting!  
Broadway World what's next for the stars of the now-departed Broadway tv series Smash? 

Variety Johnny Depp leave the Whitey Bulger biopic Black Mass... no reasons have been given but I'm guess playing real humans is too scary for him! 
Towleroad Joe Manganiello in the best shape of his life and filming Ten with childhood idol Arnold Schwarzenegger
Los Angeles Times Neil Patrick Harris to host the Emmys just a few months after hosting the Tonys. With him becoming a mainstay at both I guess he'll never get to host the Oscars. 
i09 7 bad storytelling habits taught to us by comic books (most of them are very evident in today's franchise culture... even the ones without superheroes) 

Today's Must Read
Self Styled Siren goes to the ATM, withdraws movie thoughts

Today's Must Watch
How it Should Have Ended take on Iron Man Three - really funny stuff. Gold stars to every moment in the Superman and Batman coffee break

Iron Podcast

Bet you thought we were done talking about Iron Man Three. Nope. The guys at Panel Culture, a comic book podcast so good it makes me want to read comics again, invited me to talk about Marvel's latest billion dollar grosser and I gladly obliged. Some of you will have even talked to Owen, the host, in the comments right here at TFE so you know he's good people. 

me, my iron man three(d) glasses and the iron man sketch i doodled on my iphone waiting for the movie to start

While the subject is mostly the Iron Man franchise we also stray into other Marvel flicks as well as X-Men and personal comic-book lore. (The first I ever remember holding in my hands --  and I held it as it were holy scrit - was that mutant mag) Even if you are done with Tony & Pepper and don't wanna hear me yammer about them, you should definitely give other episodes of Panel Culture a listen if you're at all into comic books.

Box Office Big Spenders: Tony Stark vs Jay Gatsby

Excess was in this weekend, the second of the summer movie season despite the slight technicality of Spring having just started. Billionaires Tony Stark and Jay Gatsby were flaunting their expensive suits and pining for Pepper & Daisy everywhere you looked.

Iron Gatsby via Nathaniel R

Cheer up boys, you can now afford your second twenty-second home.

BOX OFFICE TOP DOZEN
01 IRON MAN THREE $72.4 (cum. $284.8) Reviewed
02 THE GREAT GATSBY  $51.1 *NEW* Reviewed
03 PAIN & GAIN  $5 (cum. $41.6)
04 PEEPLES  $4.8 *NEW* 
05 42 $4.6 (cum. $84.7)
06 OBLIVION $3.8 (cum. $81.6) Reviewed
07 THE CROODS $3.6 (cum. $173.2)
08 THE BIG WEDDING $2.5 (cum $18.8)
09 MUD $2.3  (cum $8.3)
10 OZ: THE GREAT AND POWERFUL $.8 (cum. $229.9) Reviewed
11 SCARY MOVIE 5 $.7  (cum $30.6)  
10 THE PLACE BEYOND THE PINES $.6 (cum. $19.9) Reviewed

Though I'm nearly always pleased when a non-franchise non-genre drama wins big gold coin, The Great Gatsby's huge gross fills me with dread for our collective future. I  think the movie is admirable in some ways and a failure in others but the movie isn't really the point. I was holding on to Drama as my last refuge from those fucking 3d glasses and you know Hollywood will assume that it was the EXCITING 3-D that drove audiences to purchase tickets to a lengthy romantic drama. Worse still, Baz Luhrmann -- a true original who works so infrequently he probably only has about 3 more movies in him before he dies --  apparently has his heart set on doing Hamlet next... and with DiCaprio, too (meaning DiCaprio would have starred in 50% of his filmography). Annoying Fact: Hamlet has been filmed over 50 times for the screen and is revived somewhere on stage every year.

FOR GOD'S SAKE BAZ... AT LEAST PICK A LESS OVER-WORKED SHAKESPEARE IF YOU GOTTA HAVE THE BARD. THERE ARE DOZENS TO CHOOSE FROM!  AND P.S. YOU'VE ALREADY DONE THE BARD WITH LEO AND YOU'RE NOT GOING TO TOP ROMEO + JULIET. FIND NEW TOYS TO PLAY WITH!

What did you see this weekend?  And are you, like me, weeping over the apparent future of Bazmark Productions?